"City of Love" opens with a big ambitious traffic jam + long shot, then the drivers get out of their cars and start dancing happily, setting the overall tone of the movie. Selected lines from the song-and-dance movie "City of Love" were compiled for you and shared with you here.
Song and dance movie "City of Love" selected lines
1. When people disappoint you, you have to be more courageous, because the morning comes, and it's another sunny day.
2. A small encounter may be the opportunity to wait.
3. We are chasing after nothing more than another person's love, a throb, a look, a touch, a dance, gazing into a person's eyes, lighting up a whole sky.
4. I just need this crazy feeling, with a poof heart, wish it had been there.
5. There will always be a place where I can realize my expectations.
6. Just like that, I jumped on a bus and came here, brave or crazy, the future will tell.
7. Nobody likes jazz, not even you
8. To those who dream, even if they're a little silly, to those who ache, and to the mess we make.
9. It is that hint of madness that makes us see new colors.
10. People love what others pour passion into.
11. The colorful world of music and machinery beckons me to leap onto the big screen and live in every scene.
12. Why do you talk about 'romance' as if it's bad?
I don't know, that's just the way it is in L.A., everything is worshipped and nothing is valued.
13. You can write your own characters and write things that are as interesting as you are.
14. jazz is...new every time, brand new every night, very, very exciting.
15. How do you become a revolutionary if you're so stuck in your ways?
You cling to the past, but Jazz is looking to the future.
16. When you get the role, you will have to give everything and go all out.
City of Love: Tragedy is more than just destroying the valuable things in life for people to see
Hesitating for a long time, I still intend to write about this movie.
It's been a long time since I've written a movie review in Douban, on the one hand I've been busy, and on the other hand I've been quite disappointed with this year's movies. After last year's and so on, this year's movie is really rather bland.
Before it came out, I even thought that if I put it in this year, I might have the last laugh.
The reason for the hesitation is nothing more than a very childish idea at work.
"Why are they dancing at the drop of a hat?"
The opening of the movie really confused me, and even listening to the soundtrack disc again later, I can recall the awkwardness of just entering the theater.
I can't really blame me for this awkwardness, but rather Hollywood for making us more and more comfortable with the genre.
Many times I feel that watching a Hollywood movie becomes a meal.
When you pick up your chopsticks and see the eggplant, your taste buds seem to have been covered with a thin layer of oil, which has the aroma of meat foam; when your chopsticks clip to the eggplant, the taste buds and the flavor of the bean curd, even if there is no bean curd in the plate; and when you finally put the eggplant into your mouth, a kind of "finally relieved feeling! And when you finally put the eggplant in your mouth, a feeling of "finally relieved" comes to your mind.
That's right, I had the eggplant with minced meat.
Take a look at a few of this year's masterpieces:
This year's first lineup of highly rated movies has basically been monopolized by Disney's spurt of high-quality masterpieces this year. The three can be said to be the benchmark of the new anime movie, and not only the quality of each of the upper tier, even the genre has a strict distinction, to do not hype the rice at the same time, but also tapped into a new depth.
Enough boasting about my division (ahem), and on second thought, there really aren't any good movies out there. Nature is good, but it's still a popcorn movie after all; and is also good, but the audience is too small; I personally think the top five and, although they all gripped my heart in the theater, they definitely didn't have the level of wanting to give it a standing ovation after watching it.
That's right, the highest appreciation for a movie is the moment of blackout at the end, when there is an urge to give a standing ovation.
So it's one of those movies that starts awkwardly, builds slowly, and then gives you a rush at the end.
What movie is it like? A lot of people have said it's like. But I don't know how many people, like me, were reminded of 500 days of summer, the same spring, summer, fall, winter, and all the love that passes.
But is it all love that passes? That's why associations are sometimes harmful. When I first arrived in the summer, I was sure this was going to be a tragedy. No matter how much the two of them love each other, they will never end up together.
But I was the opposite of Zixia: I guessed the end, but not the gaijin, and the seven-colored clouds.
The plot is so clichéd that all you need to do is read any review that reveals a key plot point to know where the whole thing is going. Its clichéd in much the same way that Gosling's ride in it carries an uncomfortable sense of chronological difference. There are many times when you question whether the director did it on purpose, letting the retro costumes, music and vehicles have their atmosphere taken away by an iphone with a shattered screen.
So the director didn't even bother to address these seemingly clumsy holes. In this movie, all of that is just the ingredients. Someone is right, this movie carries a strong sense of filter with so many views of Los Angeles that for a moment you wonder if the director hired a bunch of street artists and skipped even the set dressing effort.
The cafe scene in particular spits out the director's malice from start to finish. The pompous clerk, the expressions on the faces of the people around, the window on the world feel of Frenchness that comes from nowhere, all feel overly contrived.
All of this is sublimated to the extreme in the planetarium. The backgrounds and characters all look out of place in an extremely flashy and gritty special effects environment. It's another one of those animated moments in the second half of 500 days of summer that some people love and others find extremely mood-destroying. By this point, the movie is at best an homage to this year's Hail, Caesar!, another period piece with a horribly underperformed plot, making it feel like yet another Hollywood series where the director sells the mood.
However, it's no longer the plot that keeps the movie from crushing the TV series artistically (from the beginning, the movie has been unable to separate itself from the TV series in terms of plot), it's the dramatic tension, and just the right amount of detailing that can be captured by the audience.
A small detail: Gosling bumped off Emma Stone in a restaurant, and the scene was a laughter, and everyone felt in their hearts, this is a cheap directorial baggage; but at the end, when the same scene is played back again, but in the moment when the two people touched each other, the whole reversed the plot, and the superb soundtrack (predetermined for the Oscars) played at the right time to bring the audience into another possible future world. giving a glimpse of the ending that people want to see in their minds.
Dramatic tension: after one ends up imagining with the director's camera, like the chocolate chip froth at the corner of one's mouth hasn't been wiped off after a cup of coffee, and one is still reveling in that little bit of finely tuned sweetness, one comes back to the hand on the piano, the end of Gosling's coda, and Emma Stone's proper face. Just when one thinks the director is about to tear down all the beauty that has just been built up, Gosling finally looks up.
The two smiled as their faces met double-face, and the music stirred, ending the entire episodic play in a symphonic fashion. And there it was, the seven-colored cloud that I hadn't guessed.
It ends well, with both men having the best ending each could have. All the two lost in chasing their dreams was love, all they gained would be the whole world. The obvious ending of a dream come true carries an intriguing sense of tragedy, which is where the director's skill is most evident in this movie.
People say, tragedy to life valuable things destroyed for people to see, that is typical of Shakespearean tragedy, that is, the characters in the life of the disillusionment, are with a sense of original sin and a sense of destiny, as if all the tragedy is doomed (of course, doomed to type of tragedy is the most innately acceptable tragedy of human beings, and the success of the religion has a similarity). But tragedy stopped being that simple long ago.
Many people who wrote reviews of this movie said that it was retro and focused on nostalgia. Some people gave it a high score because of that, and some people found it tasteless because of that. But what I want to say is that thinking that this movie is a retro movie is itself a wrong idea. Not to mention the fear that this is the first time someone has made the superstar metropolis of Los Angeles this compact, even if we talk about the plot of this movie alone, it is beyond most romantic dramas as winter turns to spring and back again, with the combination of people, scenery and music (the facial tension of the two men in close-ups, the scenic tones of the jazz bar, and the orchestral music) as tight and rehearsed and precise as an opera or a stage play. This ability to dispatch and control the elements of the movie is what allows the film to be seemingly retro, but actually innovative, and a mathematical beauty that will require fans to ponder over and over again.
Eggplant with minced meat. As I said before, it's the minced meat eggplant in your mind that makes it taste good. Most of the bad reviews of this movie from a few people, in my opinion, come from this: by typecasting it before or midway through the movie, the mental construction of savoring the details is lost. This is a movie that looks at the details, and it's a movie that takes tragedy to a new level.
1, from now on, you are only allowed to love me alone, to spoil me, can not lie to me, promised me every thing to do, to me every word to speak to be sincere, not to bully me, scolded me, to believe in me, other people bullied me, you have to be in the first time to come out to help me, I'm happy, you have to be with me to be happy, I'm unhappy, you have to coax me to be happy, always think I'm the best. Happy, always think I am the most beautiful, dream to see me, in your heart only me, that's it."
2. "When you are young, you think there is an answer to everything, but when you are old, you may feel that there is no such thing as an answer in life. Every day you have the opportunity to rub shoulders with many people, some of whom may become your friends or confidants so I never give up any opportunity to rub shoulders with people. Sometimes it messes with your head, so what the hell! Just have fun."
3. Life is full of coincidences, and two parallel lines will intersect one day. Gone with the Wind
5. If there are people, there are grudges, and if there are grudges, there are rivers and lakes. People are the jianghu, how do you quit?" Infernal Affairs
7. What is right? When a person commits a crime, the judge sentences him to death according to the law. This is not called right, this is called justice. And when a man commits the same crime, the emperor may or may not sentence him to death, and so pardons him, this is called right! Schindler's List
8. If you do have power, it is also because of whom you can forgive, not because of whom you can punish. Schindler's List
9. God takes away the best things around us to remind us that we have been given too much! The Four Feathers
10. Holding your hand is like holding your right hand with your left hand without feeling it, but it hurts to cut it down! A Sigh
11. We need to learn to cherish every day of our lives, because the beginning of every day will be the first day of the rest of our lives. Unless we are about to die. American Beauty
12, not everyone can be lucky to live their own ideal life, there are buildings and cars, of course, no do not cry? So what, we must enjoy the life we lead. Cold Mountain
14. The truth is a beautiful and terrible thing, and it needs to be treated with extreme caution. Harry Potter
15, the greater the ability, the heavier the responsibility. Spider-Man
16, When we don't get the right answer, it's only because we're asking the wrong question. AmericanHistoryX
17, Every day, every second, the decisions you make change your life. Run Lola Run
18. Saving one person is like saving the whole world. Schindler's List
19. Don't forget your name to find your way home.
20, people always like to use "if" to outline some of the miracle. But most of the "ifs" are not realizable, but are just a buffer zone from hope to despair. Aspirin
21, you have to give up everything, you have to have no fear, face the fact that you will die one day. Only by abandoning everything can you be free. Fight Club
22, have confidence will not necessarily succeed but no confidence will not succeed.
23. You can't throw away a whole life just because of a little defect.
24, our war is at best an internal war; our greatest fear is our own life. The Fight Club
25. Dreams are free, but only a handful of people can realize them and live a happy life. Born to be a human being, I'm sorry. It's not about what others have done for you, but what have you done for others? The Life of the Disliked Matsuko
Express your feelings about movie lines1. Life is full of coincidences, and two parallel lines will intersect one day.
Going Left, Going Right
2. The love, life and career lines on your hand are all spelled out in your name.
4. The farthest distance in the world is not between life and death, but standing in front of you but not being able to say: I love you
5. You are the apple of my eye. I was just naive to like you for so long.
6. I once heard someone say that when you can no longer have, the only thing you can do is to make yourself not forget.
7, dating is not something you can do with just anyone, we have to be with the one we can't afford to lose.
8, the so-called deep love, that is, you have me, I have you, it turns out that one person dinner is not as happy as two people dinner. This play with life to play on, pay the youth is not a pity.
10, I want you to know, in this world, there is always a person will always wait for you. No matter where you are, there will always be such a person.
11, you think I am poor. If I am not beautiful, I have no feelings? If beauty and wealth were bestowed upon me, I would make it hard for you to leave me! As hard as it is for me to leave you now! Jane Eyre
12, in fact, love is temporal, recognize too early or too late is not, if I know her in another time or space, this ending may be different. 2046
13, we have to learn to cherish every day of our lives, because the beginning of each day will be the first day of the rest of our lives. Unless we are about to die. American Beauty
14, as a child, looking at the sky full of stars, when the shooting star flew by, but always too late to make a wish, grew up, met the person they really like, but still too late.
15, from now on, you are only allowed to love me alone, to spoil me, can not lie to me, promised me every thing to do, to me every word to be sincere, not to bully me, scold me, to believe me. Other people bully me, you have to be the first time to come out to help me, I'm happy, you have to accompany me to be happy, I'm not happy, you have to coax me to be happy, always think I'm the most beautiful, dreaming of me, in your heart only me. The Lion's Roar
The movie "Extraordinary Mission" lines"Extraordinary Mission" by Zhuang Wenqiang screenwriter, Mak Siu-fai, Poon Yiu-ming directed, Huang Xuan, Duan Yihong, Lang Yue-ting, Zu Feng, Xing Jia-dong, Wang Yao-Qing and other people starring in the action anti-narcotics police film. The movie "Extraordinary Mission" lines are want to share with you, welcome to browse.
Lines from the movie "Extraordinary Mission"
1. Whose head will be next against the gun?
2. I can be bruised all over, may there be no hurt in the world
3. When the final feast is over, who will be on the road?
4. Do business with me and listen to what God has to say.
5. Tomorrow the sun is still shining, who will fall into the darkness
6. From now on, the identity of the zero, to be a lonely drug dealer
7. I used to be the most trusting person, I did not expect that, and in the end, betrayed me
8.
9. This is an extremely dangerous mission, if you once accepted, you will live in the identity of a drug dealer
10. I certainly can not let him die
11. We so can not distinguish when to be awake, waking up, in fact, is to walk into another dream
12. Seniors said, even if you wake up in a nightmare, there is no need to be afraid, as long as you remember who you are, I have to remember that I am a drug dealer
13. Perhaps until death, no one knows my name
14. Aggressive gaze, who's heart is trembling?
Extraordinary Mission: where there is no present peace, just someone to help you keep the darkness outside
The movie is smoother than imagined, basically no extra shots, tightly paced, and the car racing and gun battles look very real. The anti-drug story skillfully blends elements of revenge, and there are no holes in the whole thing. Overall it's a cool anti-drug police movie with good acting and stunts. Huang Xuan is very cool inside the movie, and I followed a few episodes of The Hunter when someone in my family watched it earlier. I think he's better in Extraordinary Mission than he was in The Hunter, with the added attribute of being a tough guy on top of being highly intelligent.
The movie had a few shots that were handled well. The three that stood out to me the most were.
One is the final overhead shot, which is very meaningful, and the use of high angle shots of the body and the ashes all over the floor helps to show the tragedy of the story.
Another is the cleanup of the scene after the Golden Triangle drug lords hanged the mainland drug dealers. Huang Xuan was in a very unfavorable position, because behind him there was already someone with a gun to solve him, this time Huang Xuan eyes can not see this danger. The director gave a small overhead shot for a few seconds in front of Huang Xuan's right side, which allowed the audience to see the person behind Huang Xuan, and everyone knew immediately that Huang Xuan was in danger. At this moment, Huang Xuan's life hangs in the balance, but he instantly dodged the gun counter takedown at the critical moment, stood behind the man, used him as a meat shield, and did the counterattack. This quality is really awesome, it's especially cool to watch, but it's also sad to think about it, how vigilant does it take to avoid this kind of disaster. It can be said that in the theater he is all the time this tense state, or can not survive.
Another impressive shot is that the little girl who was exterminated was looking up from under the floor, and through a narrow gap, the old undercover cop saw someone underneath, but he didn't say anything. This shot not only explains the life of Qing Shui, a key character in the second half of the movie, but also conveys the horror of drug dealers. Together with a few flashbacks of Huang Xuan in his sleep, hinting at his own reasons for becoming a narcotics cop, it made me start thinking about the emotions and psychology of this particular group of narcotics cops.
Huang Xuan's mother died of drug addiction. The shot is short, but we can understand from here why he chose to be a narc. After all, this line of work is no joke, you can get killed at any time. Even if you don't get killed, you have to live in anonymity and high tension. He, like the captain, doesn't show his real name. I wonder how many people watching the movie will remember that Lin Kai's original name was Liu Haojun. The policeman who dies heroically at the end even has a fake name on his tombstone!
Drug crimes are highly covert, which is why anti-narcotics films can never escape some of the "Infernal Affairs" formula, there will always be undercover agents, counter-espionage of these episodes, and there will be close-ups of the details of the Morse code to deliver the message. Extraordinary mission" on this aspect of the treatment, more respect for the audience IQ. Duan Yihong played the villain, with a few eyes to put that suspicion into effect. Needless to say, the audience understands that as the plot advances, the environment Huang Xuan is in is increasingly dangerous.
Drug crimes are also tightly organized, so when we look at "Extraordinary Mission", we also feel that Huang Xuan is a monsters and upgrades, he is a little bit from the grass-roots level to the top of the contact to the characters, the danger is all over the place. The first upgrade to the courage to win; the second to save the life of the wisdom to win; the third rely on strong willpower; the fourth is mostly luck. There are a few details in this process that are very striking.
Huang Xuan accepts the drug cartel at the bottom of the small head of the work after, do smooth sailing, this part of the movie there are a few shots are working together with a few drug traffickers drunkenly spreading money revelry. Huang Xuan in the side without saying a word, smoking, out of focus. At that time, when watching the movie, I was thinking, why is it like this? Thinking about it, it was actually belief. When he was a kid, he watched his mother die from drugs, so he would never allow himself to repeat the same mistake. Once you get into drugs basically the whole person is completely screwed. The more drunk the drug dealer is, the more the audience can feel that behind this is the price of blood paid by millions of families.
The second detail is his interaction with the female lead. As soon as Qing Shui, the goddaughter of the eagle, appears, she is particularly cold, like an inhuman killing machine. But she actually didn't completely lose her humanity in her heart, and repeatedly facilitated Huang Xuan. The reason for this is actually because she was once treated kindly. Even though the eagle had used fear to control her, she still had the courage to hold the urn of the eagle's lover at the end to confront him. Because she always remembered the words: you will go in that direction tomorrow and fly away like a bird. After observing her several times, Huang Xuan doesn't give up on penitentizing her because of his special status and knowing where the boundaries lie. There are several close-ups in the movie that have also hinted at the audience's Qing Shui's feelings for him. In a way, if it were not for Huang Xuan's painstaking efforts, Qing Shui would have continued to be "bad", but the same hopeful words spoken by the two narcotics officers over the past ten years have inspired the goodness in her heart.
The villain, Duan Yihong, is also very good. There are several contrasting scenes of him in the movie, the first being his thoughts of his late wife and the second being his fondness for small children. What's scary about this guy is that he imprisons a narc for 10 years in order to get revenge, making a man out of a human being. There's a scene on the rooftop where the captain sees his imprisoned old comrade, and the mixture of sadness and joy this old comrade feels is brought to life by the actor.
Neither the captain, nor the narcotics cop imprisoned for ten years, nor Huang Xuan himself, basically have no personal emotional life. They face forces that are in the shadows and much scarier. This means that they may have to give up things that are easily available to the average person, such as love and affection. A lot of people will complain that the endings of these movies are always too melodramatic, but I would say that in real life, we really have to thank these people who sell their lives, who automatically give up a lot of the joys of being a human being. It is they who trade their lives for the peace we can perceive. Netizen has a good saying: the reason why you feel peaceful in the present world is because someone has helped you keep the darkness outside.
Another thing I want to say is that when there was Operation Mekong before, I looked up the answer to the question about drug addiction, and the pain was much more than imagined. The part of the movie where Huang Xuan quits morphine still seems a bit too glib, and should actually be more tragic. The movie should be publicized more often to keep away from pornography, gambling and drugs.