It is suggested that there should be a big breakthrough in the following four aspects. Correctly grasp the urban cultural image.
A reasonable urban cultural image determines the personality and spirituality of the city, and it is also the primary problem that must be solved when cultural elements are integrated into urban construction. Shangyu has a long history, splendid culture and distinctive features.
From the historical origin, Cao Ejiang crossed the city and nurtured Shangyu. Geographically, Hangzhou Bay is open-minded and cares for Shangyu. Geomorphologically, rivers crisscross and nourish Shangyu. It can be said that water is an inexhaustible source of Shangyu, and water town culture is an important brand culture of Shangyu.
It is suggested to firmly grasp the core orientation of the development of Riverside Eco-city in urban planning and construction, focus on building an urban water system with Cao 'e River as the axis and urban rivers interconnected, strengthen river revetment, water body management and greening, and form an urban cultural image and core charm with developed water system, tree-lined, sparkling water and harmonious people. Actively promote the urban cultural landscape.
Creating urban cultural landscape is an inevitable requirement to enhance urban spiritual function. It is suggested to create a beautiful urban cultural landscape from three aspects.
The first is to build Cao 'e River cultural tourism brand. On the basis of the existing Cao 'e River Water Conservancy Scenic Area, we will promote the cross-strait roads to run through, implement three-dimensional access to waterways, hiking trails and land, plant the same tree species, add ten scenic spots along the Shunjiang River, materialize the legend of Cao 'e River, support sports, and make it a cultural tourism brand integrating nature, humanity and fashion, and integrating sightseeing, leisure and entertainment.
The second is to build a cultural theme park. Relying on Cao 'e Temple Scenic Area to build a theme park of filial piety culture and relying on Longshan to build a theme park of Yu Shun culture, fully display historical events and celebrity spirit, and effectively apply modern technology and fashion elements to make it a target place for people's cultural entertainment, holiday leisure and social activities.
The third is to build landmark buildings. Focus on the construction of the "Yushun Grand Theatre" with comprehensive functions such as culture, exhibition and sports, making it a landmark building of the city.
Reasonable setting of urban cultural sculptures. Urban sculpture is a public art in modern cities, which brings people beautiful talk from any angle and at any time.
It is suggested that urban sculpture should be used as an effective carrier to integrate cultural elements into urban construction. First, pay attention to urban sculpture planning.
As an important part of urban cultural planning, urban sculpture planning has become a sub-planning of urban planning, and cultural sculptures are planned and built at important nodes in urban areas to avoid blind development and easy change. The second is to pay attention to the development of characteristic sculptures.
Collect a batch of sculptures with Shangyu traditional cultural characteristics and modern civilization characteristics for the whole country, effectively enhance the personality of urban sculptures and really play its "finishing touch" role. Third, pay attention to the collocation of urban sculptures.
According to the principle of "adjusting measures to local conditions and adapting to the times", we should reasonably set up urban propaganda sculptures, theme commemorative sculptures, square symbolic sculptures, environmental inspirational sculptures, park greening sculptures and architectural decoration sculptures, so as to truly let urban sculptures inherit the historical context and carry forward the urban spirit. Effectively improve the urban architectural style.
As an important part of human culture, architecture is a carrier that reflects people's aesthetic concepts, social and artistic ideas, architectural technology progress and the essence of local history and culture. It is suggested to actively create a beautiful urban architectural style.
The first is to highlight the artistry of architectural design. The design of urban buildings, especially large-scale public service buildings, bridges and park facilities, should highlight the artistic appearance with cultural elements on the basis of ensuring their internal functions, so that these buildings have ornamental value and cultural relics value.
The second is to highlight the rationality of architectural layout. We should not only pay attention to the layout of the building itself, but also pay attention to the utilization of the external space of the building, so as to make the isolation between functional areas more beautiful and the connection between communities more beautiful.
The third is to highlight the characteristics of architectural naming. The historical culture and modern civilization are integrated into the naming of public service institutions, roads and bridges, and the cultural background of building naming is introduced in combination with city advertisements, so that people can always feel the influence of culture.
How to integrate historical culture into modern landscape and the basic path of integrating cultural elements into urban construction
It is impossible and unnecessary for cultural elements to be integrated into urban construction. The key is to proceed from reality and take a reasonable shortcut. It is suggested that there should be a big breakthrough in the following four aspects.
Correctly grasp the urban cultural image. A reasonable urban cultural image determines the personality and spirituality of the city, and it is also the primary problem that must be solved when cultural elements are integrated into urban construction. Shangyu has a long history, splendid culture and distinctive features. From the historical origin, Cao Ejiang crossed the city and nurtured Shangyu. Geographically, Hangzhou Bay is open-minded and cares for Shangyu. Geomorphologically, rivers crisscross and nourish Shangyu. It can be said that water is an inexhaustible source of Shangyu, and water town culture is an important brand culture of Shangyu. It is suggested to firmly grasp the core orientation of the development of Riverside Eco-city in urban planning and construction, focus on building an urban water system with Cao 'e River as the axis and urban rivers interconnected, strengthen river revetment, water body management and greening, and form an urban cultural image and core charm with developed water system, tree-lined, sparkling water and harmonious people.
Actively promote the urban cultural landscape. Creating urban cultural landscape is an inevitable requirement to enhance urban spiritual function. It is suggested to create a beautiful urban cultural landscape from three aspects. The first is to build Cao 'e River cultural tourism brand. On the basis of the existing Cao 'e River Water Conservancy Scenic Area, we will promote the cross-strait roads to run through, implement three-dimensional access to waterways, hiking trails and land, plant the same tree species, add ten scenic spots along the Shunjiang River, materialize the legend of Cao 'e River, support sports, and make it a cultural tourism brand integrating nature, humanity and fashion, and integrating sightseeing, leisure and entertainment. The second is to build a cultural theme park. Relying on Cao 'e Temple Scenic Area to build a theme park of filial piety culture and relying on Longshan to build a theme park of Yu Shun culture, fully display historical events and celebrity spirit, and effectively apply modern technology and fashion elements to make it a target place for people's cultural entertainment, holiday leisure and social activities. The third is to build landmark buildings. Focus on the construction of the "Yushun Grand Theatre" with comprehensive functions such as culture, exhibition and sports, making it a landmark building of the city.
Reasonable setting of urban cultural sculptures. Urban sculpture is a public art in modern cities, which brings people beautiful talk from any angle and at any time. It is suggested that urban sculpture should be used as an effective carrier to integrate cultural elements into urban construction. First, pay attention to urban sculpture planning. As an important part of urban cultural planning, urban sculpture planning has become a sub-planning of urban planning, and cultural sculptures are planned and built at important nodes in urban areas to avoid blind development and easy change. The second is to pay attention to the development of characteristic sculptures. Collect a batch of sculptures with Shangyu traditional cultural characteristics and modern civilization characteristics for the whole country, effectively enhance the personality of urban sculptures and really play its "finishing touch" role. Third, pay attention to the collocation of urban sculptures. According to the principle of "adjusting measures to local conditions and adapting to the times", we should reasonably set up urban propaganda sculptures, theme commemorative sculptures, square symbolic sculptures, environmental inspirational sculptures, park greening sculptures and architectural decoration sculptures, so as to truly let urban sculptures inherit the historical context and carry forward the urban spirit.
Effectively improve the urban architectural style. As an important part of human culture, architecture is a carrier that reflects people's aesthetic concepts, social and artistic ideas, architectural technology progress and the essence of local history and culture. It is suggested to actively create a beautiful urban architectural style. The first is to highlight the artistry of architectural design. The design of urban buildings, especially large-scale public service buildings, bridges and park facilities, should highlight the artistic appearance with cultural elements on the basis of ensuring their internal functions, so that these buildings have ornamental value and cultural relics value. The second is to highlight the rationality of architectural layout. We should not only pay attention to the layout of the building itself, but also pay attention to the utilization of the external space of the building, so as to make the isolation between functional areas more beautiful and the connection between communities more beautiful. The third is to highlight the characteristics of architectural naming. The historical culture and modern civilization are integrated into the naming of public service institutions, roads and bridges, and the cultural background of building naming is introduced in combination with city advertisements, so that people can always feel the influence of culture.
How to combine history, culture, landscape with cultural values and the significance of historical towns? The form of a village (1), a historical village and a small town will take you hundreds of years, and the unique historical environment and rural culture will take a long time to form.
Different types of traditional buildings, trails, villages, ponds, hills, temples, streams, small bridges and spacious grain drying fields in different periods in Changsha constitute the unique charm of Changsha's natural landscape. Coupled with the tangible cultural values and inherent concepts behind it, Changsha, the blood group of our ancestors, has been condensed and cultivated spiritually, and these substances have formed unique local characteristics.
This increasingly scarce non-renewable historical and cultural resources has become an important cultural element of Changsha's sustainable development today. Changsha under the rural background, or with economic, social and cultural factors, or the area and space of the same village, gives static and dynamic effects, thus forming a natural and human history closely combined with natural and historical environment, and its value cannot be measured and expressed by exact language and quantity.
With the passage of the sun and the moon, the value of this cultural significance will become greater and greater. Context is the continuation of history.
Many historical and cultural relics scattered in the vast rural areas and towns are our profound historical and cultural treasures and the source of civilized society. In rural small towns, we should make full use of these treasures and let them pass on and carry forward.
The international community attaches importance to the protection of villages and towns. As a town, any history is a part of human history and all social and spiritual wealth of mankind. In the construction of small towns, we are only responsible for protecting and continuing these backgrounds, and our rights will not be damaged or interrupted.
The background of each component: traditional and unique buildings, model blocks, villages, people and other objects who witnessed historical events and places, and even trees, rocks and various customs have remarkable characteristics. In the historical background of operators, even if your broken walls are incomplete, you can still make them shine miraculously through reasonable means. Numerous experiences and lessons have proved that many valuable cultural traditions are interrupted or destroyed because people don't know how to cherish them.
In the construction of rural small towns, there should be a history of excavation as far as possible, and it should continue in various ways to make up for previous mistakes or defects. They not only retain precious historical and cultural values, but also have important realistic social and economic values.
First, provide the foundation of traditional culture and valuable experience of modern urban planning and construction; Second, the purpose of educating people, especially teenagers, on national traditions and patriotism is to provide the best physical specimens and history textbooks; Third, the development of modern tourism provides important historical and cultural resources. B) Protection of historical and cultural villages and towns, protecting the historical features of key historical and cultural villages and towns, and carrying out historical landscape protection.
Since the early 1960s, the historical features of protection theory have been written into the content of international historical preservation and protection. 1962 Proposal on Protecting the Features and Features of Landscapes and Sites issued by UNESCO. Feature protection: "Preserve and, if possible, restore natural or artificial, cultural or artistic values, or damage any part of the typical natural environment and urban landscapes and sites in natural and rural areas" and "Protect Historic Towns and Urban Areas" issued by ICOMOS)1
Relationship (2) Architecture and green open space, interior and exterior; (d) The urban environment of the town and its surroundings, including the relationship between nature and man-made; Various roles of towns and cities (5) have long been obtained, and it is pointed out that any threat with the above characteristics will destroy the authenticity of historical towns and urban areas. "The historical figures to be protected are a distinctive landscape group, which may not have particularly important culture or cultural relics, but as a whole, the ontology and image of this landscape has become a place, a region or a symbolic culture; On the basis of historical features, the goal of protecting documents and historical research is still reflected in the physical scene in order to obtain the local cultural identity plan. In the past, personal materials were not necessarily true, but the landscape adopted was "repairing the old as before".
Establish a service atmosphere through "new and old" and "resettlement in different places". Because of the protection and uncertainty of style, many people's understanding of diversity is too simplistic.
As far as diversity and environmental protection are concerned, it is unique, and only one problem remains, not "antiques", which leads to the substantial loss of "diversity" and "uniqueness" in the protection of historical features: 1, to maintain cultural continuity, to maintain cultural continuity, and to focus on and be the first in cultural geography. I have never received any preaching about "keeping context" and "coordinating style", but their works are rich in ancient craftsmen and contain the concept of "harmony between man and nature", which is the natural result of the same cultural influence.
The comprehensive protection and construction of famous historical and cultural towns and villages, and the combination of "original preservation", "repair", "reconstruction", "new construction" and "old lining" make the traditional brick buildings in China harmonious and unified with other landscape styles. 2. In order to maintain the continuity of protected areas and sites, the style of protection means should be preserved as the symbol of the area.
This can be the most distinctive part of the landscape image, such as Nagato, Li Town's Taogong Temple, Theatre, Daxiong Hall and so on. , which is commonly referred to as a landmark. Landmarks usually occupy an important position in space or contrast with the background. It is important that people will refer to the knowledge that environmental protection signs are already * * *: gatehouses and towers, such as geomantic omen and trees in villages and towns, are the things to choose.
Through the overall shape, space and form, we can also use the characteristics of the place to identify specific signs that are particularly important in specific parts. For example, there are three kinds of unique ceramic floor tiles and tiles in Tongguan Town.
The features of this website can also be used as Jinggang Street, Weishan Miyin Temple and Li Man Liren School.
How to inherit traditional culture in environmental art design? 1. Environmental art design should be national and contemporary. Today, with the diversified development of design, various ideas and styles emerge one after another. In order not to make designers blindly ignore them, the status of cultural connotation becomes more and more important.
Environmental art design should be national. Because of some factors, the design education in China started late, and it is still groping on the road of education mode. It has become a common phenomenon to copy western design or inherit western design concepts, but it is difficult to reflect the nationality of the Chinese nation with profound cultural heritage.
On the other hand, with the rapid development of the times, under the background that the earth has become a "global village", cultures have merged, especially in China. Therefore, critics often say that the commercial centers in China, such as Beijing, Shanghai and Guangzhou, are similar and indistinguishable.
Compared with nationality, the regionality of design is narrower in concept, which represents the historical evolution and folk characteristics of the region and has strong identifiability. For example, Su Zuo and Guang Zuo, which are very representative of Ming furniture, come from the same dynasty but are so easy to identify. It is precisely because of their distinctive regional characteristics: Guangzuo furniture is located in an open coastal port, and influenced by foreign culture, many decorative features of western rococo furniture have appeared; Suzhou is located in the inland, and it is consumed in Suzhou along the way, which is slightly short of logs. Skillful craftsmen cherish wood as gold, but they have made Su Zuo's wonderful furniture.
Environmental art design should also be contemporary. Pursuing innovation is a key point of environmental art design, but innovation does not mean to completely deny the old things.
In fact, the design of environmental art is to seek a new way of life and discard the old things in the process of alternating the old and the new. While inheriting the tradition, we have an innovative interpretation of the tradition, which is like injecting soul into a flesh-and-blood body.
With brand-new materials, more superb skills for new interpretation, rooted in the times, such design works can be fresh, can compete with time, and will not be forgotten by history. A unique "paper-cut"-why should the traditional cultural environment be reflected in the design? Art design should reflect traditional culture, and the design works with national characteristics and culture can arouse the emotions of the audience.
As a traditional folk art, paper-cutting is the cultural precipitation of China's 5,000-year history. Many designers get inspiration from paper-cutting art, extract unique language and symbols, and apply them to design, giving their works unique charm.
At the 20 10 Shanghai World Expo, the design of the Polish Pavilion was impressive and caused a sensation. The shape of the exhibition hall is abstract and irregular, and the surface is covered with hollowed-out patterns, just like folk paper-cutting, which gives visitors an interesting visual experience: the light with changing colors passes through the paper-cut patterns, creating a patchwork effect in the museum.
Paper-cutting is also a traditional folk art in Poland. In the past, Poles used paper-cut works as decorative works of art to decorate their homes, so young Polish designers used bold ideas and ingenious ideas to apply paper-cut elements to the appearance of buildings. Small paper-cuts connected the cultures of the two countries and the hearts of the two peoples.
Really good environmental art design works should be emotional. If this emotion can be combined with the aesthetic emotion of the local people, then this emotion will be sublimated into a national emotion, and at the same time convey a culture, and its design significance will be more profound. (2) When coffee meets "Lao Zhuang"-let traditional culture and modern design combine the times and nationality, which is "new" and "old" in another sense.
The new and the old are literally opposite, but when applied to environmental art design, they can really be complementary. According to the Taoist thought that everything has yin and yang, the interweaving of the new and the old in the design will integrate the national characteristics with the characteristics of the times, which is a kind of harmony between yin and yang.
Starbucks, located in Shantang Street, Suzhou, has well integrated this "new" and "old", which has caused a collision between western culture and traditional culture. The original intention of Starbucks is to advocate a brand-new "coffee life" and make the cafe the third space between home and office.
Therefore, Starbucks store design is always at the forefront of the trend. Starbucks is a world-famous coffee chain, and Shantang Street is an ancient street with a history of 1 100 years. The streets are full of garden-style ancient buildings, which can be perfectly integrated in interior design, and I have to admire the designer's control ability.
The decoration style of the cafe is antique and simple: the first thing you see on the second floor is the traditional ancient building beam structure on the roof; One side of the dining area is a square table with modern simple dining chairs, and the other side is supplemented by a spacious leather sofa; The dining table is separated from the dining table by a Chinese hollow carved screen; The wall is decorated with calligraphy, painting and blue and white porcelain ornaments. A large area of log color is matched with gray walls and black tiles, and the only bright color comes from the bookshelf full of fashion magazines in the corner.
Its storefront decoration style is completely integrated with the scenery of the mountain pond, and its function and art are unified, and its artistic conception is unique. The materials, colors, or structures used in the store decoration all reveal the Taoist idea of "harmony between man and nature".
Therefore, when coffee meets "Lao Zhuang", it is not abrupt, but gives people a feeling of harmony between yin and yang. (Figure 1) Second, explore the design of Hainan-style resort hotels with local regional culture (I) Analysis of the current situation of Hainan resort hotel industry. In 20 10, a document "the State Council's Opinions on Promoting the Construction and Development of Hainan International Tourism Island" was issued, which was both an opportunity and a challenge for Hainan's economic development.
Tourism is the pillar industry of Hainan economy, and the hotel industry plays an important role in it. With the increasing number of tourists coming to Hainan, how to develop the resort hotel industry in Hainan has become an urgent problem to be solved in the construction of Hainan International Tourism Island.
After investigation, Hainan is the region with the largest number of holiday hotels and the most concentrated five-star hotels in China. Hilton, Sheraton, Marriott and other top brand hotels are all designed by excellent foreign designers, which can't reflect the local regional culture of Hainan and make tourists forget where they are while enjoying luxury services.
The purpose of tourists coming to Hainan is to relax and pursue the spirit of Hainan's leisure island.
How to inherit traditional culture in environmental art design? 1. Environmental art design should be national and contemporary. Today, with the diversified development of design, various ideas and styles emerge one after another. In order not to make designers blindly ignore them, the status of cultural connotation becomes more and more important.
Environmental art design should be national. Because of some factors, the design education in China started late, and it is still groping on the road of education mode. It has become a common phenomenon to copy western design or inherit western design concepts, but it is difficult to reflect the nationality of the Chinese nation with profound cultural heritage.
On the other hand, with the rapid development of the times, under the background that the earth has become a "global village", cultures have merged, especially in China. Therefore, critics often say that the commercial centers in China, such as Beijing, Shanghai and Guangzhou, are similar and indistinguishable.
Compared with nationality, the regionality of design is narrower in concept, which represents the historical evolution and folk characteristics of the region and has strong identifiability. For example, Su Zuo and Guang Zuo, which are very representative of Ming furniture, come from the same dynasty but are so easy to identify. It is precisely because of their distinctive regional characteristics: Guangzuo furniture is located in an open coastal port, and influenced by foreign culture, many decorative features of western rococo furniture have appeared; Suzhou is located in the inland, and it is consumed in Suzhou along the way, which is slightly short of logs. Skillful craftsmen cherish wood as gold, but they have made Su Zuo's wonderful furniture.
Environmental art design should also be contemporary. Pursuing innovation is a key point of environmental art design, but innovation does not mean to completely deny the old things.
In fact, the design of environmental art is to seek a new way of life and discard the old things in the process of alternating the old and the new. While inheriting the tradition, we have an innovative interpretation of the tradition, which is like injecting soul into a flesh-and-blood body.
With brand-new materials, more superb skills for new interpretation, rooted in the times, such design works can be fresh, can compete with time, and will not be forgotten by history. A unique "paper-cut"-why should the traditional cultural environment be reflected in the design? Art design should reflect traditional culture, and the design works with national characteristics and culture can arouse the emotions of the audience.
As a traditional folk art, paper-cutting is the cultural precipitation of China's 5,000-year history. Many designers get inspiration from paper-cutting art, extract unique language and symbols, and apply them to design, giving their works unique charm.
At the 20 10 Shanghai World Expo, the design of the Polish Pavilion was impressive and caused a sensation. The shape of the exhibition hall is abstract and irregular, and the surface is covered with hollowed-out patterns, just like folk paper-cutting, which gives visitors an interesting visual experience: the light with changing colors passes through the paper-cut patterns, creating a patchwork effect in the museum.
Paper-cutting is also a traditional folk art in Poland. In the past, Poles used paper-cut works as decorative works of art to decorate their homes, so young Polish designers used bold ideas and ingenious ideas to apply paper-cut elements to the appearance of buildings. Small paper-cuts connected the cultures of the two countries and the hearts of the two peoples.
Really good environmental art design works should be emotional. If this emotion can be combined with the aesthetic emotion of the local people, then this emotion will be sublimated into a national emotion, and at the same time convey a culture, and its design significance will be more profound. (2) When coffee meets "Lao Zhuang"-let traditional culture and modern design combine the times and nationality, which is "new" and "old" in another sense.
The new and the old are literally opposite, but when applied to environmental art design, they can really be complementary. According to the Taoist thought that everything has yin and yang, the interweaving of the new and the old in the design will integrate the national characteristics with the characteristics of the times, which is a kind of harmony between yin and yang.
Starbucks, located in Shantang Street, Suzhou, has well integrated this "new" and "old", which has caused a collision between western culture and traditional culture. The original intention of Starbucks is to advocate a brand-new "coffee life" and make the cafe the third space between home and office.
Therefore, Starbucks store design is always at the forefront of the trend. Starbucks is a world-famous coffee chain, and Shantang Street is an ancient street with a history of 1 100 years. The streets are full of garden-style ancient buildings, which can be perfectly integrated in interior design, and I have to admire the designer's control ability.
The decoration style of the cafe is antique and simple: the first thing you see when you climb to the second floor is the traditional ancient building beam structure on the roof; One side of the dining area is a square table with modern simple dining chairs, and the other side is supplemented by a spacious leather sofa; The dining table is separated from the dining table by a Chinese hollow carved screen; The wall is decorated with calligraphy, painting and blue and white porcelain ornaments. A large area of log color is matched with gray walls and black tiles, and the only bright color comes from the bookshelf full of fashion magazines in the corner.
Its storefront decoration style is completely integrated with the scenery of the mountain pond, and its function and art are unified, and its artistic conception is unique. The materials, colors, or structures used in the store decoration all reveal the Taoist idea of "harmony between man and nature".
Therefore, when coffee meets "Lao Zhuang", it is not abrupt, but gives people a feeling of harmony between yin and yang. (Figure 1) Second, explore the design of Hainan-style resort hotels with local regional culture (I) Analysis of the current situation of Hainan resort hotel industry. In 20 10, a document "the State Council's Opinions on Promoting the Construction and Development of Hainan International Tourism Island" was issued, which was both an opportunity and a challenge for Hainan's economic development.
Tourism is the pillar industry of Hainan economy, and the hotel industry plays an important role in it. With the increasing number of tourists coming to Hainan, how to develop the resort hotel industry in Hainan has become an urgent problem to be solved in the construction of Hainan International Tourism Island.
After investigation, Hainan is the region with the largest number of holiday hotels and the most concentrated five-star hotels in China. Hilton, Sheraton, Marriott and other top brand hotels are all designed by excellent foreign designers, which can't reflect the local regional culture of Hainan and make tourists forget where they are while enjoying luxury services.
The purpose of tourists coming to Hainan is to relax and pursue the breath and slow pace of its leisure island.