The First Rice-planting Songs Essay
My friend, have you ever seen the big rice-planting songs? If you can visit our hometown on the 15th of the first month, you will be attracted by the rough and bold scene, and in the linger, you may not be able to help but join the ranks of this revelry, and twisted up in spite of yourself.
Listen, the sound of gongs and drums, firecrackers, lock na sounded, a set of children on the street rice-planting began to play round. The leader is "Sha Gongzi", he wore a small cap, dressed in white, holding a large folding fan. He was followed by girls and boys in disguise. "Chidongmang, Chidongmang, Chidongmang, Chidongmang ......" With the resounding gongs and drums, the rice-planting team, under the command of Mr. Sha, stepped on the dingzhi, stepped on the cross, colorful silks flew, and the dragon's footsteps were windy, naturally lining up in two rows, wearing flowers and flowers, and then walking in the wind. They naturally formed two rows, wearing flowers and playing the field. People watching the rice-planting songs naturally stopped in their tracks when they saw this majestic momentum. After walking around the field for two rounds, they only saw "Sha Gongzi" jumping into the center of the field, clasping his hands and bowing, singing a New Year's greeting tune, and the bustling little opera began. At this time, Zona changed its tune, the rhythm of the gongs and drums became more vigorous, and a pair of dry boats floated on the water, the old man holding the "oars" twisted around like a drunkard in the front, and most of the watery "girls" dressed as men twisted in a scandalous manner. At the climax of the show, a couple of "difficult wives" rushed out from behind. They are holding a mallet, wearing a black cloth shirt, ears also hung a red and green chili, face and a pea-sized mole, yellow face, lips, aggressive, with a "stick to beat the lovebirds" trend, three jumps and two jumps came to the front of the dry boat, and the "old man" began to maneuver. Stick, paddle collision ping pong pong, relative to each other, they seem to tear like fighting, like picking like teasing, like dancing like twisting, really call people can not help but laugh. It is difficult to distinguish when the stilt team rushed up, which washed away this pile of "enemies" ......
Friends. Come and experience a rice-planting song!
The second rice-planting article
China's traditional culture is profound and colorful, there are poetic paintings, valuable ceramics, and lifelike paper-cutting.
In the Northeast, the most famous is the rice-planting song, which is a folk dance slowly evolved from the action of people planting rice seedlings in the fields. Very popular, easy to learn, you can exercise, is the preferred way of exercise for many older people, now the streets and alleys in the evening, will sound the drums of the sound of thumping, groups of people out of their homes to the square, twisted up in an orderly manner! People walking in the distance will also unconsciously follow the twist on a few steps!
The traditional rice-planting songs are in the form of sledges and ground bouncers. The sled is a processed wooden product. The higher the sled, the better the twist, indicating that the higher the skill of the people, and then people are too much trouble, it was changed to ground jumping, ground jumping is directly on the ground jumping. It is now a common form.
When twisting the rice-planting song, there should be rice-planting song costumes. There are many kinds of costumes, such as flower crowns with a lot of small flowers, colorful beads, etc., but also with ribbons, fans, etc. to twist up a better look.
Peking Opera has the roles of Sheng, Dan, Jingshi, Mou, Chou, in fact, the traditional rice-planting songs are also divided into roles, such as the classic characters of various legends, such as the "Legend of the White Snake" in the Green and White Snake, Journey to the West of the Master and Disciples of the four people. There are also roles like clowns, but in the rice-planting songs, they are called "silly pillars", and they also wear funny makeup and special clothes, and this role is not to be acted out, and they need to know a few stunts to be selected, and they need to make people laugh with their special comical performances, which are also important roles in the traditional rice-planting songs!
Its twisting method is also very delicate, there are dragons swinging their tails, don't staff, roll cabbage, change elephants and so on. They are all very interesting to watch!
Look at these is not think our nation special great! We have to protect our traditional culture!
Thank you for choosing mine, this time choose mine!
2. Shandong Rice-planting Drums
"Drums Rice-planting" is spread in the lower reaches of the Yellow River in the counties of Jiyang, Shanghe, Yangxin, Huimin, and Wudi, and is stylistically similar to the gongs and drums of the middle reaches of the Yellow River in Shaanxi, Gansu, and Shanxi. Legend has it that it originated in the Northern Song Dynasty as a dance performed by peasants celebrating a good harvest on the threshing floor. The characters participating in the dance are five kinds of umbrellas, drums, rods, flowers and clowns, and the props used are silk umbrellas, round drums, double rods and silk scarves.
"Umbrella" role is divided into "ugly umbrella" and "flower umbrella" two kinds. "Ugly umbrella", also known as "head umbrella", dressed as an old man, is the organizer and conductor of the Yangge team. "Flower umbrella" for the female corner, holding a flower silk umbrella with "ugly umbrella" command dance, so that the dance team colorful.
"Drum" for the strong male corner, dressed as a martial arts student, drum dance, the largest number of people in the dance team, complex movements, tough dance accompanied by a terrifying array of drums, with the invincible might. "Stick" played by young men, both hands holding two ends of the wooden stick tied colorful silk, flying dance, dazzling.
"Flower" played by young women, decorated for the opera in the flower girl model, holding a silk scarf in the left hand, the right hand holding a colorful fan, spicy and generous, youthful vitality.
"ugly", also known as "outside the corner", can be added or subtracted, dressed up as "silly boy", "ugly woman", "county", "ugly", "ugly", "ugly", "ugly", "ugly" and "ugly".
Drums rice-planting song according to an even number of personnel, the formation arrangement of symmetry, to the center of the circle, a thousand variations. Generally, two "ugly umbrellas" with eight "drums", four "sticks", four "flower umbrellas" and eight "flowers". "The whole group of rice-planting songs consists of as few as 50 or 60 people and as many as 200 or 300 people. There are many traditional formations, such as "Double Pomegranate", "Scissors Unit", "Bull Nose Pincer", "The King's Entry to Beijing "
3. 3. Introducing Shandong Drum Rice-planting SongOriginally originated in Shanghe County, Jinan, the drum rice-planting song has a history of more than a thousand years, and is an art form in which folk sing and dance to celebrate a good harvest.
Every year, the Lantern Festival is the culmination of the Drum Yangge performances. Rice-planting teams are large, numerous, with different roles, and the drums and gongs sound in unison, making it a very lively event.
"Yangge, the Southern Song Lantern Festival of the village of Tianle also. Playing a monk, playing the male, playing the flower drums, pulling the flower sisters, Tian Gong, fisherwoman, pretending to state goods, miscellaneous lamps and lanterns, in order to Bo viewers of the laughter.
" - Qing Dynasty. Wu Xilin: "New Year's miscellaneous chants copy" 1, the Chinese folk dance oddball - drums Yangge China has a long history of music and dance culture, especially the folk dance of the various ethnic groups, it is a long history, different styles, constitutes an important part of the Chinese folk music and dance culture.
Shandong rice-planting songs are a splendid and colorful oddball recognized in the history of Chinese national music and dance culture, and occupy an important position in Chinese folk dance. Shandong Yangge has a prominent regional, from the distribution, to the west, north and Jiaodong Peninsula, the most prevalent.
According to incomplete statistics, there are more than 30 different kinds of Yangge in Shandong Province, and the overall style of Yangge is relatively uniform. There are three types of Yangge, namely, ground Yangge, inch Yangge and stilt Yangge, among which the stilt Yangge has the longest history and is the most widely distributed.
To date, the most important rice-planting songs active in Qilu are "Drum Rice-planting Song", "Jiaozhou Rice-planting Song" and "Haiyang Rice-planting Song", which are known as the "Three Major Rice-planting Songs" in Shandong. It is known as Shandong's "three major rice-planting songs" or "three major folk dances". The overall style of the songs is rough and bold and masculine for men, and feminine and supple and full of subtle beauty for women, while the most heroic, vigorous, fiery and powerful are those that have been passed down on the north bank of the Yellow River and the northern part of the Lu River. Drum Yangge in the north bank of the Yellow River and the north of Shandong Province. ...... 2. The "labor" of the development of the Drum Yangge "Drum Yangge" was firstly called "playing drums" or "drums", and then "drums" was called "drums" or "drums". "or "Big Drum Yangge", "Running Yangge" and so on. It was only after the 1940s that the name "drum rice-planting song" was given to it.
It is widely active in Shanghe, Jiyang, Huimin, Leiling, Yangxin, Linyi and other counties and cities in the north of Shandong Province, and its evolution and development of the history of a lot of claims, with a long history. The source of said summarized in the following points of view: labor said, outside to say, rituals and witch said Nuo said ...... drums Yangge's birthplace Shanghe County is located on the banks of the Yellow River, the vastness of the vastness of the fertile land thousands of miles.
However, this vast and sprawling land rarely to the people living and settled here to bring happiness and peace, the reason is known as the "cradle of Chinese civilization" of the Yellow River. The Yellow River that good silt, good decision, good wading, violent and changeable character so that it in the history of the people on both sides of the ravages, the destruction of life, resulting in the people living in this piece of land can not be long peace, always in the labor of cultivation at the same time, and constantly resist against the Yellow River on the invasion of their lives and ravages.
However, the hardship of the people's livelihood has further aroused the desire of the people in this region to survive and resist, and in the face of the Yellow River's flooding and ravages, they have risen up to fight against floods, build embankments and dams, and divert and drain the floodwaters, and use their own hard work and perseverance to make their own feet stand solidly on the disaster-prone, but always nourishing their land. And after the disaster of the moisture to grab seed, hard work, how can not let them use their own unique way to celebrate the joy of the harvest, to express their feelings? Simple and poor people move with the feelings, random and hair, due to the simple, so, pots and pans, sticks and dustpans, shovels and stilettos, handkerchiefs and umbrellas and other living tools and utensils around the way they entertained the help of the thing, gathered together to sing up and jump up and down.
Week after week, the cycle of labor life, and gradually formed the people on both sides of the Yellow River in the north of the Ru unique way of life, survival and expression of emotions, and folk art talented artists to push the wave of the original form of the rice-planting song in the gradual changes in the dance movements in the continuous summary of summarization, refinement and sublimation of props for the sake of the aesthetic pleasure of the gradual change from the ladybird basin to drums, umbrellas into flat-topped umbrella, improvisation, random, and the dance of the dance of the rice-planting song of the people. Flat-topped umbrellas, improvisation, random play, and simple dance movements also began to form combinations with a purpose. ...... Can this natural way of formation and development be understood as a reason for the origin of the drum rice-planting songs? This is also the main basis of the "labor theory". In fact, this is not only the drums rice-planting song of the source, can be said that all folk song and dance forms of the source, not so.
Throughout the ages and at home and abroad, what kind of folk art can leave the people's labor and life pattern at that time? 3, drums rice-planting song "outside to say" and the formation of time Lubei region on the drums rice-planting song source said that there are two most popular saying: 1, the Song Dynasty, the famine year, the Bao Gong from Henan to the Lubei region to put grain, his men to the local people taught drums rice-planting song led to this form of folk dance in the roots of this place, blossomed, and the results; 2, the Eastern Han Dynasty, the Han Guangwu Emperor Liu Xiu led a group of folk art in the early 20th Century, the first time the Chinese folk art of the time. Han Guangwu Emperor Liu Xiu led his troops to war when passing through the Lubei region, in order to enlist the hearts of the people, the organization of military and civilian revelry left the rice-planting dance ...... Although these two claims are unsubstantiated and can not be argued, but the two elements implied in the can not be ignored: "Liu Xiu Tuen Mun" said that it can be deduced that the drum rice-planting song is a form of folk dance. Inferred that the drum rice-planting song generation, the formation of ancient soldiers, military associated; Bao Zheng disaster relief left behind the legend, give us a hint of the drum rice-planting song in the Song Dynasty period has been in the folk diffraction of the embryonic form or traces of ...... Song Dynasty history of the written record seems to be also arguing that: Southern Song Dynasty Zheng Qiao had made the "rice-planting song", and the great poet, lyricist Lu You in a song of the Song Dynasty, the Song Dynasty. Lu You, a great poet and lyricist, described in a poem titled "When the Time Comes" the "ling song" sung by the people when they planted rice seedlings. Although the "rice-planting song" in Jiangnan at this time was only a kind of folk song and agricultural song sung by the people in the process of rice-planting labor in Jiangnan, which belonged to the "singing rice-planting song" and was different from the dance rice-planting song nowadays, who can say that this was not the initial form of the rice-planting song in the derivation and development of the rice-planting song? Without the beginning, there is no inheritance and development.
The name of the form of rice-planting songs should appear after the Ming Dynasty, that is to say, to the Qing Dynasty, rice-planting songs, ling songs, singing rice-planting songs, rice-planting songs have gradually become a standardized form of folk songs and dances prevalent throughout the world, and even continue today ...... drums rice-planting songs, the formation of the initial inference for the Song Dynasty should be said to be credible. But this is, after all, only an inference.
4, on the drum rice-planting song from the "witch Nuo" said Witch is a primitive society, the people's wisdom is not open to talk about the product of superstition, began to flourish in the official, and then gradually turned to the folk, and now in the remote and backward areas of the residual witches, gods, jumping gods, etc., are the residual form of witch. Nuo is the ancient exorcism of evil spirits, evil demons and plague rituals, Nuo points.
4.drum rice-planting song hometown - Shanghe essay 500 wordsFirst: twisting rice-planting song
Recently, every night you can hear "dong dong dong dong dong dong dong dong dong dong dong dong dong dong dong dong dong dong dong dong dong dong dong dong dong dong dong dong dong dong dong dong dong dong dong, dong dong dong, dong dong dong I was curious, so last night I put down my rice bowl and went to find out what was going on.
At a crossroads north of my house, many old people gathered. Oh, it turns out that they are twisting rice-planting songs! Two of them, one playing drums and the other beating a gong. Because there is no drum, so use a plastic bucket instead. The two voices of "dong dong" and "clang clang" sing together, but also interesting!
Following the rhythm, the grandmothers began to twist, they held a beautiful fan, and then both hands swinging left and right flung up, three steps before the foot, one step after, one step on the left, one step on the right, a pause, and so on, jumping around, twisting around. (The description introduces the movements of twisting rice-planting songs in a marvelous way, which is the result of the little author's careful observation.) The grandmothers were still saying, "Dum-dum-dum, clank!" "Dong-dong-dong, clank! Dong, clank, clank!" ......
Some mischievous children, from time to time, also scurried into the crowd blindly twisted a bit, the hands dance action, make people laugh. The girl is careful and steady, then watch from the sidelines. Looking at the strange movements, I said, "How to see how like a drunken person, the road are not stable. Like playing drunken boxing!" "Heh heh ......"
A few chairs, a plastic bucket, a few coins, a few sticks, plus a few "twisted rice-planting actors, constitute a small stage. (Simple language and strong generalization.)
Nine o'clock, I reluctantly left the scene. Sleeping in bed, the sound of drums and gongs ringing in my ears again. The sound of rice-planting songs accompanied me into my dreamland ......
5. Drum rhyme Say what aspects of the unique flavor of Shanghe drums rice-planting songs are reflected inRole Composition 1, "Fifteen" Dr., referred to as Dr., is currently referred to as the folk call "Dr. Yangge".
"Dr." as the name implies is a knowledgeable, skilled in rice-planting activities and performances. Fifteen doctors can only be honored with this title if they are performers past their prime. In their youth, they were more famous and expert in performing drums and rice-planting songs in their villages and were highly praised by the townspeople, and they have been dedicated to coaching rice-planting songs and guiding performances after they were old enough to spare no effort in keeping the unique dancing skills and honor of their villages.
They have their own specialties and skills, and are especially familiar with the various "fields" of the rice-planting performances - that is, the changes in the formations, and through various methods of mobilizing and training novices, they run out of the various fields methodically and accurately. Fifteen doctors is the drum rice-planting song to inherit the development of the key figures, and therefore loved by the masses of the villages and embraced them, they are able to drum rice-planting song to the endless, the continuation of the contribution is huge, can not be buried ...... 2, drums.
The band that accompanies the drums in the rice-planting songs is commonly known as the big drums, so some areas call the drums rice-planting songs "small drums". The orchestra consists of a big drum, a big gong, cymbals, cymbals, cymbals and spinners.
The drum is the commander-in-chief of the performance of the drum rice-planting songs, rice-planting dances, all the scheduling, the rhythm of the performance, are completed under the command of the drum accompaniment. At the same time, the drum is still the most important material wealth of each drum rice-planting team, because the organization of the drum lineup can not only reflect a village, the community drums rice-planting dance level, but also reflect a village, the community's economic situation; 3, gunner.
The rice-anthem team out of the village or into the village have to sound the cannon to create momentum, so there are people who specialize in cannon. Cannonner is the pioneer of the team, the general staff set for two.
The cannon they use is an iron cannon, also known as the "three-eyed cannon". Yangge team in the process of marching gunner will fill the gunpowder chamber, ignite the core detonation, in order to strengthen the momentum, open the way forward.
4, scouting horse. Exploring the horse is responsible for the performance of the venue in the past to investigate the selection and play the field and other contact preparations, the past riding a horse to and from the performance venue and the Yangge team in charge of the transfer of information between.
The scouting staff is generally two people, mostly made up of able-bodied men. When the rice-planting team went out of the village on the road, the scouting horse went back and forth between the performance venue and the traveling rice-planting team to communicate with each other; fewer horses in modern rural areas, most of which have been changed to bicycles, motorcycles and other means of transportation, although the ancient style has been lost, but the ancient meaning is still present.
5, backpacks. The person responsible for receiving and gifting candy paper and cigarettes.
Local custom, the village and the village between more than rice-planting teams to exchange performances, send dance door to door, *** congratulations on the New Year. In addition to the reception of the party in addition to the preparation of tobacco, tea and candy hospitality, will also give some high-grade tobacco and candy and other gifts to show appreciation.
The person who carries the cloth bag is responsible for storing the gifts and distributing them to all the performers after returning to the village. This position is mostly taken by fair and simple middle-aged people, the unsung heroes who are respected by the Yangge team.
6, umbrella. The umbrella has a head umbrella and flower umbrella, the head umbrella has a name called "ugly umbrella".
The head of the umbrella is to direct the change of various scene formation leader, generally speaking, several head of the umbrella is located on the right side of the one for the leader of the umbrella, he signaled the other head of the umbrella with each other to direct the change of the whole scene. The head of the umbrella dress as the Peking Opera "fishing and killing" in the Xiao Xiao En, the left hand umbrella buckle on the left shoulder, the right hand holding a fan-shaped cow hind leg bone "dial".
The paddle is made of the hind leg bone of the cow, and the bell is used to send a signal to direct the transmission of information. According to traditional rules and customs of the head of the umbrella should be set up four people, the umbrella in the middle of a "leading umbrella", responsible for the changes in the field of scheduling; flower umbrella umbrella because of its umbrella decorated very fancy and in the performance of the leading "flower" and named.
Flower umbrella dress in dark colors, wearing black and white bearded both, the left hand holding an umbrella, the right hand holding a "tiger support". As props in the drum rice-planting songs, the cow fan bones, umbrellas, tiger props, etc., have the symbolism of good weather and protection of the four directions.
7, drums. This is the main performance role of the Yangge team, the largest number of people and played by male young adults.
The performer's left hand holds a drum with a diameter of about 25 centimeters and a width of about 8 centimeters, and the right hand holds a drumstick, which can be freely reversed during the performance, hitting the left and right sides. The performer looks like a warrior in the opera, wearing a hero's scarf, handsome and dashing.
The combination of the number of people, the drum is generally "umbrella" two or three times; 8, mallet. Performers holding about 50 centimeters long wooden mallets in both hands to hit, around the play and waving, these roles are played by teenagers, dressed as the opera in the Wu Sheng, there are also disguised as Liangshan Wu Sung image of the hero.
The number of mallet performers is generally less than the number of drums, for an even number of settings; 9, flowers, that is, the female role of the Yangge team. Flowers have ground flowers and stilt flowers, dress more from my female relatives, or dressed in unmarried, newlywed wife's expensive, colorful clothing.
In the past, some also draped with a flower jacket, colorful skirt nearly ten or more, to show that their families are rich, known as "bright box", for the local people to enjoy. Flowers used to be played by men, and now more young girls, dress is more elaborate, standardized, but in terms of performance than in the past is much inferior.
flower less than ten people, more than a hundred people, holding fans, scarves, flower branches and other props; 10, outside the corner. Department of the small field of song and dance, to sing folk stories.
Clown that belongs to one of the outer corner, can be dressed up as a variety of funny characters, generally not in the official establishment, depending on whether the ability to play this role of talent. It should be noted that the various roles of the drum rice-planting song in the number of people with no uniform regulations, generally divided into large, medium and small three types, large generally more than 90 people, 70 people about medium-sized, 50 people about small.
Increase the role must be an even number and its multiples. If the base number of umbrellas is 4, they are incremented in multiples of 4.
If the base number of the drum is 8, it is increased by multiples of 8, and so on for other roles. In order to maintain the dominance of the drums in the Yangge, there must be more than twice as many drums as umbrellas.
Various forms of drums before the performance of rice-planting songs, some areas to be held in honor of the deceased father and mother rituals, every first month of the fifteenth night, drums rice-planting song team went to the land temple first sacrifice. The team stepped on the slow beat, the pace of neat and solemn, all solemn and line, all the way with a "street lamp" from the village to the land temple, set up offerings, pay homage to kowtow, dance a rice-planting dance, and then back to the village before the official performance of the drums rice-planting song.
This ceremony embodies the function of the drum rice-planting song of sacrifice and entertainment of the dead, which has long since disappeared. It is a custom in the north of Shandong that from the seventh or eighth day of the month to the fifteenth day of the first month of the lunar year, villages that have a drum rice-planting team will go to the neighboring villages.
6. Emotional expression of Shandong Drum Rice-planting Song~Professional dancers and theorists have summarized four "core elements" for the Drum Rice-planting Song - stability, composure, stretching, and toughness.... ... "Stability" is calmness, reflecting a strengthened understanding of the appearance of Shandong's greatness like Mount Tai; "Sinking" refers to the connotation of the drum rice-planting song, which can also be understood as an internal understanding of Shandong's greatness and generalization; "Stretching" refers to the connotation of the drum rice-planting song, which can also be understood as an internal understanding of Shandong's greatness and generalization; "Stretching" refers to the internal understanding of Shandong's greatness and generalization. The "Sink" refers to the connotation of the drum rice-planting song, and can also be understood as an internal understanding and generalization of the Shandong man's temperament; the "Stretch" is a kind of rhythmic time-value of the concrete performance; and the "Toughness" is embodied in the whole performance of the drum rice-planting song's kinetic rhythms.
From the aesthetic point of view to recognize the value of the drums rice-planting song, it can be found: drums rice-planting song movement structure is very rigorous, its dance ontology is very prominent and obvious, it can be said that it forms its own form, away from the general folk dance of the opera set program, has been to maintain the dance of its own perfection of the nature of the dance, it can be said to be a real dance dance, the whole of the dance, the whole of the dance, the dance, the dance, the dance, the dance, the dance, the dance, the dance, the dance, the dance, the dance. e79fa5e98193e78988e69d8331333335303563 is composed of rigorous and artistically valuable abstract movements, and expresses one of the most beautiful kinds of the dance's quest - the quest of force; it is the self-expression of tenacious human life. All the emotions and power of life are blended in such an abstract dance image, so it is both simple and rich, with obvious dance structure characteristics: i.e., large movement amplitude, making full use of the possible plasticity of the human body; great occupation of space, with considerable memorization value; the whole dance pursues straightness and thickness in the perfection, with both the perfect oriental rhythms and the space modeling of straightness and thickness, so it is coarse, fine, high and sentimental. The whole dance pursues straightness and thick dun in perfection, with both perfect oriental rhythms and upright and thick dun space modeling, so it is thick and thin, high-pitched and sentimental, moving forward in the rhythmic movement of high engine, low trip and constant circle, with very full emotions. And in all dance movements, it is always so full of passion, and this passion pushes the emotions and muscles to constantly show a great vitality, as if a chariot of vitality, in the continuous dance, endlessly pursuing a kind of divine illusory force.
The infiltration of rich Qilu traditional culture and the cultivation of the natural environment of the northern Lu region have created the strong physique and tough and fierce character of the northern Lu people, and the unrestrained passion and the props used are fused into a majestic momentum, forming a rough and heroic, martial and athletic image and a unique style of rhythm, which fully demonstrates the heroic posture and heroism of the good men of Shandong, such as the gravity of Mount Taishan and the surging of the Yellow River. Raging, trust in the horse, a torrent of ......
Perhaps some people will think this is an exaggerated description, however, when you stand in front of more than seventy years old rice-planting songs to watch their heroic posture, you will appreciate and feel that kind of inherent, spewing out tension ... ...This is a kind of greatness, a kind of majestic vision, a kind of power to show the beauty, a kind of random uninhibited and dashing.
To understand Shandong Drum Rice-planting Song, the first thing you need to understand is its organizational form and its role composition.
According to the interviews, records and mapping organized by literary workers after the founding of New China, the roles of Shandong Drum Rice-planting Song are composed of.
The head umbrella is the leader of the command changes in various scenes of formation, generally speaking, several head umbrella in the right side of the one for the leader of the umbrella, he signaled the other head umbrella with each other to direct the changes in the whole scene.
The head of the umbrella dress dress such as the Peking Opera "fishing to kill the family" in the Xiao Xiao En, wearing black and white beard or no beard have, dress in dark colors, the left hand umbrella buckle in the left shoulder, the right hand holds a fan-shaped cattle scapula "dial" (here mainly refers to the insertion of umbrellas and carry umbrellas school). (here mainly refers to the Umbrella Insertion Sect and the Umbrella Carrying Sect). Toggle made of cow hind leg bone, ringing bell used to send a signal to command the transmission of information. According to traditional rules and customs of the head umbrella should be set up four or eight
people, the umbrella in the middle of one or two "umbrella leader", responsible for the whole field of change scheduling.
Flower umbrellas because of their umbrellas decorated with very fancy and in the performance of the lead "flower" and named. Flower umbrella costumes are generally more colorful, more beardless, left hand holding an umbrella, right hand holding a "tiger support", that is, dumbbell-shaped bell. The number of flower umbrellas and ugly umbrellas in the same rice-planting team is the same.
As the drums in the rice-planting props, cattle fan bones, umbrellas, tiger brace, etc., with the wind and rain, protect the four sides of the symbolism. The snare drum is the main performance role of the rice-planting team, the largest number of people and played by male young adults. The performer holds a drum with a diameter of about 25 centimeters and a width of about 8 centimeters in his left hand, and a drumstick in his right hand, which can be freely reversed during the performance, striking the left and right sides. The performers look like the warriors in the opera, with heroes' scarves, handsome and dashing. The number of combinations, the drum is generally "umbrella" two or three times; 8, mallet. Performers holding about 50 centimeters long wooden stick hands hit, around the play and waving, these roles are played by teenagers, dressed as the opera in the Wu Sheng, also disguised as Liangshan Wu Sung image of a good man.
The number of mallet performers is generally less than the number of drums, and is set in even numbers, usually multiples of umbrellas. The flower corner, that is, the female role of the Yangge team. Flowers are divided into ground flowers and stilt flowers, and the costumes are mostly from my female relatives, or dressed in the expensive and colorful costumes of unmarried and newlywed wives. In the past, some also hanging flower jacket more than one, colorful skirt nearly ten or more, to show that their families are rich, known as the "bright box", for the local people to enjoy.
The flower used to be played by men, and now it is mostly young girls, and the costumes are more elaborate and standardized
, but the performance is much worse than in the past. The stilt flower has also been changed to the ground flower.
The flower is less than ten people, more than a hundred people, holding fans, scarves, flower branches and other props; outside the corner of the Department of the small field of song and dance, to sing folk stories. Clown that belongs to the outer corner of
one, can be dressed up as a variety of comic roles, generally not in the official establishment, depending on whether the ability to play this role
color talent. It should be noted that the drums Yangge's various roles in the number of people with no uniform regulations, generally divided into large, medium and small three types, large generally more than 90 people, 70 people left
right for the medium-sized, 50 or so for the small. Increase the role must be an even number and its multiples. For example, if the base number of umbrellas is 4, it will be increased by a multiple of 4. If the base number of the drum is 8, it will be increased by the multiple of 8, and so on for other roles. In order to maintain the dominant position of the drums in the Yangge, the drums must be more than twice as many as the umbrellas.
8. Drums Yangge style genreThe formation of a folk dance rhythm, the reasons are manifold, in addition to the social mentality, aesthetic taste, habits and other internal factors, the use of props and performance, will also play a very important role. In terms of the drums in the northern part of the country, there seems to be little difference in the performance style, but in fact, the inner rhythms are very different.
Generally speaking, the Shanghe region dance frame generous and powerful, rough and bold e799bee5baa6e997aee7ad94e58685e5aeb931333361303130 mai, in the use of umbrellas like "high momentum", to give a person the openness of a large, imposing feeling; while the Huimin region is different. Feelings; and Huimin area is different, simple and calm, the rhythm is also relatively slow, and in the frame more "low frame", stick and flower also have their own strengths, unique point of view.
The different dance props used by the characters, naturally formed a rhythmic difference, and the rhythmic rhyme presented also produced a difference. As the artists said: "a person a frame, a person a flavor, a person a sex".
For example, the umbrella, there are three kinds of dance: shoulder, waist and hand lift. This is what people call carrying umbrellas, umbrellas, lifting umbrellas "three genres".
The different enforcement of the umbrella in the performance, the dance dynamics and flavor will naturally be different, and different performance styles naturally
arose. Insert umbrella in the folk known as shelf umbrella, also known as large umbrella, top umbrella. The diameter of the head of the umbrella is about 80 centimeters, and the length is about 110 centimeters. The umbrella is divided into head umbrella and flower umbrella, head umbrella collar drum, flower umbrella collar stick flower. The movements of the flower umbrella are few and simple. Umbrella movements mainly include throwing umbrella, digging umbrella, running umbrella, slipping umbrella, kicking umbrella, squatting umbrella, turning umbrella, jumping umbrella, twisting umbrella.
In terms of the pace of the umbrella dance, the most typical is the steak step, the left hand holding the umbrella with the drums rotating, the left foot stride near out, the right foot stirrups in the back, this pace in the running umbrella, slipping umbrella is the most prominent, one step at a time, a step big powerful and free and solid, with a soft with the toughness of the toughness. Squatting umbrella step "riding horse crouching crotch" is the basic action of healthy legs and fitness commonly used in Chinese classical martial arts. Umbrella in the process of Yangge performance, the dancer's left hand holding the umbrella, the right hand from the face in front of the diagonal scratch eight eight push palm, with the drums, two feet constantly stomping on the ground, heavy, natural, as if in search of the roots, which is the ancestors of hard work, bravery, intelligent manifestation. The diameter of the head of the umbrella is almost the same as that of the umbrella, except that it is carried on the shoulder, the head of the umbrella is backward, and the bottom of the umbrella handle
is flat instead of pointed. The main movements of carrying umbrella are squatting, running, kicking and twisting. Carrying the umbrella squatting umbrella, to squat, two legs one in front of the other, the left hand to turn the hand, the right hand amplitude of the elbow up, constantly moving up and down. "Running hand" carrying umbrella running umbrella and umbrella running umbrella is completely different. Carrying the umbrella running umbrella run up two legs bent, step big, head high, left hand carrying umbrella, right hand does not scratch eight, arm end up, up and down swing, the lines of the two arms show a straight and hard flavor, like the eagle spreading its wings, free and fast. Kicking the umbrella with the umbrella, kicking the umbrella to start, both feet at the same time, the second jump kicking the right foot, turning 180 degrees, the action undulation and powerful. In the drum rice-planting performance team, the umbrella-carrying style of rice-planting team is less than that of umbrella-inserting and umbrella-lifting. Umbrella lifting is also called small umbrella. The diameter of the umbrella is about 60 centimeters, surrounded by colorful silk decorations, and the length of the umbrella pole is about 70 centimeters. In the village where the umbrella-carrying style is performed, the method of jumping from village to village and the method of holding the umbrella are different. Some villages lift the umbrella with the right hand, some villages lift the umbrella with the left hand, and some villages lift the umbrella with both hands. The main movements include lifting, twisting, buckling, kicking, squatting, and flinging the umbrella. The style of lifting umbrellas is characterized by a fast tempo in the cultural field, without drums, and mainly by refuting flowers. The martial arts are characterized by a slow tempo, drumming, and a resounding sound. The opening of the spirit of spontaneity, shakaba clean and sharp, with the art of beauty, emotion, God's charm.
Other roles in different genres are also more or less different.