Showa Era Songstress
Pure Music Movie Soundtracks
Japanese Pop
Japanese Folk
Urban Pop
Steam Wave Low Fidelity
Jazz Rap
Dream Pop
Post-Swing Digital Rocking
1. >
Difficult to break the ship ? - Akane Nakamori - Song Compilation
Summer Color Piece of Thought ? - Momoko Kikuchi - MOMOKO SINGLES 1986
In your eyes ? - Midahara Meiko - Happy birthday,Love for you
The Showa Era refers to the period after the 50's when everyone in Japan invested in the restoration of the national economy and made great achievements, getting rid of militarism and not thinking about the military and national defense, but also the social and cultural aspects of the society were always in an atmosphere of openness and eclecticism.
At that time, the whole Japanese society was prosperous and full of vitality, giving people a sense of strength. Once again, the cultural trends of Europe and the United States had a great impact on Japan, and the awakening of self-consciousness, the call for change, and the pursuit of democracy were vigorously spread along with the student movement.
An era of collision and renewal of humanistic ideas is also an era when masters are most likely to emerge.
During the Showa era, Japan was at the forefront of modern art in literature, film, manga, games, and music ...... , and its people were self-confident, self-reliant, and aesthetically healthy.
All of this was lost in the signing of the Plaza Accord and the economic crisis of the 1990s, as well as the economic depression that has persisted ever since, so the Japanese will miss Showa.
The last decade of the Showa era was the era of the songstresses
The 1980s was the heyday of the Japanese economy, and the main stage of the post-war Japanese culture to the world, in the full absorption of Western elements of the tone of the music, and the fusion of the national elements of the song electronic music, formed the mature J-Pop, and the music of the world. The mature J-POP, which swept across Asia, was led by idol girls with short, fluffy hair and bright eyes.
If the 1970s saw a return to traditional Japanese music, the 1980s was another era, and the last decade of the Showa era saw the Japanese music industry enter a warring age of teen idols.
Asia's first singer-songwriter, Akane Nakamori
The last miracle of Japanese idol history, Shizuka Kudo
The talk-of-the-town queen of idols, Matsuda Seiko
The first girl to become a singer-songwriter, Matsuda Seiko. -Matsuda Seiko
The ginjo girl who rides leisurely -- Ogawa Fanja
The last songstress of the Showa era -- Sakai Fako
The idol's four divas. -- Asaka Wei Momoko Kikuchi Yoko Minamino Miho Nakayama
The clear oriole -- Nahoko Kawai
Singer and actress -- Koizumi Kyoko
Japan's Madonna -- Minako Honda
The Venus Goddess of the 1980s -- Saki Kubota
The Jade Pearl of Kanagawa -- Yuki Saito Yuki Saito
Kadokawa Trio - Hiroko Yakushimaru, Chisei Harada, Noriko Watanabe
82 Flower Girls - Idei Matsumoto, Chiemi Hori, Hidemi Ishikawa, Yu Hayami
The First Lovesick Singer --Men Asami
2. Pure Music Movie Soundtracks
Merry Christmas Mr. Lawrence Main Theme ? - Ryuichi Sakamoto - Ryuichi Sakamoto - Music For Film
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The Rain ? - Jean Hisaishi - "Kikujiro no Natsu" オリジナル? サウンドトラック
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Palace Memories ? - S.E.N.S. - Palace Sketch NHK Special Kokyu Original Soundtrack II
Song Dynasty ? - Kitaro - 1990-2000 Collection
流れ行く云 ? - Shinmei Kishibe - Miracle Mountain
Ryuichi Sakamoto | Kitaro | Hiroyuki Sawano | Jean Hisaishi | Shinmei Kishibe | Heaven's Gate | S.E.N.S ......
They gave life to the movie with their musical notes
In 1924, the founder of the Japanese Symphony Orchestra, Koushiro Yamada, composed the first soundtrack for a movie called Reirakudo. In 1924, Koseki Yamada, the founder of the Japanese Symphony Orchestra, composed the first soundtrack for a movie called "Reirakudo", and since then, there have been soundtracks for Japanese movies.
In 1952, Japan ended the seven-year post-war cultural review period, and artists were given a free rein to create their own soundtracks. Japanese filmmakers who had been dormant for a long time returned to the stage, and international film festivals soon featured Japanese directors such as Akira Kurosawa and Kenji Gouguchi.
Toei, Toho, Matsutake, and other studios were all making an impact, and the 1954 film Godzilla was a huge success, and the Japanese movie industry was like a "Godzilla" beast, creating a huge wave in the small country of Japan. The number of domestic moviegoers and the box office were setting new records year after year, and the Venice Film Festival saw a number of Japanese films being selected as the best of the best. The domestic and international successes announced the arrival of the second golden age of Japanese cinema.
Behind Godzilla, Zatoichi, Akira Kurosawa, Oka drama, Osamu Tezuka, and ...... - all of which were born in the second golden age of Japanese cinema and the brightest symbols of Japanese culture - are three self-taught pioneers: Akira Ifukube (1914-2006), Toru Takemura (1930-1996), and Hoshi Tomita (1930-1996), all of whom were born in the second golden age of Japanese cinema. -1996), and Hoon Tomita (1932-2016).
Hoon Tomita, Toru Takeman, and Akira Ifukube, along with many other contemporaries, anchored Japan's resurgent postwar modern music scene. Their successive international recognition of their works and the successful internationalization of Japanese song culture and instruments (such as the shakuhachi and the Japanese lute) are to be admired for reducing the distance between serious music in Japan and serious music in the West by their generation alone. It is great that their music and melodies, together with the images and stories of that era, have provided spiritual support for countless Japanese people, telling the story of their own nation through music.
Jean Hisaishi, Kitaro, Ryuichi Sakamoto, Haruken Hosono ...... These master composers who have touched countless people have stepped on the cornerstones under their feet, there is the shock that Hoon Tomita felt in the Temple of Heaven's echo wall as a child, there is the questioning and ridicule that Akira Ifukabe was subjected to when he sent his work to the competition, and there are the tears of discontent that Toru Takemura silently shed in the theaters. What's more, there is the sweat and figure of that generation who worked hard and alone to catch up with the advanced culture.
3. Japanese Pop
ラブ? Storie or Suddenly ? - Kazumasa Oda - Oh!Yeah!/ラブ? ストーリーは突然に
時に愛は ? - OFC - OFF COURSE Singles (3CD)
Awareness ～戦後最大級ノ暴风雨圏內唱? 椎名林檎 - Stem (STEM) ～大名游ビ编～
若き日の望樓 ? - Onuki Myoko - Library
J-POP, or Japanese POP. The name was coined by a Japanese radio station, J-WAVE, in 1988, and used to stand for "new music", and has since been widely used in Japan to refer to modern music with Western influences, including pop, R&B, rock, dance, hip-hop, and soul music.
I thought that Japan is the third largest country of popular music after the United States and Britain, and the status can exceed Germany and Brazil. Japanese pop music has flourished since the 1960s, and since Yuzo Kayama introduced the Beatles to the country, Japan has had the most frequent interaction with Western pop music.
Influenced by Western rock music, Japan is the Asian country where "band music" is best practiced. From the early days of Southern Star led by Yoshitomo Kuwata, YMO led by Ryuichi Sakamoto, Happy End led by Ryoichi Otaki, to the later days of X-Japan led by Yoshoki, and Tokyo Incident led by Ringo Shiina, Japan has always been a paradise for bands.
Secondly, Japan is also a paradise for female poisons, from Yumi Matsu Renya and Miyuki Nakajima to Mitsuko Utada and Ayumi Hamasaki, the kind of artistic and cultural flavor that Japanese women have in their bones is mesmerizing.
Once again, Japan is rich in experimental music, and in-depth music fans can always find the right "noise" here, and Keiji Ashino, The Human Chair, and Four People's Orchestra are all irresistible to every in-depth music fan.
4. Japanese Folk Music
Tonight is Ozuki San? - ハンバートハンバート - シングルコレクション2002-2008
Illuminate into the wind ? - つじあやの
朝ごはんの歌 ? - Aoi Teshima - さよならの夏 ～コクリコ坂から～
The Japanese writer Natsume Soseki asked his students how to translate "I love you", and they translated it as "I love you". Natsume Soseki said, "How can a Japanese person say something like that? The moon is very good tonight' is enough."
The first time I heard such an expression was in the fall of last year, and I immediately felt the softness and warmth of the Japanese language, and I was healed. And Japanese ballads, many of the lyrics are mostly this fresh and natural: one part simple, one part plain, eight parts everyday ordinary.
5. Urban Pop
Nitro Boy ? - Tatsuro Yamashita - OPUS ～ALL TIME BEST 1975-2012～
パッション ? フラワー Hosono Harumi - PACIFIC
君たちキウイ? I'm not sure if I'm going to be able to do that. I'm not sure if I'm going to be able to do that. Nakahara Meko - Song Compilation
City Pop is a genre of music with a light and soft texture. The main focus is on Smooth Jazz and AOR, with elements of Jazz Fusion, Jazz Funk and Boogie. As a "mood" or "lifestyle" genre, City Pop has the color of the Japanese bubble economy of the last century, and thus attracted a large number of loyal fans in Japan and abroad in the 1980s. Thematically, City Pop is about the luxurious and sophisticated lifestyle of Japan's cities during the bubble economy. Since the 1980s, a large number of excellent City Pop artists have emerged. Tatsuro Yamashita, Ryoichi Otaki, Kingo Hamada, Kyohiro Abe, Mari Sugi, Tatsuhisa Yamamoto, Junichi Inagaki, Toshio Kakamatsu, Kazumasa Oda, and many more.
We are now experiencing an era of urbanization, and today's young people can't get enough of this romantic music from the end of the last century. The catchy melodies and the positive hedonism of citypop are just the thing for those who are just starting out in society and are at the point of divergence from the adults. The popularity of the music style is dependent on the era to which it belongs, and love songs are often popular in times of economic prosperity, plus our generation of single children is more focused on individual love, so we can still feel the charm of citypop.
In addition, a large number of sampled music vaporwave vaporwave, city pop is also y loved by the 90 musicians, through the second creation of the music passages will be shifted and distortion treatment sounds more hazy, lazy. Living in the post-citypop era, steam wave is more like a surreal dream of nostalgia for the past.
6. Vaporwave Low Fidelity
So Cute ? - Lopu$ - So Cute
Hyperspace GROOVE (SeptemberDelta) ? - ミカヅキBIGWAVE - SCSinglesVol.2
Aruarian Dance ? - Nujabes - Samurai Champloo Music Record - Departure
so far away ? - elijah who - New Feelings
Vaporwave is a musical genre and artistic movement.
The early 2010s saw the emergence of Indie Dance such as seapunk, bounce house, or chillwave, as well as, more generally, electronic dance music. This found a nest for vaporwave, which emerged in the early 2010s and almost reached its heyday in 2014~2015, when music creation and artwork about vaporwave began to emerge, and by now has spawned a range of subcultures and peripherals. While there's a lot of diversity and ambiguity in terms of sub-stylistic categories and messaging, vaporwave at times both criticizes and satirizes post-industrial consumerist society, 80's yuppie culture, and new age music, but at the same time that kind of lo-fi sound quality and Album Art showcases nostalgic artifacts of curiosity and fascination.
Vaporwave is a musical genre and artistic movement that emerged in the early 2010s from a number of Indie Dance, such as seapunk, bounce house, or chillwave, as well as, more broadly, electronic dance music.
While there's a lot of diversity and ambiguity in terms of subgenre categories and messaging, vaporwave sometimes both criticizes and satirizes post-industrial consumerist society, '80s yuppie culture, and New Age music, but at the same time that kind of low-fidelity (lo-fi) sonics and Album Art showcases nostalgic artifacts of curiosity and fascination.
Compared to some of the similar styles that were more popular in the first few years of vaporwave, such as hypnagogic pop, hypnagogic pop is the kind of music that "takes me back to my childhood in a time machine, watching American cartoons with toys and shrimp fries in my hand, a kind of drowsy, half-asleep state". "The trance-like distancing of the sound comes from the memories of disco, movies, and other sounds that came vaguely from outside the room when I was a child of the 80s, an endless childhood memory of the young creators." If hypnagogic pop establishes a kind of utopian aura, technically with noise, with disco samples, the sound is mixed\with nostalgia\plus a hippie vibe from Los Angeles.
So Vaporwave is pure 1995 Japanese cyberpunk anti-utopia, a completely hollowed-out, other-worldly pop music.
7. Jazz rap
sanctuary ship ? - Nujabes - samurai champloo music record impression
カノン ? - DJ OKAWARI - heart flower ~ cohana oriental classics
summer love ? - Otokaze - OTOKAZE
My Soul ? - July - Beyond the Memory
The origins of Jazz Hip Hop can be traced back to jazz in the 1920s, followed by the influences of Bop and Jazz Funk in the 1950s, Jazz Fusion in the 1970s, and Hip Hop in the 1980s. Hip Hop), Jazz Hip Hop-or Jazz-rap-finally emerged as a genre in the mid-1980s, marked by Cargo's 1985 album Jazz Rap, Volume 1, which was released by the band. record Jazz Rap, Volume One and Stetsasonic's 1988 single Talkin' All That Jazz.
What really pushed the boundaries of Jazz Hip Hop was East Coast rap legend A Tribe Called Quest's 1991 record The Low End Theory and jazz great Miles Davis' 1992 record Doo-Bop, especially the former: an RIAA-certified platinum record , No. 154 on Rolling Stone's Top 500 Albums of All Time, and was in Time Magazine's Top 100 Albums of All Time. The instrumental gestures on these two albums are Jazz, but the beats are Hip Hop and the vocals are Rap, and there were a host of other Jazz artists and Eastcoast Hip Hop singers who also experimented with Jazz Hip Hop music, such as Herbie Hancock, Digable Planets, Us3, Naughty by Nature, De3, and the Hip Hop group, Naughty by Nature, De La Soul, Camp Lo and even the famous "Street Poet" Nas, etc. Thus, the development of Jazz Hip Hop finally got on the right track in the mid-90's, and the representative albums of this period are Hand on the Torch, Illmatic, Hand on the Torch, Hand on the Torch, Hand on the Torch, Hand on the Torch, Hand on the Torch, Hand on the Torch, Hand on the Torch, Hand on the Torch. This period was characterized by records such as Hand on the Torch, Illmatic, and Uptown Saturday Night. As the millennium progressed, a number of Jazzhiphop-influenced artists began to emerge, such as J. Rawls, Nujabes, Fat Jon, Madlib, Kero One, Kondori, and many more.
Nujabes is a Japanese musician who spread Jazzhiphop to the East, and along with DJ Okawari and other Japanese Hip Hoppers, influenced Underground Hiphop in Japan and China with his record Modal Soul. And today, in the 2010s, the story of Jazzhiphop continues.
8. Dream Pop
Night Time ? - The fin. - Days With Uncertainty (+Bonus)
Episode 33 ? - She Her Her Hers - location
Dream Pop, as the name suggests, is a "dream-like pop song", a kind of pop music that emerged in England in the mid-eighties. Synthesizers and electric guitars are used to create a kind of misty acoustic texture. Most of the music parts have a layered feeling, and the singer's voice is often echoed to enhance the illusory feeling, and the lyrics are often written in an abstract and poetic way. The lyrics are often abstract and poetic. When you feel like the world is a mess, and you need music to anesthetize and filter it, Dream Pop's pure and empty sound can turn your mood back to blue again.
In China, there are artists with this style. Faye Wong did a lot of acoustic processing in her '98 album Singing Tour, creating a dreamy, ethereal realm, which was inextricably linked to Faye Wong's appreciation of the Cocteau Twins and their collaboration on '96's Floating, which also won the world's top ten Dream Pop albums.
9. Post-rock countdown
Ashes in the Snow ? - MONO - Hymn to the Immortal Wind (Anniversary Edition)
HOらの苦しみにもあわずして、何人をもも幸福とは『呼』ぶなかれ. ? - TE - それは鳴り响く世界から現実的な音を「歌」おうとする思考.
Past And Language ? - Toe - RGBDVD
silent roar ? - Euphoria - サイレントロアー
Post-rock is undoubtedly the dominant genre in the experimental rock movement that emerged in the 90s, which was heavily influenced by electro-acoustic instrumental rock. Post-rock music is a collection of experimental genres - Krauft-Rock, Ambient, Progressive Rock, Space Rock, Math Rock, Tape Music, Minimalist Classical, British IDM, British Rock and Roll, and many more. ), British IDM, Jazz (both Avant-Garde and Cool), and Dub Reggae, in a nutshell: music that is mostly structured as rock music, but which is not essentially rock music.
Post-rock gives the listener the opposite of the emotionally stimulating music traditionally associated with rock: it's hypnotic and monotonous (especially in guitar-based bands), and even the relatively bright colors of the music are calming and sobering. This is so because post-rock was a reaction against rock in the first place, especially as the mainstream assimilated alternative music, and many post-rock bands were founded on the same realization that rock had lost its sense of true rebellion and was finding it difficult to pull itself out of its own rut of stereotypical patterns and empty gestures. So post-rock rejects everything associated with traditional rock music.
Post-rock is far more interested in pure sound and timbre than in melody and song structure, and most of its work tends to be instrumental, with vocals, if present, only as an adjunct to the overall musical effect.
Math-rock is an experimental rock genre that emerged in the United States in the late 1980s.
Math-rock is a mixture of Noise rock, Post rock, Progressive rock, Minimal music and Electronic music. One of its characteristics is the complexity of the arrangement, often using irregular stops or starts, odd time signatures, angular melody, counterpoint, extended chords, dissonant chords, and atypical chords. chords, atypical chord progression. While rock music is generally structured in 4/4 time, math rock frequently uses asymmetrical beats, such as 7/8, 11/8, 13/8, and staggers the beats during the song, for example, a short section in 9/8 time, then switching to 8/8, then switching to 6/8, giving the listener a weird feeling of being mistakenly touched. Another example is the use of drums in 3/4 time, guitar in 4/4 time, and bass guitar in 3/4 time in the same song, but each instrument is skillfully "paired together" on different tracks, yet sounding smooth and unobtrusive. It's called "math rock" because of the complexity of the structure, which is like a mathematical operation.
Math Rock is somewhat related to Post Rock, and is better known as Indie-Rock, with which it shares a similar musical orientation. Where Post-Rock has obvious jazz influences, Math Rock is the flip side of the coin-it's thick and complex, full of hard beat notation and tangled riffs. And it's a little rockier than post-rock, since it's usually performed by small bands with guitars as their main instruments.Math Rock peaked in the mid-'90s, when bands like Polvo and Chavez had a small, dedicated following among indie-rockers on college campuses.
Netflix ID: i3xi
Song List Name:
Vintage Vaporwave Vaporwave Low Fidelity Lo-Fi
City Pop City Pop Slow Life Manual
Math-Rock Counting Rock The Formula for Beats
Self-Appreciation Nailed Shoes Dream Pop Shoegazing