For the "Party at the Southern Station" this movie, in the subjective evaluation of its nearly ten years in the domestic film has the most jianghu temperament of the film. Of course, there must be as a pepper's favorite, but I have to say that he let us suddenly remember the land under our feet was also born Jing Ke and Zhuo, the five mountains down for light, two wide out of the great and powerful, Yan Zhao many sad man.
South Weekend's slogan: "Read about China here" is very appropriate here.
What's more, "Party at the Southern Station" focuses on an "underground China" that we have long neglected and forgotten in the background of the movie, with square dances, fluorescent shoes, and all these things that we have long seen on the domestic screen being compressed and flattened in one direction by the "bitter roots". The bottom layer, which we have long seen on the domestic screen, has been compressed by "Bitter Root" in one direction and flattened. The underclass is in fact vast and multifaceted. There is the cunning and wisdom of the bottom.
What we describe as the underbelly here is not just a visual spectacle and moral self-satisfaction, it is also a three-dimensional representation of China as it exists today, with more than 3,000 actors and actresses provided by the crew. In "Underground China", there are gullies, deep ravines, hooks and corners, demons and sprites, the law of the jungle, ambiguity and uncertainty, and a sense of order that seems to be disordered.......
And this is actually the reason why many foreign scholars have been using economic theses and tools to study the recent economic miracle of China's economic growth. The Chinese economic miracle of thirty years of savage growth failure of the fate of the door.
The whole movie's main body is almost always in the night, every scene is tightly held the audience's heartstrings, especially a number of sudden sound, always cause a few viewers around me a small scream, I have to say that creates the mood to make people very comfortable.