An eclectic and appropriate performance.
Five Stripes "Last Dance"
Unconventional and just right a show. The Five Stripes themselves have an old-timey aesthetic, like the second-tier concert halls of Guangdong in the '90s, the singers at the parks under the flyovers. So, this kind of unadorned distortion and reverb on other people's stage can not, but on their stage you will not feel out of place, but to the people in this fascination and add confusion.
The street people will not easily open the inner world, alcohol let them on the head, intoxicated, emotionally a moment of exposure. Ah Mao sang expressionlessly, "I don't know if you will still love me tomorrow". It is reflected in the title of the song "last dance", after the drunkenness, along with the alcohol dissipation is the music, dance, after the head of the confusion and love in the entanglement, as well as, the man rarely seen emotional outpouring.
Fukuroku's "Junior"
A performance that was the polar opposite of the Five Stripes. Fukuroku has a great control over his tone and is very willing to use some Buddhist elements from the first scene, which is a plus in both audio and visual dimensions. The lead singer has an extremely record-worthy tone and a rare tuba voice with an unlimited future.
The most important task in covering the song "Teenager" was how to get it off the beaten track, how to wash away the flavor of Netflix. In this regard, Flowers did very well. Nothing to break the original song completely, and even let the song give birth to a kind of effort to get rid of the feeling of mid-life crisis. There are many ways to make a song "advanced", from using a variety of cold instruments and tones on the outside, to making a song without a clear main chorus and chorus on the inside. There are pros and cons to this, the biggest being that the audience can't remember the song after listening to it, or the memory point is not in the song as a whole, but something like "air-raid siren" or "knocking on a wooden fish". If the original singer of "Teenager" had used this version of the arrangement, the song would not have swept the Internet. Of course, it's not like the two aren't compatible; for example, their first installment of "Yujin" was very good.
Back Sea Sharks' "Geranium Girl"
Maybe it's because the band members didn't show up, and I just didn't get what Back Sharks were doing; I would have expected them to be the new pants of the second season. Perhaps for Postshark, their band's artistic philosophy and style no longer needs to be conveyed through a variety show. But then again, the bands in the room were very persistent and aware in this regard. As we mentioned above, Five Stripes, The Chairs, White Paper, Fortuna, Big Wave, and the rest of them all have extremely clear musical paths, and all of them have been telling the audience for a couple of shows what kind of "band" we are. But Post Shark didn't. Even if they did stick to this world music style, they were joined by Haya, and if Haya sang this song, wouldn't Back Sharks look like a bunch of grandparents in a park singing and dancing?
Big Wave's "Love for Sale"
duangduang, I thought it was a renaissance. This song fits right in with their remix path, big cheesy melody and lyrics with a faint disco beat, scratchy howling with just the right amount of effects treatment. It makes the song compatible in both brainwashing and modern dimensions.
Mosaic's "Dashing Around"
Mosaic is also a master at playing with timbre, like the last show, with a disco classic beat and retro synthesizers, i.e. classic and modern. The last big rapper-style recitation, with the live atmosphere and classic melody, another renaissance.
Island Moods "Dream Catcher"
If it were me, I would have left this song out. There's not much room for remixes, and the imprint in people's minds is no longer just a song in itself, but fused with Luo Dayou. The same song is also found in "The Story of Light Time", "The Orphans of Asia", "The Way You Look" and so on. Therefore, you can't break it and you can't break it, no one is more suitable to sing the original version than Luo Dayou. Such a classic melody can not be the main body, but only as a point in the song.
Summarized in one sentence, the chair is made up too chair, the white paper is made up too white paper. To summarize it in two sentences, White Paper knows itself too well, and White Paper knows the audience too well.
The Chairs
The Chairs' style is extremely distinctive and consistent, as if the whole band is a golden romance that starts with the lead singer's gentle, melodic voice, and the lead singer is extremely good at singing, and really deserves to be recognized as a band that has won a Golden Melody Award. The variety of see more, suddenly came to a simple beauty, to quiet win, comfortable.
White Paper
White Paper, in the words of Zijian, have a high IQ. They are very good at capturing the hearts of seasoned fans, the first scene presents the melody of the Internationale in 8-bit, the second scene uses electronic keyboards to play the classic drums from Dou Wei's "Black Dreams", a little bit of Indian style guitars are repeated over and over again, and the sense of intensity comes instantly, this song can be booked for the Need for Speed BGM. However, as I've been listening to White Paper Records for the past two weeks, I've realized that their music is much less powerful away from the stage.
Who would you vote for?