Northwest folk songs are an important part of China's national music treasury, mainly distributed in the Yan'an area and Yulin area in northern Shaanxi, northwestern Shanxi, south-central Ningxia, southern Gansu and eastern Qinghai agricultural areas. These areas have a wide variety of folk songs, and the lyrics are extremely infectious, and the musical forms are colorful. In addition, the western part of Inner Mongolia and Xinjiang, which are also located in the northwestern part of the country, also have a lot of folk songs of various ethnic groups that are popular among the masses, and the variety, quantity and taste of these folk songs are marvelous. Whether it is the Mongolian long tune, short tune, homesickness song, Manhan tune and mountain climbing tune of Inner Mongolia, or the traditional folk songs of various ethnic minorities in Xinjiang and the twelve mukams of the Uyghur people, all of them can be regarded as the treasures of the excellent traditional culture of the Chinese nation. Looking at the splendid river of Chinese folk songs, the most characteristic and representative one is the Shantianyou of northern Shaanxi, which is regarded as the wondrous treasure of Chinese folk songs. Xintianyou's realm of singing is a vast and boundless yellow plateau, which, with thousands of ravines and gullies and rolling hills, is magnificent and spectacular, with a deep sense of bleakness and sadness, and full of melancholy and staccato. For thousands of years, a side of the landscape in northern Shaanxi and Xintianyou with their own personalities potentially affecting the living customs of the northern Shaanxi people, shaping the character of the distinctive plateau culture, but also shaped the magnificent and lonely regional beauty. First of all, the linguistic beauty of folk song lyrics is a pleasant space for artistic appreciation. Traditional folk songs usually have to be sung in dialect, because dialect and folk songs have a blended relationship. Folk songs reflect the labor and life of the local people and are closely connected with the history, geography, customs and other factors of the region. The direct influence of dialect and dialectal sounds on folk songs is one of the most important factors in forming the tone and stylistic characteristics of folk songs. The linguistic beauty of folk songs is reflected in the form of rhyming, folk songs are rhymed in dialect, and when sung in dialect, sometimes the rhymes will be very incongruous, for example, "Your mother beat you up and you are not a talent, and you wear red shoes in the dewy ground", in Mandarin, "talent, shoes" have different rhymes, and in the northern Shaanxi dialect, "shoes" sound like "shoes", "shoes" sound like "shoes". "Shoes" sound "child", sung in dialect, both to solve the rhyming problem, but also highlight the local style. Such as albatross singing, generally for the two-stanza body, the first line of the rise than the next line of the title, basically improvisation. These spoken verses are amazing, vivid and have strong artistic influence. Their contents mainly reflect love, marriage, resistance to oppression and the fight for freedom. The people of northern Shaanxi Province sing the albatross, singing both the joy of life and personal sorrow; not lacking in romance, but also focusing on reality, is the pursuit of the beauty of life and emotional support. The use of dialects and local languages adds a strong local color to the folk songs of different places, and some of the onomatopoeia and auxiliary words such as "get child", "hey", "hi", "ah", "the", "ha", "yo", as well as the daily life of the local language in the shouts, cries, shouts, cries, yells, exclamations, etc., or affect the tone of the folk songs, or play a role in the liner notes of the folk songs, sounding relevant and natural, with a strong sense of local flavor, giving a person the artistic enjoyment of the language, the beauty of the tone of the art. Secondly, the emotional beauty of folk songs leaves more space for people to realize. In the barren and poor, poor transportation in the remote ravine, in the thousands of years of history, folk songs are the best means of expression of feelings in northern Shaanxi, is from the heart of the people's voices. It is the true expression of the true feelings of the people, which contains the beautiful emotions of the people. "The sun in March is red and red, why am I so miserable?" Once your ears echo this bleak and helpless song, you will definitely recall the lonely life of the peasant women in Shanbei in the hollows of the mountains. The folk songs of northern Shaanxi are the crystallization of the spirit, thoughts and feelings of the people of northern Shaanxi, and are the most direct reflection of the lives of the people of northern Shaanxi. In northern Shaanxi, no matter what kind of emotions are expressed, such as joy, anger, sadness and happiness, there are songs and songs. In the village, there are sitting on the wall knitting straw hats, the aunt of the sole of the aunt of the murmur, on the mountain road, there are driving livestock footmen in the high voice song. All of these are a beautiful scene that constitutes the unique landscape of the Loess Plateau. Finally, the rhythmic beauty of folk songs gives people room for imagination. Most of the rhythms of Xintiyou are very free, and the melodies are unrestrained, open, heart-stopping and stirring, which are directly related to the landscape of northern Shaanxi, where ditches and rivers are scattered all over the country. In the local, people used to stand on the slope, the bottom of the ditch from a distance to call or talk loudly, for this reason, often the voice, the voice pulled a long time, so it will be in the high and low lengths of the formation of free and sparse rhythms, this habit will naturally have an impact on the albatross. Therefore, the melody of the albatross is melodious and high-pitched, rough and unrestrained, with harmonious rhythms, flowing out of the beauty of health without any modification.
Please adopt, thank you!