The small order of Taihe Zhong, Da Nian Minjia children, there are private love is not as good as the intention to go to the water, the official for the trail, no see also. Later, the root of the two corpses in the water, clothes can still be verified, the matter is white. This is the year of the Pei lotus blossoms, no one not and Ti. Qinshui Liang Guoyu, then Recorder Judge, for Li with Zhang Neihan said so. This song is based on the music of "Double Infinitely Complaints"." The song was written in the preface of Han constrained's "Fragrant Trousseau Collection".
Ask the root of the lotus, how many silk, the lotus heart know for whom to suffer? The two flowers are in the same vein, knowing that they are the children of the old family. The day has been promised, not even taught, white head life and death of mandarin ducks Pu. The setting sun is speechless. The first thing you need to do is to get your hands on some of the most popular products and services in the world, and then you can get your hands on some of the most popular ones.
The trousseau dream, well in the ganoderma lucidum. The first thing you need to do is to get your hands dirty. The first thing you need to do is to get your hands on some of the most popular products and services in the world. The first time I saw the movie, it was a very good one, and I was very happy to see it. The boat is less likely to be used. I'm afraid to come back with wine, half-fallen red clothes, wolves lying in the wind and rain.
The whole word is about the tragedy of love, and it is a direct statement of the person and the matter.
The first part of the story is about the wonders of the lotus flower, which reveals the origin of the story. In the first three lines, the word "ask" evokes close attention and deep sympathy. The word "silk" harmonizes with the word "thought", meaning that this pair of young men and women, who were martyred for love, sank in the lotus pond, but are still connected by silk, and the thought of love will not be extinguished. The "lotus root" and "lotus heart" refer to the heart of the people, who can't rely on each other's love, but can only die together in a miserable mood. Their feelings and bitterness, their grievances and hatred, one can imagine. Such a sentence, showing that the author heard of this matter, can not hold back the inner feelings, emotional, containing a strong sense of torture and reproach: why the love of young men and women will be forced to both martyrdom and death? Why did such a sad and sentimental thing happen? The depth of the author's feelings, touched by the great, thus a word can be seen. The next two sentences, "the two flowers pulse delicate to each other, just the old family children" and so on, with the pond full of development of the lotus, to describe the love of this pair of men and women in love with life and death of the true heart of the love - the pond side by side with the opening of the lotus each other pulsating with love and shyness and charmingly Gazing at each other, it turns out that they are just the embodiment of the little children who died for love! The heavens have mercy on these feelings and hearts! Though they could not cling to each other in life, after death they could be transformed into parallel lotus flowers and never leave each other! "Heaven has promised. Not even teach, white head, life and death of mandarin ducks Pu" two sentences, more show the sentimental author of the anger of the torture: their deep love moved even the heavens have been overlooked, and let them turn into a side by side with the lotus, life and death, and why can not let them in the earth, hand in hand, and grow old together? The author of this question, conveyed the feelings of a more intense, the spearhead pointed directly to the confinement of men and women's freedom of love of feudalism, the performance of the author's pursuit of freedom of the concept of life and the marriage of the concept of love. "The setting sun is speechless". In the face of the lyricist's righteous reproach, no one can answer, only to see the setting sun is also in contemplation, mourning for the bitter lovebirds. The author uses the lyrical technique of anthropomorphism to treat the speechless and mournful scene emphasized by the setting sun, which is gradually sinking in the west, as a picture of the author's condolences to the dead. In the face of this scene, even the sadness experienced by Xie Lingyun, the greatest poet of the North and South Dynasties, in the morning and evening of sunset, or the sadness triggered by E Huang and Nü Ying, the two virtuous women of Shun in ancient times, who threw themselves into the river to martyr their husbands because they missed their husbands, were far less than the heartbreaking grief and deplorable feelings brought by the deaths of these two young children.
"Xie Hak" refers to Xie Lingyun, a famous poet during the Northern and Southern Dynasties. Because Xie Lingyun was fostered in the home of a famous Taoist priest in Qianjiang shortly after his birth, and did not return home to inherit his father's title of Duke of Kangle until he was fifteen years old after his father's death, the people of the time called him Hak, also known as Xie Hak or Xie Kangle. Xie Ling Yun, a nobleman from a high family, was good at writing sad and mournful words, and his poems were even better at creating a sad and bleak scene. According to historical records, when Xie Lingyun was in his middle age and living in seclusion, he built a large manor with a circumference of dozens of miles in his grandfather Xie Xuan's scenic fiefdom of Shining County in the south of the Yangtze River, which had a very large lake, numerous ponds, orchards, and countless pavilions and pavilions. Xie Lingyun in his "Mountain Dwelling Fugue" said:
If it is the north and south of the two dwellings, the water passes through the land resistance. The winds and clouds, but only to know the place. South Mountain is the clip canal two fields, Zhou Ling three courts. Nine springs other streams, five valleys different peaks. The peaks of the mountains are different from each other, and the peaks of the mountains have become their borders. Many streams are irrigated to surround the neighborhood, and all embankments are embraced and suppressed to connect to the distance. The far embankment is also a stranger, and the near stream is open to the turbulence. The water flows back and forth. The water goes back and forth and turns, and the water is in vain. The beauty of the presentation of the table interest, Hu can be better than a single. Gaze away in the crowd, long send heart in the clouds. North Mountain two parks, South Mountain three courts. Hundreds of fruits ready to list, at first near at first far. The first is to make sure that you have a good understanding of the situation, and that you have a good idea of what is going on.
Whenever the sun sets in the west, in the misty mountains, if any, rich and luxurious but repeatedly sidelined by the powerful and talented Xie Lingyun, often ordered dozens or even hundreds of attendants to climb the water, poems and banquets, in order to express their own inner sadness and loneliness.
"Xiangfei", the two daughters of Yao in the legend, E Huang, female Ying married Shun as his wife soon after Shun, Shun will be on a southern tour, and finally died on the way due to illness. Another theory, according to the "bamboo book chronicle" records, emperor yao late in life, was succeeded by the emperor shun secluded, then, yao's daughters as shun's consort, perhaps because shun was abandoned or secluded in chunan barren place, the two women because of the despair, so cast the xiangshui and died, because of their sadness tears sprinkled on the jiangnan of a kind of small bamboo, those bamboos will become speckled, therefore, people will say that this stained with the two consort tears of bamboo Therefore, people called the bamboo stained with the tears of the two consorts Xiangfei Bamboo, and the two consorts of Shun were also known as Xiangfei in later times. The author uses these two sad allusions to cite the past as a metaphor for the present, and suppresses the past and raises the present, which further emphasizes the author's sadness for such an event. "Not yet a broken hearted place"-the sad loneliness of thanking the guests will not make one's liver and heart broken, and the legend of Princess Xiang throwing herself into the river will not make one weep, so the answer is in the unsaid.
The second part of the poem is a tribute to the spirit of love between the young man and woman. The two lines of "The dream of the fragrant trousseau, well in the ganoderma lucidum" quote from the preface of Han constrained's "Fragrant Trousseau Collection" in the "Small Preface". As we know, the late Tang Dynasty poet Han constrained was a sentimental and talented poet. Han constrained got his name because of "The Fragrant Trousseau Collection", which contains many works that express the love between a man and a woman in a beautiful and delicate style, such as "Around the Corridor" and "The Sky is Cool", which expresses the psychological activities such as disappointment and hatred, recording, remembrance, and wishing for love when love is blocked, with a deep and touching tone of voice and euphemisms. In Han constrained's "Fragrant Trousseau Collection", there are both bright and frank juvenile eroticisms, as well as the palace lyrics that imply slight irony, and there are also the ghostly and lowly ones that entrust the vanilla and beauty to send the thoughts of the deceased country and the deceased ruler. The lyricist invokes the phrase "fragrant trousseau dream", which means that the melancholy resentment of this pair of children who died in love because they fell in love but could not keep each other, just like a spring dream, has turned into smoke and clouds. Immediately thereafter, the poet used the ganoderma lucidum, Rui Lu such fairy to reflect the purity and sanctity of their love. "The author is expressing his own sigh of regret: it is a pity that such a chaste and holy love will become an old story when people look down on it. But the next words of the lyricist "the sea withered and rotten love in, hate not buried in the yellow earth", but praised the love of this pair of martyrdom and death of the love of the little children of the steadfastness, even if the sea, even if the sea withered and rotten, their despair of the world, the resentment and the desire for a better life of love, and even the yellow earth to cover up the body, but also difficult to extinguish its traces in the end. The three lines of "Acacia tree, flowing year, for no reason, but also by the west wind error" have two meanings. One layer means that this pair of loving children originally expected to grow old together, but unexpectedly by the authoritarian parents to split up, so they only double to the water to martyrdom. The other meaning is that the author uses this to express his own disillusionment. We know that the young Yuan Hao Wen although outstanding talent, but the field is not favorable, until the age of thirty-two years old that year to become a jinshi, this year the poet left home in spring to go to the capital to catch the examination, in the lotus blossom in early fall when returning is disappointed and return. It is as if the poet wants to convey his frustration of being mistaken for no reason at all through the sad story of rhetoric. The following sentence "orchid boat less live" and so on four lines, is completely the lyricist expressed sighs. Sentimental author at this time upset, in the way back to his hometown after hearing the story, in passing the lotus pond, it will make the boat will be less light boat stationed, so that they come to visit the young man and woman with life formed the lotus flower. The author knows that the wind and rain, time is not my time; autumn and spring, blossoms and flowers, if not in time, I'm afraid that when he comes back with the wine, this scene will be the fading of the lotus leaves, half-fallen red, and those who are now in full bloom of the Lotus, will be "woefully lying in the wind and rain". The author here expresses the depth of feeling, cherish the cut, can be scooped out. The concluding sentence, to the words of the anticipation of the presumption, more highlights the world of hardship, love and the hopelessness of life, and the impermanence of life, and suddenly make the whole word adds a strong color of tragedy.
The most prominent thing about this word is that it is long on love, and the love is true, the meaning is cut, and the pure feelings are revealed. The whole word sentence writing scene, and sentence lyric, between the lines full of young men and women love unfortunate sympathy, full of the unfortunate fate of the scourge and the evil forces of resentment, so that the word is full of a variety of complex feelings of life. The technique used in this poem is rich and varied, either argumentative, lyrical, scenic or narrative, intermingled with each other, but all have a place to return to, adding to the tragic color of the love story expressed by the author.
The poem uses a series of sweet and bleak emotional imagery and spacious sparse spatial imagery in opposition to each other. The open lotus in the pond, the dancing mandarin ducks on the water's edge, the poet on the boat in the river who is sad and has to go far away, and the little child who has already slept and died of martyrdom, the setting sun in the west, the sluggish west wind, and the lotus leaves which the poet imagines will fall and wither in the future, all of these trigger infinite associations and sadness in the minds of people.
The poem also employs a figurative anthropomorphic technique. The lotus root and the twin flowers opening side by side are the incarnation of the real-life scenery of the young daughters who were martyred for love. There are also some harmonic puns in the lyric, for example, the "silk" in "how many silks" harmonizes with "thoughts", meaning how many loves need to be told to each other. "Lotus heart" harmonic "lotus heart", meaning that the martyrdom of the little children are each other heart to heart, symbolizing their love of chastity and chastity and life and death are unswerving.