1, use "turn off" to change the sound:
For example, the word "Ma" is < a vowel >. If you sing a with normal alto, add O in the tone sandhi area, and then add < ou > after the tone sandhi area, it becomes the vowel of < < mou > >. After such a change, the virtual sound brought by the sound change gradually appeared bright sound. When solving the problem of voice change, we must master the preparatory work of voice change before releasing it.
When the transition from one vocal area to the next is about to happen, it is necessary to use the * * * method that different vocal areas change immediately to avoid the disharmony of vocal areas and the generation of laryngeal and nasal sounds. ?
Singing is controlled in a weak tone, and singing is mainly regulated by the * * * tone of the head cavity. When you sing to F2, the sound will naturally break through the inflection point, gradually brighten into the high-pitched area, and unify the whole sound area. Closing the singing method is to use a brighter A in the midrange, then bring in O to round the sound, and start using Y in the voice change area.
2. A new way to solve the problem of tone change with the word "Middle East"?
Focus on "empty, open, loose and thick" as the main training purpose. These words belong to nasal category, and they have natural nasal humming factors, such as "tong", which is spelled by "t" and "ong". When singing the word "Tong", you can quickly enter the "ong" sound by biting the "T" at first, which makes you feel head-empty for a long time, and the sound naturally enters the head cavity to hum. Because the "Weng" sound itself has the natural ringing factor of the head cavity, in this way, in the head cavity, Weng produces a ringing sound.
Second, use different parts of the throat.
1. Physiologically, it can be divided into head cavity, nasal cavity and oral cavity. The physiological structure of head cavity humming is above the nasal cavity. There are frontal sinus and ethmoid sinus in each sinus cavity. They belong to a fixed space, and sound waves vibrate odorlessly. Small in size and high in position, this * * * voice is bright, concentrated and soft. When singing, you should pay attention to opening the mandibular joint, reduce the weight of the mandible, feel a slight vibration in the bone room and a slight vibration in the eyebrows, so that singing will be concentrated and bright. ?
2. The sound of the head cavity depends on the strength of the pharyngeal wall of the nasopharyngeal cavity and the soft palate to control the direction of the sound entering the nasal cavity and make the sound enter the head cavity.
Form a * * * sound. This kind of control should be carefully understood in order to achieve good results. It should also be noted that when singing lyrical and high-pitched songs with national singing, sound waves can only vibrate at the nasal bone at the upper end of the bridge of the nose.
3、? The nasal cavity is not nasal. It is the ringing effect produced by sound waves entering the nasal cavity. Physically, the nose
The upper part of the pharyngeal cavity is the skull and the lower part is the soft palate. It consists of nasal cavity and nasopharyngeal cavity, and it has large volume and vibration.
Produced in the nasal cavity, it is a vibration formed by a fixed space without breathing. ?
4, to get a good nasal cavity, you need to pay attention to the following points:
(1) Application of soft palate: Soft palate is usually called small tongue. Soft palate is the bottom of nasopharyngeal cavity, forming a dome shape, which is beneficial to pharynx.
The wall pushes. By using soft palate, the shape and timbre of nasopharyngeal cavity are changed. Practice humming,
It is convenient to vibrate the middle part of the soft palate, enlarge the nasopharyngeal cavity and open the lower part of the nasopharyngeal cavity at the same time. ?
(2) Open and control the mandibular joint: the movements of the upper and lower mandibular joints should be opened by half an inch, which is conducive to achieving * * *. Gently lower your chin.
Move, I feel weightless and my voice is relaxed. Also remember that the nasopharyngeal cavity can not only let sound waves enter the nasal cavity.
* * * in a larger space, but also can't let the breath into this space. It plays a role in separating sound from gas, and can
Color change of * * * sound. ?
(3) Oral cavity and its function: Oral cavity is a variable cavity. It is also the middle joint area of high and low notes, and it is the part with clear articulation. Its vocal area includes oral cavity and laryngeal cavity. The popular singing method mostly adopts oral singing. * * * can also be divided into fixed * * * and variable * * * according to whether its structure can be adjusted.
5. Fixed vocal cavity: it includes nasal cavity and frontal sinus, sphenoid sinus, ethmoid sinus and fossa sound. Nose includes external nose and nasal cavity. nose
The volume of the cavity is larger than that of the external nose. Its upper wall is ethmoid bone, its lower wall is hard palate, its back communicates with nasopharyngeal cavity, and its nasal cavity communicates with the surrounding area.
There are ethmoid sinus, loop sinus and sphenoid sinus in the parietal bone cavity. ?
6. Nasopharyngeal cavity, the front wall of which communicates with nasal cavity. The lower part is bounded by the soft palate and leads to the oropharynx. The oropharyngeal cavity is defined by the nasopharynx and communicates with the oral cavity. Laryngeal and lower throat. The vocal tract above the vocal cords is connected with the mouth, nose, throat and pharyngeal cavity, forming a tubular oropharyngeal trumpet tube. Its outlet is in the nasal cavity and oral cavity. The trumpet mouth is the throat cavity. Vocal cord and vocal tract are one of the main acoustic cavities. ?
7, the human body's fixed * * * vocal, variable * * * vocal, after training will cause beautiful * * * vocal response. Pharyngeal cavity, oral cavity and thoracic cavity
Connected is an important tune. The chest also plays an indispensable role in singing. In addition to the vocal system of human body singing
All the cavities in the system are singing * * *, and * * * will also play a role in human bones.
8, vocal * * * is mainly cavity * * *. The size and capacity of human upper pharyngeal duct can be changed. * * *, the effect can be increased in the future.
Loud volume and changeable timbre. Only when the sound is overtone and beautified can it make a beautiful sound.
Extended data:
1, the type of timbre is determined by the characteristics of vibration source and the shape of * * * vibration peak. As far as the vibration source is concerned, the harmonic intensity decays quickly, the timbre is very soft, and the sound has good integration and penetration, such as human voice and stringed instruments; If the intensity of harmony decays slowly, the timbre will be hard, and the integration and penetration of sound will be poor.
2. Different vocal organs have different timbres due to different materials and structures, and everyone's voice will be different. Timbre is the characteristic of sound, and it is always different like the appearance of people all over the world. According to the different timbre, even in the case of the same pitch and sound intensity, it can be distinguished that it is issued by different instruments or people. Just like the ever-changing palette,' timbre' will be ever-changing and easy to understand.
References:
Baidu encyclopedia-timbre