The content and style of Grandma's Field are all selected from the unique yangko in Jilin-the sleeve-headed yangko.
The metaphors of "grandma" and "Tian" are used to express the emotion of "I". After just more than 6 minutes of dancing, "Grandma" has undergone a lifetime of changes, and "I" has also thrived like an ear of wheat, and the characters have been shaped in a cordial, touching and meaningful way.
"Grandma's Field" makes us find back the flashing memories in the process of time and years, and also makes us walk more firmly under our feet. This is exactly the theme that the work wants to express.
The conception and connotation of the work itself are easy to fluctuate, but with the local traditional sleeve-headed yangko as the carrier, it shows the strong and warm feelings of today's young people and contemporary college students for their hometown and the noble feelings of actively participating in rural revitalization and construction in response to the call of the state.
What kind of dance is grandma's field?
Grandma's Field is a Northeast Yangko work. Northeast Yangko is humorous in form and unique in style. The vast black land endows it with primitive and unrestrained spirituality and amorous feelings, which combines pungent, humorous, quiet and steady, vividly showing the warm and simple, rigid and flexible personality characteristics of the people in Northeast China.
Steady waves, waves, stalks, stalks, stepping on the board and twisting the waist are the biggest characteristics of Northeast Yangko. At the same time, a variety of "flowers in the hands", bright and elastic drums, heavy blows, pretty, quiet, steady and beautiful rhythms are all characteristics of Northeast Yangko.