Hip movement is one of the symbolic movements of Latin dance. Except for bullfighting, the other four dances all have hip movements, which show the charm of women to the extreme. It's hard to imagine Latin dance without hip movements, such as rumba. But I don't know when it started. When it comes to hip movements in Latin dance, everyone thinks it's twisted. Many teachers taught students to twist hard, and as a result, students turned into transformers and snakes. After studying for several years, I still can't get to the point and make progress. What's more, they just waste it and stop dancing.
As the saying goes? Seeing is believing? But not necessarily, the eyes sometimes deceive themselves, such as the crotch movement of Latin dance, because it is twisted because it swings from side to side, which is a big mistake.
The crotch swaying from side to side is its superficial phenomenon, not its internal essence. Any movement of Latin dance body is the result of feet pressing the ground, confronting the ground and then squeezing the body.
The action formed in this way is very solid, nailed firmly and deeply rooted from the footwork action; Judging from the crotch movement, it is full of toughness and strength, and always looks like Zhang Fuyou's elastic rubber. Take a look at the movements of Latin dancers.
The arm is an extension of the body, and the arm action is the aftermath of the body action. Many people don't use their bodies to drive their arms in Latin dance, but want to use their arms to drive their bodies, and the result becomes dancing. In fact, Latin dance can easily be made into a playful dance, and modern dance can easily be made into a walking dance.
Feet should put pressure on the ground, confront the ground and squeeze the body, which requires practicing the strength and kung fu under their feet. The basic rhythm in situ is the simplest and most effective way to practice this kind of kung fu, but remember one thing, don't twist your hips actively, or it will be in vain to practice more, because there is something wrong with it, that is, what we are talking about? Far apart? The harder you work, the more mistakes you make.
When you practice calluses on the inside of your big toe, you will have a little strength under your feet. If you can do it seriously and effectively, practice it for two hours every day. After one month, people who don't practice your footwork will be more than one year, and those who don't practice it for three months will be five years, because the progress is accelerated and the beginning is slower and slower.
Different from the folk dances in China, most western dances are under the feet. Just watch ballet, tap dance and modern dance. Four cygnets have no hands at all. Nothing happened. Kung fu at the foot is the foundation of dance, and the foundation is deep, not afraid of you? Architecture? Not high, otherwise it can only be a castle in the air, a tree without roots.
I saw the British people's comments on Ma Jun and Huang Rui's dance, saying that their feet didn't have enough pressure on the ground. Oh, my God! With the footwork of the first group of China Latin Dance, we can also get such an evaluation. We can imagine how strong our footwork is: it must be micro-steps, as light as a feather.
Of all the body movements, China's martial arts is the closest to the national dance, and Latin dance is like a foreigner. Modern dance is like home, like Tai Chi. However, whether at home or abroad, footwork and horse stumps are the main methods, followed by hand-eye posture and vigor. Watch more Jet Li's Kung Fu movies and learn more. To a certain extent, any art is consistent and in the same strain, and can learn from each other and reach the same goal by different routes. ;