In the latest story, Qiu Zi finally met his mother, He Mei. Her eyes were red and she was shaking all over, but He Mei didn't care. When Qiu Zi said something against his will: You didn't raise me, and I won't raise you when you are old? Mom is still very cold: Don't worry, I have a son, so you don't have to raise him? Finally, when Qiu Zi said goodbye, put down the cruel words? I will be grateful for your birth, and I will forget you when I meet you on the road in the future. The relationship between the two was completely broken.
As for Qiu Lai, even though he was abandoned by his mother when he was young, he still longed for the existence of family ties. No matter how optimistic and cheerful he looks, he will always be a child eager for maternal love, silently hiding his thoughts in his heart. Unexpectedly, when we really met, he was like an extra person. His thoughts were vulnerable to He Mei's indifference, which deeply hurt his heart. In the end, he chose to return the cosmetic mirror that he had treasured for many years to her, and he broke his mind. Obviously, I am very sad inside, but I have to pretend to be strong and safeguard the final dignity of an adult.
Zhang Kangyang's performance made many audiences cry, and the emotional interpretation of the whole process was quite in place. Instead of pushing too hard, it is very natural and gives people a very comfortable feeling.
It is no exaggeration to say that almost all the tears in this play are spent on Qiu Zi, and Qiu Zi's affection part is also quite brilliant. Whether it's Qiu, a boy, or when he grows up, it makes people feel distressed and laments his misfortune. Zhang Kangyang contributed a lot of crying scenes with his bursting acting skills, and every time he cried, he showed different emotional changes.
Before studying abroad, I was reluctant to give up my father Li. At that time, Qiu Zi had just graduated from high school. It is in this context that he will cry like a child and learn to be mature. When Qiu Zi returned to China, his heart was very complicated. He lamented unfilial and rejoiced to meet again, and he wept with joy. At this time, when he cried, he showed a state of relief and relaxation.
Obviously, Zhang Kangyang's acting skills add a lot of color to Qiu Zi's role. In contrast, Song's acting skills are slightly inferior. He still hasn't got rid of his facial paralysis, and he still has the shadow of Yuan and Song. Although he plays a cold male god in the play, it doesn't mean that there is no need for emotional progress. His acting shortcomings are easily exposed in a large group of plays.
Zhang Kangyang is a rare treasure among the new generation of actors. As a typical talented and hard-working actor, his career is also very broad, not limited to idol dramas. In Hello, Old Times, he is a sunny poplar, a sunny man, an amateur and a model boyfriend in the eyes of the audience.
Different from the common faults of traffic stars' acting skills, his acting skills are very layered. There are many versions of Smile is Beautiful, which vividly depicts the warm image of Yang Lin. His smile always gives people a warm feeling, which makes people sigh that he is Yang Lin himself.
In the play, he plays a schoolmaster, and also outside the play. I got the first place in four majors in one breath, which is called the art test myth. At the same time, I was admitted to Beijing Film, Shanghai Opera, Chinese Opera and PLA Art College, and my cultural achievements were quite good. His college entrance examination score is as high as 560 points, which is really rare for art students.
In addition, his acting career spans quite a long time, sometimes he is a street geek with a flamboyant temperament, sometimes he is a cool and handsome sports male god, or he is a sunny and warm man. He always plays these roles successfully, and he has a dramatic personality. He has only made his debut for seven years, but every work starring him has a different style, which is really promising.
And this year he made a new attempt, which is different from the positive image of teenagers in the past. This time, he played a thoughtful love rat in The Cloister Pavilion, which was adapted from The Cloister Killer by Keigo Higashino. The plot is very brain-burning and complicated, giving people a feeling.
In addition, there is the official "light", which is also very worth looking forward to. This is his first time in a time drama, in which he plays a successful banker, tells the difficult entrepreneurial story of aspiring young people in the Republic of China, illuminates the difficult way forward for industrialists with his own actions, and interprets his ideals, beliefs and national justice.
I have to say that Zhang Xin's success is the correct way for an actor to open. He is well aware of his position, has clear goals for himself, knows how to plan his acting career, and knows that idol drama can't last for a lifetime. Only superb acting is the only way out. I hope that Zhang Kangyang in the future can bring more wonderful performances to the audience and play more popular roles.