A big cotton-padded jacket and two pairs of cotton trousers, with sheepskin inside and cloth outside,
Even if it is MINUS 40 or 50 degrees, we will not be afraid of how cold it is to wear.
This is what I call labor protection.
Watermelon is sweet, cucumber is fragrant, and wicker baskets are slung sideways in the harvest season.
The grain is abundant, and the drought and flood protect our black land.
Land is the mother and labor is the father. As long as you sow the seeds, everything will blossom and bear fruit.
Burning heart, burning feeling, burning pepper, it is a red heart,
Burning eyes can talk, burning samples are painful,
Burning shows are all labor, please criticize burning old teachers.
There is a hot me in the next group. Excuse me, Miss Fan, I have to do some styling.
Whether it's a rural city or that strong girl, you are wearing the ground, and you are wearing the sky.
It's sunshine avenue, the sweet days and hardships of starting a business for thousands of years, which brought this house full of spring scenery.
Extended data:
Zhao Benshan's sketch "Red Sorghum Model Couplet" was broadcast on CCTV Spring Festival Evening on February 6th. 1997. Compared with Zhao Benshan's other works, this work has two special features: first, a large number of prop characters are called, and second, there is a song and dance performance at the end, which is unique in Zhao Benshan's Spring Festival Evening sketch.
During the period of 1997, the Spring Festival Gala took "United, proud and enterprising China people" as its purpose, and focused on strengthening distinctive personality and diversification of themes. The model team of Red Sorghum reflects the amateur cultural life of farmers and reveals the universal truth that "labor creates beauty".
The sketch tells that Mengniu Tun Red Sorghum Model Team invited professional model coach Fan from this city to give surprise guidance for the performance in Beijing. By describing the performance of the rural model league in the city, it is reflected that rural life is improving year by year, and farmers not only have a good harvest materially, but also pay attention to spiritual improvement.
Its greatest feature is that dance performance is added to the sketch, so that the sketch is no longer limited to the oral form of duet in Northeast China, but integrated into the most powerful performance form on the stage of dance, making the sketch truly a three-dimensional art form of "speaking", "singing" and "jumping".
In the sketch, comedian Zhao Benshan and Fan Wei joined hands, and Fan Wei's exaggerated "fan guidance" trained a team of peasant models, which was full of jokes and thought-provoking. Zhao Benshan praised the spiritual beauty of laborers through his works.
At the end of the sketch, the performance of Zhao Benshan and his villagers is the climax of the whole sketch. They interpret their lives in a natural way. Their costume props, they imitate peppers and wheat waves, which are natural things of life. In this process, Fan Wei was deeply attracted by this performance, which is also the charm of natural and simple things.
Unconsciously, this sketch also conveys a kind of pursuit of nature, a praise of beauty and labor.