During the Kangxi period of the Qing Dynasty, the local voices had already gained momentum, and by the Qianlong period they had gradually flourished, forming a rivalry with the Kunqu opera. At this time coincided with the "flower and elegant dispute", since the Kunqu in the early Qing Dynasty was called "elegant part", "flower part" of the cavity has been slowly formed with the Kunqu counterbalance of the momentum. Huabu: A title for a category of opera, also known as "chaobang". It was a general term for the various local operas that emerged in the middle of the Qing Dynasty. The ruling class of the Qing Dynasty literati respected Kunqu and honored it as the "elegant part"; while other local operas outside of Kunqu were collectively referred to as the "flower part" or "chaotic bomb", which had a pejorative connotation. This concept has a wide extension, and the cadences referred to in different types of opera are not identical. For example, in Sichuan Opera, "chaobang" refers to the clapper cavity, and in Gan Opera, "chaobang" refers to the pihuang cavity. Huiban in Beijing Huiban: Anhui merchants to foster up the theater for the business dealings and entertainment needs of the Huizhou merchants, so called "Huiban". Emperor's eightieth birthday in the 55th year of Emperor Qianlong (1790), "three Qing class" from Yangzhou into Beijing, immediately set off the capital of the Huiban fever, followed by the four happy, and spring, spring Taiwan, Qixiu, Nicui and other classes also came to Beijing, after the two Huiban class dispersal, Beijing presents the three Qing, four happy, and spring, spring Taiwan four class-oriented situation, there is "four Huiban". The "Four Huiban" was said to have existed in Beijing. 3. During the Daoguang period, Hui and Han merged Between the end of the Qianlong period and the end of the Xianfeng period (1790-1860), the two Hui and Han tunes came to Beijing for a long time to work together on the same stage **** art, so the Peking Opera, which was mainly based on the Pihuang accent and absorbed all the tunes as a whole, took shape initially in the twentieth year of the Daoguang period (1840) to the end of the Xianfeng period (1860) (the early Peking Opera was also called the "Pihuang Opera"). (Early Peking Opera was also called "Pihuang Opera"). Thus, China's Peking Opera officially on the stage of history, Peking Opera's boom period is only from the beginning of this period to the beginning of the founding of the country, the late gradually towards a smooth, can not say to decline, but it is also considered the past of the glorious period.