The world's classic celestial music.

Legend has it that the pre-Qin master of the zither, Bo Ya, played the zither in the wilderness, and the woodcutter, Zhong Ziqi, was able to comprehend that this was a depiction of the "mighty ambition in the mountains" and the "ocean in flowing water". The aspiration is in the flowing water". Bo Ya was shocked and said, "Good, Zi Zhi's heart is the same as mine." After the death of Ziqi, Bo Ya lost his soulmate and broke the strings of his zither, thus the song of "High Mountains and Flowing Water".

The song "High Mountains and Flowing Water" was recorded on the golden record, launched into space on August 22, 1977, to spread the wisdom of the Chinese nation and civilization information to the advanced creatures of the cosmic planet. The song was recorded on a gold record, and was launched on August 22, 1977, to spread the message of Chinese wisdom and civilization to the higher beings of the universe.

Second, "Guangling San"

According to the "qin manipulation" records: Nie Zheng's father in the Warring States period, for the King of Han casting the sword, because of the delay in the date, and was killed, Nie Zheng determined to avenge his father, into the mountains to learn the qin for ten years, the body into a masterpiece, the fame of the Republic of Korea. When the king of Han called him to play in the palace, Nie Zheng finally realized his long-cherished wish of killing the king of Han, and he himself died of disfigurement.

According to this story, the descendants composed a qin tune, which is very generous and magnificent, and is one of the famous guqin tunes. Nie Zheng's long-cherished wish for his father's revenge to rest, Jikang played this song on the verge of execution, and it was brilliant, spears and spears, heaven and earth.

Third, "falling geese in the sand"

Ming Dynasty, this song is called "falling geese in the sand". The melody is melodious and smooth, through the hidden and sometimes appearing geese, depicting the scene of the geese circling in the sky and looking forward to the landing of the geese. For the understanding of the song, there are "to take the meaning of the autumn lonesome, flying geese" to describe the autumn scenery;

There are "to take the high and refreshing autumn, the wind is quiet and the sand is flat, the cloud miles, the sky is flying, borrowing the swan's ambition to write the mind of the escapees! "

Both fall on the sand and water far away, the intention of the heart free, friends without guessing, male and female have a narrative", issued by the world of sinister, not as good as the geese nature of the sentiment. Now most of the circulating is seven paragraphs, the main tone and musical image is more or less the same, the melody is up and down, stretches not section, beautiful and moving; tone static beauty, but static in the movement. Flat sand falling geese Lyric Yi Yi, three up and three down misty order, cloudy sky, the sky flying sound, swan will be far away.

Four, "Plum Blossom Three Favors"

The guqin piece "Plum Blossom Three Favors", also known as "Plum Blossom Leads", "Plum Blossom Song", "Yu Fei Leads", is a masterpiece of classical Chinese music that expresses the plum blossom, and it was widely circulated in folklore as early as in the Tang Dynasty.

The whole piece expresses the noble character of the plum blossom, which is white and fragrant, overcoming frost and snow, and is a piece of zither music full of ancient Chinese scholarly interest.

Since the Jin-Sui-Sui-this flute song for the Eastern Jin general Huan Yi made. It was later adapted by the Tang dynasty zither player Yan Shigu into a zither song, which has been handed down to the present day. The noble character of the plum blossom is an important theme for artistic creation, and is often used as a metaphor for people with noble morals.

Ming Yang whirled "Boya heart method" recorded: "plum for the flower of the most clear, the piano for the sound of the most clear, to write the most clear sound of the most clear things, it is appropriate to have a frost sound rhyme.

The meaning of the three lang is to take the overtones of the three sections, the same string different micro clouds." In the zither song, the use of complete repetition of three overtone writing method is rare, "so there are everywhere three stacks of Yangguan, night plum blossom cynicism of the three fiddles". The three plum blossoms standing in the frost, noble and unyielding rhyme is also strange, overtone three sections, the same string of different emblems, the wind fighting snow play.

Five, "Ambush on Ten Sides"

"Ambush on Ten Sides" is a famous large pipa song, known as the classic song. The content of the music is magnificent and brilliant, and the style is majestic and peculiar, which is rare in classical music. It was first published in 1818 in Hua Qiu Ping's Pipa Score, and was renamed Huaiyin Pingchu in Li Fangyuan's New Score of Pipa for Thirteen Large Songs of the Northern and Southern Schools, which was published in 1895.

The music is based on the historical fact that during the duel between the Chu and Han armies at Gaixia (southeast of Lingbi County, Anhui Province) in 202 B.C., the Han army set up a ten-sided ambush formation, thus completely defeating the Chu army and forcing Xiang Yu to cut his own throat in the Wujiang River. Gaixia duel is a famous battle in the history of China.

The pipa song "Ambush on Ten Fronts" brilliantly utilizes musical means to express the fierce battle conditions of this ancient war, and shows a vivid and touching picture of the ancient battlefield to the world. The pipa is in a hurry at Gaixia, the winds of the Chu song are rusty, the king draws his sword, the concubine does not cry, and the Wujiang River is empty of riders.

Sixth, "Sunset Xiao Drums"

This is a lyrical piece of literature, melodious and smooth, in the performance of a variety of pipa techniques. In the form, the whole piece is developed by expanding, contracting, localizing, increasing and decreasing, and transforming the high and low registers. This piece has been widely circulated and is one of the representative works of the ancient pipa music.

The earliest copy of the score is from 1875, and around 1925, the Shanghai Daitong Music Society adapted the piece into a silk and bamboo piece called "Night of the Spring River and the Moon", which is like a long scroll, uniting colorful scenes, combining motion and stillness, distance and proximity, and emotion and scenery, making the whole piece layered, with an outstanding climax, and the poetic and pictorial meaning of the music is captivating.

The night of the spring river flowers and moon is lost, the bright moon is brimming with millions of miles, the green hills are superimposed on the green hills, the flower branches are in the shadows, and the moonlight is moving by the king.

Seven: The Question and Answer of the Woodcutter and the Fisherman

The piece expresses the disdain for those who pursue fame and fortune through the enjoyment of the woodcutter and the fisherman in the green mountains and waters. The music adopts the way of dialog between the fisherman and the woodcutter, with the ascending tune indicating the question and the descending tune indicating the answer. The melody is elegant and elegant, showing the relaxed and carefree demeanor of the fisherman and woodcutter.

Just as in "The First Zither Study", the meaning of the song is long and deep, and the mountains are lofty, the water is oceanic, the axe is ding ding, and the yagyu song is nai, which is hidden under the fingertips. When it comes to the question and answer section, one has the thought of mountains and forests. The fishing boat on the side of the answer, the rise and fall of the past and present if there is meditation, thousands of years of gains and losses, who is right and who is wrong, the mountains and the water in the unhurt.

Eight, "Eighteen Beats of Hu Jia"

The guqin song "Eighteen Beats of Hu Jia" is based on the narrative poem of the same name that has been circulating since the Han Dynasty and the creation of the qin song, is an outstanding classical piece in the history of China's music. The author of the original poem is said to be Cai Wenji, but there is no record of it in the book of the Later Han Dynasty - Cai Yan's biography, so it is difficult to be finalized. Its music is a Tang dynasty score.

The whole song **** eighteen paragraphs, the use of the palace, levy, feather three modes, the contrast and development of the music level, divided into two levels, the first ten to beat the author is in the huti mainly described the hometown of the author's thoughts; the latter level of the author of parting with the child's hidden pain and sadness.

The music tells the tragic story of Cai Yan's life in a very touching tone, reflecting the deep disaster brought by the war to the people, and expresses the deep longing for the motherland, the homeland and the pain of the parting of flesh and blood. Guo Moruo called it "the most appreciated long lyric poem since Qu Yuan's Li Sao".

Nine, the Han Palace Autumn Moon

The music expresses the ancient palace maiden's sorrowful emotions and a kind of hopeless, lonely and cold life mood. It is intended to express the ancient oppressed palace maiden's grief and sorrow, and to arouse people's sympathy for their unfortunate sufferings.

Ten, "Yangchun Baixue"

Legend has it that during the Spring and Autumn Period, the Jin Shi Kuang or Qi Liu Juan Zi made "Baixue" to take the sound of another clean, snowy bamboo. It is a fresh and smooth melody, lively and fast rhythm, vividly expressed the winter and spring, the earth is recovering, everything to the glory, the vibrant early spring scene.