As a recommendation and introduction, do not provide download links Oh (if after reading the impulse to look for these musical words, count me in vain:)
One of the TV series, the title song, the end of the song from the indispensable la. Compared to many TV shows, where the opening and closing songs are so easy to use, and the content of the show is so poor, these two songs are really tailor-made, and they are just right.
1. The title song: Chen Xiaochun's "Shouting Red" (from his album "Hug a Hug"). The majestic atmosphere of the prelude to the peak of a turn is Wei Xiaobao's "pleased to sing", Xiaobao's leather, gangster, naughty, proud, righteous, atmosphere, power, wisdom will be reflected, listening to (do not understand the borrowed lyrics ah) the corners of my mouth can not help but to the sides of the stretch. I've seen this TV series naturally impressed, not much to say.
2. The ending song: "A Piece of Sky Above My Head" by Steven Ma (seems to be from his album "daynight"). I believe that most people who have heard this song started from the end of the TV series, which seems to be a bit abrupt "head above a piece of sky ......", but the slightly longer intro part is also very good. When I listened to the song in its entirety for the first time, not on TV, and savored every unfamiliar yet familiar note of the intro, the long-forgotten "head above a piece of sky ......" rang in my ears, and I was touched in a completely different way. I don't blame me for being slow to realize that it's totally different from listening to it in the back of a TV series, so it seems to explain why it's not as hot as Jin Yong's other TV series songs, but of course there's the question of personal favorites and dislikes. What I have to mention is that I don't know how many people have sighed over his song "It's hard to find you in front of me today / I've won everything in the world / and you're nowhere to be seen", but that "you" is not what you think it is, at least not in the end credits, as the main character (and insightful) is Wei-Shou-Bou. The main character (there are also insights that Kang Xi is the main character) of the "Lu Ding Ji" in the young son of heaven Kang Xi Xiao Xuan Zi's monologue, naturally, is something else.
Letting the actor who plays the main character in a TV series sing can often have the effect of sublimating the theme, and I like both Chan Siu Chun's and Steven Ma's renditions of this, so I recommend one. There are also some quite uncaring TV stations to pinch the end of the practice is really disrespectful to the labor, the cast list are omitted, the staff list is even more left (or blocked with ads, completely become a hero behind the scenes), despise one.
Two, speaking of "The Journey of the Deer and the Tripods" of the interlude, the soundtrack, there is really a little bit of gas, because these are neither "made to order", nor is it original, and some of them also appeared more than once in the other dramas in the Golden Mean, but since the amount of labor is small, and therefore good to listen to it is the most important thing, shall not be sloppy, well in the This is also the case in reality, and it definitely lives up to your ears.
(Note: here's the answer to your question)
1. Remember the tune that Zeng Rou, the youngest wife, played on the mountain when she first met Wei-Shou-Bou at Wang Wu-Shan? To which I had the same reaction as many others on the internet: yeah yeah yeah, remember it, tell me what it's called! Been looking for it for a long time.
Dang dang block, it is "hometown of the original landscape" (故郷の原风景),<下载地址:/guxiang.mp3 >是不是感到有点拗口啊,没错, it is Japanese (I admit that a little bit of a different feeling, but here is only to say that related to the music), Sōjirō composition, the use of the instrument is twelve holes of the key of C Taoist flute (some also say that it is the a caveman piece, I haven't found any information about the relationship between the two at the moment, I'll add it when I find it).
Here is a post on Baidu about the story of Japanese flutist Sojiro Sojiro: "Sojiro's history of the flute is considered to be from the beginning of recognizing the master of the Kouzanjou 1975, Tochigi mountains in a small village in a small valley, heard the master of the flute echoed between the valleys, the first time I heard the flute touched by the moment, so that he decided to worship the master a few months later He decided a few months later to learn from the master. A small wooden house in the forest, with only one oil lamp and a space the size of two pieces of collapsed rice, was the beginning of Sojiro's flute music. 1979, he moved to Mogi Town in the eastern part of Ki Prefecture, and began to pursue his own tone, create his own favorite models of the flute, build the kiln with his own hands, and burn his own firewood. 1980, he moved to an abandoned elementary school, which served as a studio. In 1980, he moved to an abandoned elementary school and built a new kiln with bricks, and began to make many kinds of flutes. Many of the flutes made by Sojiro are flutes that only Sojiro himself understands, and some of them are flutes that only Sojiro can make, not purely because of the pace of production, but because of the heart that goes into making the flute step by step, in accordance with the pace and condition of the clay. Sojiro is the only one who can play the sound of the flute made with his heart and soul, and this is the sound that belongs to Sojiro alone, and that is why he has been able to touch so many people and gain the support of so many, and why he is the only one who can play the sound of the flute worthy of being praised. Sojiro has always expressed his feelings for nature and the mountains and rivers through the fresh and melodious sound of the flute with his heartfelt musical feelings. His debut performance in 1985 was immediately recognized and appreciated by the market for its freshness, and his historic albums "Kibito," "Wind Man," and "Mizushin," released in '93, revealed the everlasting life of nature, and won the Japan Record Prize, establishing him as an indestructible player of the flute."
2 Chen Xiaochun version of the "Lu Dingji" music, interlude details
And the "original scenery of the hometown" is estimated to be in the "Wood Road", definitely worth listening to. 95 version of the "Divine Eagles" has also been used many times.
2. Here are two pipa songs.
To me, this kind of instrument is not very cold, in the Chen Yuanyuan played while complaining, my attention is on the "round song", the pipa song played at that time is "against the Lun". Can be listened to alone when ...... the ellipsis of the content can be guessed, otherwise I will not be so hard to knock out the words to recommend.
The other pipa song, to be honest, did not pay special attention to, but I do not regret to make its acquaintance, this is the "love spell". Here to quote a listener's feelings, I think it is more than apt: "love spell, in my feeling is a very stoic lute song, full of dislike and hatred of the grievances from the fingertips of the gradual and gradual bursting out, especially alarming is behind the backdrop of the heavy drums and how to listen to what is said in the chanting of the male voice, it is to the thin lute to add a part of a speechless voice choking the narration of the end of the song, straight listen to the solemnity, silence, and the sound of the lute is not a good thing. Straight to listen to the solemn, silent."
It must be mentioned that these two pipa songs are both from Taiwan's number one pipa player, Lu Hsiu-ling, and the album is also titled "Love Spell": Track Appreciation (I can't figure out who the originals are, maybe they are from a CD):
01: Love Spell - If love can be a spell, then I'd like to hear it. -If love can be a spell, it must be a good medicine for many people's heart.
02: Woman in the fire - Phoenix nirvana is for rebirth, what is a woman bathing in fire for? For love? For love? For liberation? Or also for rebirth?
03: Desire - Man is the most unaware animal.
04: Love at Night
05: The Endless Road - The road is long. What will be on the endless road, individual hopes are always different, depending on the state of mind.
06: Solo Dance -
"I danced softly, in the midst of a crowded room,
and you cast a strange look.
Amazement or admiration,
didn't mess up my steps.
For it is not your gaze that makes me soar,
but my young heart."
07: Reverse Lun - Reverse is the perverse, Lun is the usual, and at some point the opposites of each other can also be intermingled.
08: Dark Angels - In the darkness, are there really angels? If there are, it is good.
09: heavenly rotation - that is a kind of what kind of feeling ......
10: forever unforgettable - people's life in the end how many people, how many things will be unforgettable forever? Maybe a lot, maybe very little, maybe forgetting is never forgetting ......
Three: According to a truly researched connoisseur, willyzhao, the version of "The Deer and the Tripods" has also used at least the following albums: "Sung Family Dynasty" (Kitaro), "The Phantom Princess Impression Collection" (Hisaishi Jean), "Gone with the Wind" 1/2 China Nei Kunlun Da Battle Battle Music Compilation (Kenji Kawai), East Evil, West Poison (Chen Xunqi), Three Kingdoms V (game), Silk Road Fantasia (New Century Music, Love Spells is also in this category), Battle of Rhode Island Heroic Knights Biography (Kaoru Wada), and The Kindaichi Shonen Incident Book TV OST (Kaoru Wada) ...... Details can be clicked / to see the end, the site is more simple and pragmatic, people in the music, soundtracks, 90's Hong Kong and Taiwan costume drama soundtracks, TVB costume drama soundtracks, TVB costume dramas ...... are quite knowledgeable, and then greatly recommend one.
Summary: the above, recommended what I can, cited what I think is good, introduced what I can't, we can also "like" and it, they like it.