Fu Baoshi: (1904-1964) A native of Xinyu, Jiangxi Province, Fu Baoshi studied in Japan in his early years and specialized in Oriental art history. Due to the long-term understanding of the real mountains and real water, the painting is profound and innovative, making good use of thick ink, rendering and other methods to integrate water, ink and color, to achieve the effect of weng yu drenching and majestic. On the basis of traditional techniques, he introduced new and unique styles, which played a role in the post-liberation landscape painting. His figure paintings are characterized by strong lines, which are y evocative. Before liberation, he was a professor of art at the National Central University. After the liberation, he became a professor of the Fine Arts Department of Nanjing Normal College, vice-chairman of the Chinese Art Association, and president of the National Painting Institute of Jiangsu Province. He has published Studies on the History of Ancient Chinese Landscape Painting, Techniques of Chinese Landscape Figures, Theory of Chinese Painting, Annals of Shitao Shanren, Collection of Romanian Sketches, Collection of Czechoslovakian Sketches, Collection of Northeastern Sketches, Collection of Zhejiang Sketches, etc. He is also a master of seal engraving. He is also a master of seal carving, and has a "Seal Record". His masterpieces include Lanting, Lillian's Journey, Nine Songs of Lady Xiang, Spring in the South of the Yangtze River, and Paintings of the River and Mountains, etc. He died in Nanjing in 1965 after a long illness. He died in Nanjing in 1965 at the age of 62. Huang Binhong: (1865-1955) An outstanding modern painter. Name quality, word Park Cun, Park Cen, also as Park Cheng, split qin, number Binhong, alias I Xiang, rainbow old man, Huangshan mountain in the people. He was born in Jinhua, Zhejiang Province. He was fond of painting at an early age and practiced seal carving in his spare time after school. At the age of six, he copied the landscape album of Shen Tingrui (Simarouba Cliff), which was in his family's collection, and studied birds and flowers from Zheng and Chen Chongguang. Later, he lived in Shanghai for thirty years. In the first twenty years, he worked mainly in newspapers and bookstores, engaging in journalism and art editing; later, he switched to education and became a professor in various art schools in Shanghai. He also taught at art academies in Beijing and Hangzhou. He was the vice-chairman of the East China Branch of the China Artists Association. His technique was based on Li Liufang, Cheng Profound, and the remnants of the artist, Hongren, but he also practiced the Song and Yuan styles. His works emphasize the unity of the chapter style of reality, complexity, simplicity, sparseness and density; his brushwork is like seal script, which is heavy and robust, and at the place where the brushwork is strict, there is the interest of vertical and horizontal oddity and craggyness. After the age of seventy, after the painting works, Xinghui drenching, thick HuaZhi; like to accumulate ink, splash ink, broken ink, host ink each other, so that the mountains and rivers layer by layer deep, majestic. The so-called "black, dense, thick and heavy" style of painting is his distinctive feature. His calligraphy of "Zhong Ding" is more profound. His writings are: "Huangshan painter source examination", "rainbow hut painting", "ancient painting micro", "painting", "jinshi painting and calligraphy", "the essence of painting", etc., and deng shi co-editor of "art series" and has a series of "huang binghong painting quotes". Li Keran: Mr. Li Keran was born on March 26, 1907 in Xuzhou, Jiangsu Province, at the age of 13, he studied traditional landscape painting under the tutor Qian Feizhi, and at the age of 16, he was admitted to the Shanghai Private Art College, and in 1929, he entered the Hangzhou (International) Westlake Academy of Fine Arts with excellent results, and was admitted to the postgraduate program, and studied western painting under the tutelage of Prof. Lin Fengmian and other professors, and in 1943 he was appointed as a lecturer at the Chongqing National College of Fine Arts and was engaged in teaching and working in the area of Chinese painting, creating and working, and in 1946 he was appointed to teach Chinese painting, In 1946, he was hired by Xu Beihong as a professor of Chinese painting at the Beiping National Art College, where he also studied under Qi Baishi and Huang Binhong, and devoted himself to the study and creation of traditional national paintings. After the founding of New China, he further devoted himself to the innovation of Chinese painting. Mr. Keran's motto, "The precious thing is guts, the essential thing is soul" and "Go in with the greatest strength, and come out with the greatest courage", gave a new life to the ancient art of landscape painting. Mr. Keran's landscapes are deep and heavy, broad and majestic, and promote the transmutation and sublimation of traditional national painting with distinctive spirit of the times and artistic personality. Mr. Keran's self-contained system of educational thought led to the emergence of the "Li Keran School", which is active in the painting world. It is not only a generation of masters who have been working hard in the field of painting for more than 70 years, but also made important contributions to the development of artistic concepts, and its influence has long been beyond the art world, and has been highly evaluated by various aspects. Introduction of Li Kuchan: (1898-1983) Name: Ying, character: Kuchan, native of Gaotang, Shandong Province. In 1925, Li studied at the Western Painting Department of the Beiping Art College. Soon for the art master Qi Baishi recognized, gladly under the door, began to study Chinese painting. After graduation, he taught at Beijing Normal School and Hangzhou Art College. After the founding of the People's Republic of China, he became a professor at the Central Academy of Fine Arts and a member of the Sixth National Committee of the Chinese People's Political Consultative Conference. He has been engaged in art creation and art education for more than sixty years. He has a distinctive style of painting birds and flowers in large scale, absorbing the techniques of his predecessors, such as Shitao, Bada Shanren, Yangzhou School of Painting, Wu Changshuo, Qi Baishi, etc., and has developed his own style of painting with majestic brushwork and ink. His works include "Lotus", "Eagle", "Orchids and Bamboos", "Hibiscus", "Autumn Festival Flavor", etc. After 1978, the People's Fine Arts Publishing House published a photocopy of Li Kuchan's Paintings; in 1980, the Shanghai People's Publishing House published a photocopy of Li Kuchan's Collected Paintings. Huang Han, formerly known as Liang Shunian, was born in March 1925, a native of Li County, Hebei Province, and participated in the revolution at an early age, serving as an editor of the Northwest Military Region Warrior Readers Publishing House. Huang Han studied under the tutor Zhao Wangyun, lived in Northwest China all his life, became a professional painter, served as a lecturer in the Fine Arts Department of the Northwest Teacher's College, and then went to the General Political Bureau as a creative writer, and is now the vice president of the Chinese Painting Research Institute, and passed away in the spring of 1997. His creation "Flooding Wind and Snow" was awarded the Gold Medal of the Sixth Youth Gala, and he published Huang Han's Collected Works, Hundred Donkeys, and Selected New Works of Huang Han. Huang is a painter rich in originality. In the process of modernizing Chinese painting, Huang played an irreplaceable role. He did not go through the path of literati painters, nor the way of training from the academy, but took life as the basis, and broke a wide path from the practice of creation, which gave great influence and encouragement to the young people who studied Chinese painting at the same time. Answer added
Huang Han was a great master of figure painting, extremely good at painting large paintings, paintings with many characters and lively scenes. The brilliant masterpieces he created before and after constitute a magnificent picture scroll of the times. He adhered to the path of realism, celebrating labor, strength, and the spirit of progress, showing a bold and magnificent aesthetic tone, which is not only from the painter's positive and optimistic nature, but also a reflection of the spirit of the times of self-improvement. Li Zhenkai, Li Song, Bingyu, was born in Ningjin, Shandong Province. Since his childhood, he practiced Chinese calligraphy and painting by using the ground as paper and water as ink, and at the age of nine, he was carefully instructed by Mr. Bai Bing, a famous painter and calligrapher. She practiced calligraphy and painting. He is a member of the Canadian World Calligraphers and Painters Association. She is a member of the Canadian World Calligraphers and Painters Association, executive director of the China Popular Calligraphy and Painting Society, a calligrapher, a first-class art instructor, and a first-class art connoisseur, and she majored in Chinese Painting at the School of Modeling of the Central Academy of Fine Arts from 1997 to 2001. He is a national level art instructor. His works of art have won more than 40 awards in national art competitions, and he has held individual calligraphy and painting exhibitions in Beijing, Jinan, Zhengzhou and other places between 2001 and 2005, winning social praise! And many media and newspapers have made special reports on his art works. His works of art have been collected by museums, enterprises and individuals in many countries and regions. Answers to add
Chinese painting Central America Zhang Lichen, Tian Liming and so on. Wu Shanming, Liu Guohui, etc. of Guomei. Tianmei He Jiaying, Huo Chunyang