Applied clef : Soprano clef, notated according to the instrument's home key
Practical range : about two and a half octaves (with variations in tuning)
Structural composition : Parabolic conical body made of metal with a reed head similar to that of the clarinet, and a boehm system of keys. Except for the bB soprano saxophone, which is bent in the shape of a pipe.
Instrument type : alto saxophone (bE), tenor saxophone (bB), euphonium saxophone (bE), soprano saxophone (bB), tenor saxophone (bE)
Materials used : brass . Aluminum (but woodwinds)
Characteristics of the instrument: rich tone, soprano range between clarinet and horn, midrange like vocals and cello, bass like tuba and double bass.
Typical applications: Jazz, modern popular light music, Ravel (France), "Bolero" has a variation
Performance characteristics: Saxophones are made of metal, with a wide range of strengths and weaknesses, and the strength of the sound can be comparable to other brass, but also other woodwinds can not be reached, and in the sound of woodwinds, and the characteristics of the instrument, and with the metal of the brightness. The sound quality has the characteristics of woodwinds with the brightness of metal.
In the performance, because of its structure is the use of Boehm type flute scientific principles of design, therefore, its mechanical system is more reasonable, the use of flexible parts. Therefore, it can play the same difficult music as flute and clarinet. At the same time, compared with other woodwind instruments, it has its own unique characteristics in playing glissando, vibrato, spit, and overblow
History of invention: The saxophone was invented by the Belgian Adolphe Sax (Antoine-Joseph Sax, 1814-1894) in 1840[1]. Adolphe was a sharp instrument maker, specializing in blackwind and flute playing. His original vision was to design a bass instrument for the orchestra that would be more flexible to play than the Ophicleide and adaptable to outdoor performances. He combined and improved the mouthpiece of the bass clarinet with the body of the Ophicleide and named the new instrument after himself.
The first bass saxophone in the key of C was presented to the public in Brussels in 1841. It is said that the saxophone was maliciously kicked and could not be displayed, or that it was displayed under a curtain to prevent plagiarism.
In 1842, Berlioz, a close friend of Adolphe's and an influential musician in Paris, was so impressed by the saxophone that he introduced it as a "transformed tuba" in La Revue et gazette musicale on March 13th, and then again in an article in La Journal des Débats on June 12th, which helped to make the saxophone known to the rest of the world. The saxophone became known to the world.
Subsequently, Adolphe was personally attacked by his rivals and the saxophone was boycotted and not widely used. Composers at the time were more cautious and less likely to include the saxophone in their orchestras. It is said that the saxophone was once exported abroad with its trademark erased, and then anonymously introduced into France. 1845, the French military ministry intended to improve the obsolete military band, and after Adolphe recommended himself, a competition between Adolphe's band and a traditional band led by Carafa was held in the Place de la Guerre, under the Eiffel Tower, in Paris, on April 22nd, with the spectators deciding the winner. Dramatically, the musicians in favor of Adolphe's side were even absent that day, and Adolphe filled in the gaps by taking two saxophones and playing alternately. The new band's musical effect was completely superior to the traditional band, and the audience was completely in favor of Adolf's side. The saxophones were the first to make a name for themselves in the marching band.
On June 29, 1846, the saxophone family received a French patent.
In 1928 French classical saxophonist Marcel Mule founded the first saxophone quartet group.
After 1910, jazz emerged in the United States, and the saxophone played an integral role in it.
[edit]The reputation of the saxophone
The instrument is played on a single reed, and the structure of the open and closed tone holes is similar to that of the oboe, and the range is similar to that of the oboe, so it should belong to the woodwinds, but the tube body is made of copper, and it can belong to the brass instruments. It is a woodwind instrument, but the body is made of copper, so it can be a brass instrument. It is thin at the top and thick at the bottom, with the mouthpiece upward, very similar to the bass clarinet. There are many types of saxophones, from bass to soprano, all of which are transposed. The saxophone has an exceptionally rich and fascinating sound, similar to brass when played strongly and woodwinds when played weakly, making it one of the best partners in the wind instrument category.
French composers such as Bizet and Saint-Sa?ns used the saxophone in their works. The saxophone is also an indispensable instrument in jazz bands and trumpet bands.
Now often use four kinds of saxophone: Bb soprano saxophone (Soprano saxophone). E-flat alto saxophone (Alto saxophone). Bb tenor saxophone (Tenor saxophone). E? tenor saxophone (Baritone saxophone).
Several types of saxophones have identical fingerings and are all transposed instruments, notated in treble clef.
The French composer Berlioz once wrote: "The main characteristic of the saxophone is the wonderful variety of tones, deep and calm, emotional, soft and sad, as if the echoes in the echoes, in the moment of silence, there is no other musical instrument that can produce this wonderful sound."
The saxophone has also been described as "an unrivaled instrument of grace".
The saxophone is not only good at playing classical music, but also good at playing jazz and light music, and when people think of jazz, the first instrument that comes to mind is the saxophone. The biggest feature of jazz is improvisation, in which the strong and weak beats are inverted and the continuous syncopation is adopted to make the rhythm change infinitely, and the tone is dramatic, both fierce and wild and deep, both funny and full of sadness. Saxophone in the tone, in the performance of the slide; vibrato, spit; super blowing characteristics, then adapted to the jazz improvisation of the greatest characteristics of the need. Therefore, improvisation has also become the performance characteristics sought by saxophone players.
[Edit Paragraph]Methods of Playing
The technique of wind playing depends on the concerted action of lips, tongue, breath and fingers. Therefore, the use of tongue spitting is an important part of the blowing technique. Many experts and scholars have said that tongue spitting is the "worst enemy" of wind players, and practice has also proved that due to the problems of using tongue spitting, the performance of works cannot be perfect. On the use of tongue spitting several problems:
1. Tongue and air velocity: the use of tongue spitting, to form a stable and aggressive high-pressure air velocity, spitting effect can be improved. On the contrary, the air speed is not stable, and to loose, no gathering force, uncontrolled breathing, is not the correct chest and abdominal breathing, did not apply the correct breath blowing, that is, the use of the tongue spitting sound is not effective. Therefore, it is necessary for students to practice breathing carefully, as well as through the practice of long tones, the formation of appropriate, accurate, stable and aggressive high-pressure air speed for each tone.
2. Spit the tongue state, position, movement, starting blowing pronunciation principle: spit the tongue state - loose natural, slightly raised; position - shed "tip "Position - the tip of the tongue is slightly thrown upwards, touching the lower edge of the reed; the tip of the tongue is slightly thrown upwards, touching the lower edge of the reed; the part that touches the tip of the reed should be small and few; Action - the tip of the tongue in the front part of the tongue is slightly shrinking, and also slightly touching the tip of the reed under the work of the tongue. The action - the tip of the front part of the tongue, both in a slight contraction and in a working downward motion - slightly touches the lower edge of the tip of the reed, pronouncing the syllable "突" or "都". The tongue's state, position, and movement should be repeatedly thought out and practiced in order to make the sound head relaxed, comfortable and natural when spitting, and the effect of spitting can reach a clean, clear, and pure degree of beauty. When the tongue touches the lower edge of the tip of the reed, the airflow cannot enter the pipe through the wind gap between the head and the reed, the tongue stops the airflow so that the reed cannot vibrate, and the articulation is terminated; when the tongue leaves the lower edge of the tip of the reed, the airflow will be stopped and the reed cannot vibrate, and the articulation will be terminated. When the tip of the tongue leaves the lower edge of the tip of the reed, so that the airflow through the head of the flute and the reed between the wind mouth, by the reed vibration and pronunciation; tongue tip touching the lower edge of the tip of the reed the shorter the time, the longer the leave, the longer the pronunciation; the tip of the tone touching the tip of the reed the lower edge of the time the longer the time, leave the shorter the shorter, the shorter the pronunciation, the tip of the tongue plays a role as a piston or a valve.
3. The main problems of spitting:
First, the tip of the tongue drives the root of the tongue to move back and forth, which not only slows down the movement of the sound, but also moves the neck, throat, lips, and facial muscles, resulting in the effect of the sound, which is called "diu ou" or "dai" (dai), or "dai" (dai), or "dai" (dai), or "dai" (dai). "(dai), as well as other mixed sounds, destroying the musical style, which is very bad spitting.
Second, the tongue touches the reed area too much, tight, heavy, fierce, the sound is dead hard, so the sound is out of order, destroying the musical effect.
Third, in the continuous spitting sound, every start blowing a sound to break the breath once to inhale once, superfluous to cause the lips. Both cheeks, neck also move, so that the sound of the start blowing head rough and unpleasant, destroying the musical effect. The above spit sound faults, must be corrected in accordance with the two problems described earlier.
4. Five forms of spitting method:
First, the single spitting method - the use of three syllables spitting: "sudden" (tu), "are" (du), "La" (1a). The "tu" type of spitting, often used in the performance of dry and fast music, this syllable in the beginning of the sound spitting, can enhance the stability of the tongue movement, and the movement is simple, so this syllable is called the "basic tonic", so that the performer issued a variety of expression change and This is why this syllable is called the "basic tone", which enables the performers to produce a variety of expression changes and characteristic musical effects. For example, long, short, fast, slow, strong, weak, but the principle of the "tu" syllable remains the same. "Yin" type spitting method, also known as "soft overtones", the tongue position and action is roughly the same as the basic spitting method, the head of the sound can be slightly flat a little bit, the tip of the tongue can be slightly rounded, the start of the sound action to have a gentle idea, so that the sound issued by a soft and more consistent style, this kind of spitting is often used in lyrical melody. This kind of spitting is often used in the performance of lyrical melodic phrases and Legato-Staccato. "La" type spit method, although used less, but very useful, tongue in the reed tip along the lower edge of a slight sweep, is not next to next to the broken sound is very light and weak spit, so that you can feel, but actually can not hear the effect of the treatment of the extremely dexterous and subtle, this spit fully demonstrates the artistic expertise of the virtuoso players.
The second double over method (also known as the abdominal spitting method) - double spitting method with: sudden - Ku "(tu-ku) or" Te - Ka "(tc-ka) two syllables. The double spit involves alternating between two different methods of starting and sounding, generally by alternating between stopping the reed wrench and cutting off the airflow in the pharynx. Double spit method is good at playing fast phrases, need to have a single spit method of good it foundation, and the control of pronunciation strength and music performance has a better quality, to play the sound of the rhythm of smooth, balanced volume, starting blowing sound unity, mastery is very skillful, in order to perform in the music spring, use freely.
Third, the three spit method - with "sudden - sudden - Ku" (tu Tu-tu-ku" (tu-tu-ku) or "te-te-ka" (te-te-ka). tc-ka) three syllables. This spitting method can be played as fast as the double spitting method, and is especially suitable for the triplet form or the repeated form of the three different notes of the musical hook structure. The triple spit often makes the "ku" of each repetition seem overly prominent, so some players use other syllable shifts of the spit, such as: tu-ku-tu or ku--tu---Kuo
. -Fourth, the air spitting method - with "fu" (fu) or "du fu" (du fu) syllable Mouth shape. This is a common method used by the saxophone when playing light music. When practicing, as little as possible to shed the head of the flute, the upper teeth close to the head of the flute before the lower spread as much as possible to relax, so that the upper tight down loose, hey sound can be directly from the gas brought out by the "Fu" (fu) sound, but also can be brought out by the sound of the "Dufu" (dufu), this kind of over the sound is mostly used for slower lyrical music. The music is more used in slower lyrical music.Fifth, play through the method (also known as rolling sound) - notation term Frullato, play through the sound with "tululu ..." (tululu ...) is a rapid fluttering of the tongue. (tululu...) is played with a rapid fluttering of the tongue. This spitting sound is rarely used in band performance, used for special musical effects.
5. single spit method (also known as the basic spit method) - the player according to the characteristics of the musical expression changes, can be issued light, heavy, long and short and so on a variety of starting blowing effect, but the "sudden" (tu) syllable pronunciation principle remains unchanged.
First, the continuous tone (continuous playing) Legato notation In the performance of a number of notes within the continuous tone line, in addition to the first tone according to the musical style of the spit, the other notes within the line, without the tongue spit, by changing the relaxation of the lip muscles and breathing energy coupled with fingering changes, and constantly with a breath to make the tone and tone between the coherent and smooth performance of the spring.
Second, the soft start blowing (sticking) Portato notation in the performance, such as the second play even sound, but with the "Zheng" (du) syllable, continuous and very coherent with the tongue gently stretching to start blowing each tone, used in expressive and beautiful lyrical music.
Third, the second continuous tone (broken continuous tone) mczzo staccato notation in the performance, between continuous IJeSato and broken Staccat. between the performance method, the basic spitting method of "sudden" tu) syllables blowing each tone, in the performance of each cypress time value, accounting for about three-quarters of the cypress. Fourth, hold the note Tenuto notation in the performance. To play the full time value of the note, the effect is similar to that of even each Iegato, tone to tone to even the responsibility of the smooth, with the basic spitting method of "sudden" (tu) syllables blowing each note, is the difference between the continuous Legato and the soft overblown Portato place. Accenting
Fifth. Accent Chunfa accent notation in the performance of the basic spitting method of "tu" (tu) syllable blowing, in the time value of one beat to play the effect of strong and gradually weakened, the main thing is that the tone and the elasticity of the abdominal muscle movement control.
Short tone start blowing
Sixth, the hammer method martele (staccatissimo) notation in the performance, with the basic spitting method "sudden" (tu) syllable start blowing, but each note should be played short and strong, played in the time value of one-quarter of a beat of the effect of the notation.
Seventh, the broken note reference method Staccato notation in the performance, with the basic spitting method "sudden" (tu) syllables start blowing, just more elastic and granular, the effect of playing is notation of one-half of the cypress.
Eighth, the tremolo notation in the performance of the basic spitting method, "sudden" (tu) syllable start blowing, fast, clean, smooth, even back and forth alternately repeated blowing.
Ninth, trill notation Trill notation in the performance, from the notation of the note to the note above and then back to the note, according to the needs of the music to play repeatedly and quickly. In the saxophone, use the jaw natural trill, send "ya-ya-ya-ya-ya..." (ya-ya-ya...). ..." (ya-ya-ya-ya -ya......"). The use of natural vibrato by the saxophone is determined by the style of the music and the emotional character of the particular phrase, and is based on the player's extremely subtle control of the instrument and his own musical artistry to make the music sound smooth, soft, full and pleasing to the ear. We will learn to study and imitate the natural vibrato of the best artists of all kinds.
Tenth, the glissando notation Glissando notation in the performance, the glissando is the sound from low to high or high to low process of change, in the process of the lower teeth driven by the lower lip to change the reeds of the Lin dynamic area and the length of the glissando and get the downward and upward glissando. Downward sliding tone: the lower teeth drive the lower end in the relaxation of what strength control at the same time to stretch outward, so that the vibration area of the reed increased growth; upward sliding tone: must be practiced in the downward sliding tone on the basis of the practice of the upward sliding tone. On the glissando practice method, and the glissando process is the opposite, first by the lower teeth driven by the lower lip, by stretching and relaxing the control of the state, back to normal pronunciation, type. The use of the glissando to the style of music and emotional characteristics of the need to listen to more good jazz and light music, master and improve the skills of the glissando.
The above are commonly used starting blowing method, not all playing hand cast, the more players actually use the playing method, the more accurate, the more skillful, his playing skills will be higher.
[edit]Saxophone selection, assembly and maintenance
Selection of instruments
In order to be able to faster, better grasp of the correct method of playing and smooth, normal learning of the saxophone, the choice of instruments is very important. Therefore, it is important to seek the advice of a professional teacher as to which manufacturer to buy. At present, the market many saxophones without manufacturers, or labeled factory and brand, but not the factory's products, but a branch factory or relations with the factory's products. Therefore, the purchase of musical instruments should pay special attention to the following points:
First, check whether the metal used in the manufacture of musical instruments is too soft, some musical instruments thickness and strength is not guaranteed, the mechanical system is not strong, and even with the thumb can be pressed in the musical instrument out of the trap, the keys and key guards, the keys, in the normal pressure, it can be deformed and bent. This instrument is not long to buy, due to inherent shortcomings, often out of the problem, how to repair does not work.
Second, check each key soft pad on the marks, pads **** beeper on the buckle nail is accurately touching the center of the sound hole, the key pads are tightly affixed. After lightly pressing the pad, check that you can't see the slightest gap around that pad, and ask for a little bit of no air leakage. At the same time, but also carefully check that the pad is pressed down the other linkage keys should also be installed equally well, if a key pad check is not very, somewhere leakage phenomenon, it can give the player great difficulties. But also a special intention of a neglected and important professional issues, check all the key pads from the sound hole height is appropriate and the same, if a key pad is lifted too high, the key pronunciation is wild, pitch bias, if lifted low, the key pronunciation is held back, pitch bias low, if all the keys are lifted height is not uniform, the consistency of the sound quality of this instrument and the intonation will be poor, will affect the performance effect is detrimental to the student's auditory and professional The first step is to make sure that you have the right sound for your instrument.
Third, check whether the tension of the key springs is appropriate. If the spring is too soft, the keys will be slow, and if the spring is too hard, the fingers will be too hard, which will easily stiffen the fingers and affect the playing effect.
Fourth, check whether there is a gap between the key cylinder and the connecting rod, if there is a gap, the key pads can not be flat and accurate in the sound hole.
Fifth, check whether the welds are solid, whether the screws are installed reasonably, whether the process is rough. Some manufacturers of the Sac tube, due to poor quality, process roughness, and even maintenance departments have refused to repair.
Sixth, play check from the bass area down B, native B, C, C, C, D, E, F, G test, must be the weakest blowing, so that the bass area can also be sensitive pronunciation. Finally, measure all the range of the sound issued by the tone is accurate sound quality, volume is uniform and consistent. Seventh, if the economic conditions permit, to buy a higher-grade instruments, to learn a good saxophone will undoubtedly play a very positive role.
The assembly of the instrument
1, the assembly of the steps and methods:
reed from the reed clip or reed box out, the reed plane with the head of the plane coincides with the top of the reed with the top of the head of the flute Qi, by the left thumb will be the reed pressure ground flute.
Second, put the hoop on the head of the flute with the right hand, with the top edge of the hoop over the headstock line. The top edge of the hoop should cross over the headstock line. Then, align the seam line of the hoop with the center of the reed, and tighten the top and bottom screws of the hoop moderately to hold the reed in place. If the top edge of the hoop does not cross the headstock line and the hoop screws are tightened too far, the reed will vibrate.
Third, install the reed, insert the headjoint into the neck tube, the center of the headjoint should be aligned with the overtone hole key on the neck tube.
Fourth, insert the installed neck tube into the body of the instrument. Then, tighten the screws at the joints. When not playing, carefully place the cap on the headjoint.
Fifth, before the orchestra ensemble, generally use the standard A tone to tone, tone, alto saxophone play ascending F tone, tenor saxophone play B tone. If the saxophone is low, the head of the flute to the cork of the boob tube plug; saxophone if the tone is high, the head of the flute upward until the standard tone.
Maintenance
First, take and put the instrument to grasp the bell mouth, can not grasp the keys and linkage lever, so as to avoid bending and deformation of the keys and linkage lever damage to the instrument. After blowing to install the main body tube at the upper end of the rod guard plug, and then put the instrument into the box.
Second, after each practice, the head of the flute and reed with water to clean and dry, reed carefully into the whistle box, do not continue to be stuck on the head of the flute, in order to prevent the reed deterioration and deformation, affecting the vibration.
Third, the main body of the instrument and the inner hall, connect a piece of cloth with the lead rope, put it in from one end, and pull it out from the other end to remove the spoils and clean water from the inner chamber. Musical instrument surface and mechanical system gathered dust, can be removed with a soft brush.
Fourth, after the instrument is used for a period of time, you should check whether the screws of the mechanical system are loose, and add a little lubricant.
Fifth, the instrument should not her time in the sun and placed in a humid place, so as to avoid deformation of the pads, the mechanical system rust; temporary rest or pause blowing, the instrument keys face up, placed in a safe part, in order to prevent damage.
[edit]Saxophones Famous Artists
Kenny G
Original Name:Kenneth Gorelick
Chinese Translation:Kenny G, Kerry King
Hong Kong and Taiwan Translation:Kenny G
Date of Birth June 5, 1956
Height: CM Place of Birth: USA Seattle
Representative works: Songbird, Theme From Dying Young, Going Home, Jasmine Flower, Forever in Love,
My Heart Will Go On. My Heart Will Go On (我心永恒), Morning (清晨)
Awards: 1992 Grammy Award, National Music Award, World Music Award, 1994 National Recording Industry Best Artist
[edit]详介绍
●1956
Kenny Key was born in Seattle, Washington, USA. He began studying music at a young age and became the leader of his high school jazz band during his high school years. After entering college, studying economics, he joined an orchestra with well-known musicians and achieved considerable success.
●1982
Kenny Key became an independent saxophonist, releasing three albums, Kenny G (self-titled 1982), G Force (1984), and Gravity (1985), initially establishing himself as an up-and-coming saxophonist. After the release of his fourth album, Kenny Key's elegant saxophone floated not only on black and jazz radio, but also gained a great response on pop radio.
●1986
He reached the Billboard Hot 100 with "Songbird," which became the fourth biggest hit of the year. The single was one of the most successful performances of the 1980s, and Kennedy rose to stardom. "Songbird" was also a huge hit, and became the first album to sell over a million copies of performance music to go platinum.
●1988
Kenny Key released another album, Sillhouette, which went platinum again.
●1990
He released his first live recital album, Kenny G Live, followed by the anthology Montage (1991) and the album Breathless (1992), both of which were huge successes.
● In 1991, Kenny G produced the soundtrack to the movie Dying Young starring Julia Roberts, which spawned the beautiful hit "Theme From Dying Young.
●1992
Grammy Awards, National Music Awards, World Music Awards
●1994
The Mirackes album was the best-selling instrumental album in history, propelling Kenny Key to the top of the saxophone charts. To date, Kenny Key's album "Breathless" has sold over 10 million copies. The album has also topped the Billboard charts for four consecutive years. Four other albums have reached No. 1 on Billboard's Contemporary Jazz chart. His accomplishments are unrivaled. Kenny Key and his saxophone have crossed national boundaries and age groups. He has excelled in the genres of jazz, R&B, and Latin styles, and is arguably one of the most successful saxophone virtuosos of all time.
●1994 National Recording Industry Artist of the Year
[edit]List of Kenny G albums
1 Kenny G (1982) 2 G Force (1984) 3 Grarity (1985) 4 Duotones (1986) One of the tracks, entitled "One of the songs, Song bird, was written for his girlfriend, now wife. 5 Silhouette (1988) 6 Live (1989) 7 The Collection (1990) 8 Montage (1990) 9 Dying Young (1991) 10 Breathless (1992) 11 Miracles,the Wolidy Album (1994) 12 The Moment (1996) 13 Kenny G's Greatest Hits (1997) 14 My Heart Will Go On (EP) 15 Classic in the Key of G (1999) 16 Faith (1999) 17 Paradise (1999) 17 The Walt Disney Concert (1999) Paradise" (2002) 18 "Wishes" (2002) 19 "At Last The Duets Album" (2004) 20 "the Greatest Holiday Classics" (2005)
Rhythm And Romance 2008
Album tracks:
01. Sax-O-Loco
02. Ritmo Y Romance (Rhythm & Romance)
03. Sabor A Mi
04. Tango
05. Mirame Bailar ( Featuring Barbara Muoz)
06. Peruvian Nights
07. Brasilia
08. Besame Mucho
09. Fiesta Loca
10. Es Hora De Decir ( Featuring Camilia)
11. Copa De Amor
12. Salsa Kenny
I'm In The Mood For Love 2006
Album tracks:
01. You're Beautiful (The beauty and sorrow of Captain James Blunt's 12-country championship)
02. The Way We Were (The theme song to Barbra Streisand and Robert Redford's "The Way We Were" championship)
03. Yesterday (The legendary Beatles were voted the best band of all time since 1963 by Rolling Stone magazine)
Yesterday (The Beatles were voted the best band of all time since 1963 by Rolling Stone magazine). "Rolling Stone Magazine as the best pop song of all time since 1963)
04. I'm In The Mood For Love (I'm In The Mood For Love's cover of the immortal classic "8:00 Every Night" episode of the 1935 film by Lost & Barbra Streisand)
05. If (A 3-week old charming classic by 70's rock classic group, The Bread Loafers). The Way You Look Tonight (theme song of the Oscar-winning movie "Swinging Era" and episode of the romantic comedy "The Bride Is Not Me")
07. If I Ain't Got You (the perfect piano diva Ellie Siakis R&B chart five weeks champion)
08. Love Theme From "Romeo & Juliet" (Shakespeare's famous play "Romeo & Juliet" adapted the movie "Martyrs" poignant theme song)
09. It Had To Be You (When Harry met Sally "Wonderful Love" episode)
09. When Harry Met Sally")
10. The Shadow of Your Smile (Theme song of the movie "Springtime" starring Elizabeth Taylor and Richard Burton, Academy Award for Best Song in a Motion Picture, 1965)
11. Fly Me To The Moon/You Make Me Feel So Young (Medley) Feel So Young (Medley) with the sky/You Make Me Young (Suite) (jazz great Frank Sinatra 50's to the present moon love song)
12. As Time Goes By (1942 Humphrey Bogart, Ingrid Bergman starred in the classic film "North Africa Spy," the theme song, the movie "Sleepless in Seattle" episode of the song)
13. )
13. You Raise Me Up (Josh the Heartthrob and the boy band West Side Boys cover the love classic)
The Greatest Holiday Classics 2005
The Greatest Hoilday Classics Album Tracks:
05. Sleigh Ride
06. Miracles
07. Jingle Bell Rock
08. White Christmas
09. Winter Wonderland
10.
10. My Favorite Things
11. We Three Kings/Carol Of The Bells
12. Let It Snow! Let It Snow! Let It Snow!
13. Ave Maria
14. The Chanukah Song
15. Jingle Bells
16. I'll Be Home For Christmas
16.