Like most people always think that Peking Opera is the art of the middle-aged and old people, for the Peking Opera is only know the four famous dancers, only remember that their time is the era of Peking Opera's splendor, and denied the innovation of the theater since then, in the majority of the classical and traditional arts to the trough, for the Peking Opera most people do not attach importance to it or allow it to develop, instead of to pay attention to and protect, innovate and develop.
This is the first time that the Peking Opera has been used in the world.
It is also possible that there are too many people who are attached to the Peking Opera, putting a black veil in front of our eyes to see the Peking Opera. Most people may recognize Peking Opera as a national treasure, as I do, but they really have no interest in it, and can even be said to be avoiding it.
Of course this has its own reasons, but the main one is that there is no guide to take you into the Peking Opera context. There is a big difference between the Peking Opera that you hear in class and the Peking Opera that you remember. Because of this, the Peking Opera Art Observation Performance is very much expected, taking this opportunity to understand what is the real Peking Opera and to really feel the charm of Peking Opera.
The interest in Peking Opera began with Mr. Yi's first lesson, "Dreaming of a life in opera - a life of love". I slowly began to understand that the flavor of life and the dream of life expressed in Peking Opera can only be shared when there is enough experience in life, but this kind of empathy can only be formed by cultivating interest and accumulating knowledge at a young age.
Peking Opera has openness and inclusiveness, when Peking Opera became a national treasure, Chinese Peking Opera is a great spectacle, the emergence of the "four great dancers, Cuibi Zhu Huang", Peking Opera development to the present is by winning and flat. Going to see a Peking Opera performance is the result of a newly aroused interest in Peking Opera.
This is the first time I went to the theater to watch Peking Opera, not to be attached to elegance, nor to go without taste. In the whole process of watching the show, it really makes me feel like a dream, there are ups and downs, there are elegant, playful and witty, and after watching it, it is really the aftertaste, the aftertaste is endless.
The first time I saw the Beijing opera could not help but make a few mistakes, which I fully realized when I listened to the class of drama appreciation. When watching Double Down, I did look at it with prejudice, very much like the prejudice that the teacher said in class when looking at how the Emperor Zhengde was viewed in The Play of the Dragon and the Phoenix.
Always pondering over a monk and a nun, it is indeed indecent, and also feel that the play is not very impressive. And in listening to the folk section of the singing, but also to stare straight at the screen, focusing on understanding the words, rather than listening to understand the play.
After seeing the show, I realized the importance of the principle of "not looking for the details, but appreciating the beauty" in watching the play. In listening to the play, "Peach Blossom Village" and "The Monkey King's Big Trouble in the Sky" listened to the most seriously, but also the most touching.
Whether it is the line, the costume, or the storyline is very shocking.
Liu Rong, an old servant, mistakenly invited Zhou Tong, the owner of Peach Blossom Hill, and Zhou proposed to make a mistake and marry him on the same day. Chunlan also invited Bian Ji to come to his home in female attire to discuss with the young lady.
It happened that Zhou Tong snatched the bride and carried Bian Ji away by mistake. Zhou was furious when he realized the wrong robbery, and he wanted to go to Liu's house again and force his way into the family.
Lu Zhishen back Bianji fled, asked for reasons, personally to the Liu family, in the cave beat Zhou Tong, so that Bianji and Yuyan married. The performance only Miss took Chunlan to the flower field event to choose a son-in-law coincidentally met the scholar Bianji's fold, in this fold for the virtual nature of Peking Opera has a great sense, especially Chunlan will be Miss and the scholar's eyes connected to the scene, highlighting the art of Peking Opera's writing rather than realism.
"The wind is hard to write without essence, and the willow branches are skillfully used to describe each other", borrowing Chunlan's hand well expresses the feelings of love at first sight and mutual adoration between the young lady and the scholar. Chunlan's teacher Li Lanping (a national actor) really played this role to perfection, lively and not frivolous on the stage, frank and unsteady.
When watching Mr. Zhang Xiaobo (a national-level actor) perform "The Monkey King Rages Against the Sky," the appearance of the Peking Opera art was characterized by beautiful singing and recitation, superb martial arts skills, magical face painting, wonderful make-up, glittering costume headdresses, and exaggerated stage art images. The role of dress has not been the actor himself and become a work of art, the role of the stage has not sung and read the performance, the viewer knows what he is a character, which is the so-called "costume".
Good dressing is half of the success of the show. There was a foreign guest to watch the Peking Opera in the martial arts general Zha Da Lean after the scene of the fight, said: "General behind the insertion of countless small flags, than our commander-in-chief of the three armies to review the troops and more imposing."
In fact, there are only four flags, only because in the actor's dance movements, the fluttering belt. Plume tail flying, as well as gorgeous helmets, costumes, so that people watching the play produce colorful and mysterious feeling.
In the play like Hercules and other gods of the costume is indeed imposing, extraordinary. But there are also two delicate female deities in it, making the whole fight scene tense but not too showy, which is indeed refreshing.
In this scene, the symbolic thinking of Peking Opera is particularly poignant. A few simple lines show the Monkey King making a mess of the sky, and I was worried about how such a stage and such a few characters would behave before I saw the play.
After watching the play, I recalled that the teacher said in class that Peking Opera is from life, but has its own expression, the real into the virtual, focusing on Peking Opera to convey the art of Chinese painting and the scattered perspective, the size of a thousand miles, the wandering eye gallop heart has the same wonder. In the stage performance, sometimes it is like splashing gold like ink, dripping with color; sometimes it is like sparing ink like gold, passing by a stroke of the pen.
At the beginning of the play, I heard a student behind me say that, when I went into the theater to listen to Peking Opera, I felt that I was noble. Listening to this I also produced a **** Ming, previously felt that the Beijing Opera is very far from me, now I can be interested in it, and can personally see a Beijing Opera, very happy.
After watching the Peking Opera observing performance, although I still can't understand Peking Opera, but it has aroused my interest in Peking Opera, and I love to listen to it, and I will find some classic selections to listen to on the Internet by myself, and remember that "under the garden light, it is important to be the first Bo Guan," "manipulate a thousand hands and then know the sound, and watch a thousand creations, and then know the tool. I will also listen to the classics and memorize the words, "Under the Garden of Light, we must first be broad-minded. I will also keep a fair attitude towards the commentaries on Peking Opera and will not appreciate them with prejudice, and I will not be "too harsh" in my commentaries.
2. Essay on Peking OperaNowadays, young people don't like Peking Opera much, but I am very interested in Peking Opera. I am interested in Beijing Opera because of the influence of my grandparents. They loved Peking Opera, and whenever there was a Peking Opera program on TV, such as "Kyushu Opera", they would always watch it. Over time, I was also influenced by them. I realized that Peking Opera has a lot of essence of traditional culture. To be honest, I know very little about Peking Opera, except that it emphasizes "singing, reciting, acting and playing", and that it is divided into the five trades of "Sheng Dan, Pure, End, and Chou". I often confuse the "main dan" with the "flower dan", and even sometimes collectively refer to them as the "little dan". I have only seen three full-length plays: Qin Xianglian, Jiujiangkou, and Jiu Dao Ben. Nowadays, most of the Peking operas performed in cultural programs or variety shows are famous operas, and I have watched a lot of small passages like this one. My favorites are "Outside the Spring and Autumn Pavilion" in "Lock Lin Bag", "Zhan Zhan Qing Tian" in "Xu Ce Runs to the City", and "Su San Leaves Hong Dong County" in "Yu Tang Chun". Some people think that Peking Opera has a slow tempo, which makes them impatient to listen to it. In fact, Peking Opera has a strong sense of rhythm, with both fast and slow speeds, but this is all based on the plot. It's so fast that you can't even listen to it, and before you can understand what it means, it's already sung. For example, in Qin Xianglian, the part of "The Emperor's Son-in-law looks at the emperor's side by the side of the emperor's side", how fast it is! If there were no subtitles on the TV screen, you wouldn't be able to hear it at all. Why is it so fast? It is to express Lord Pao's angry feelings and his eagerness to make Chen Shimei recognize Qin Xianglian. Slowly, so slowly that you can drag the sound of one word for half a minute. Like "The Drunkenness of the Concubine" in Yang Guifei's lyrics how slow ah, this is in order to reflect the graceful and luxurious temperament of Yang Guifei and the mood of loss. All in all, the art of Peking Opera is extremely charming, and as long as one appreciates it carefully, one can find endless wonderful things to do. I will continue to watch and study Peking Opera, and hope that more and more young people will understand Peking Opera and love it.
Today, we studied in language class "Peking Opera" Chisangzhen "excerpts", and listened to this paragraph, which provoked my deep interest in Peking Opera, I went home to check the Internet, I learned: Peking Opera is one of the national treasures of our country, he is one of the operatic genres formed in Beijing, Daoguang twenty years later, on the basis of the Hui Opera and the Han Opera, absorbing the advantages of the Kunqu Opera, Qin Qiang, and other operatic genres and specialties gradually evolved and formed the Peking Opera, which is one of the most famous opera in China. The Beijing Opera, which has a history of more than two hundred years, is also known as Pihuang because of the two systems of Erhuang and Xipi, which are the main singing voices.
I found that the roles of the early Peking Opera were very strictly divided, and at that time there were seven major lines, namely, Sheng, Dan, Jingshi, Mou, Chou, Wu Xing, and Pop (dragon set), but now there are only four lines, namely, Sheng, Dan, Jingshi, and Chou. I asked my father, he also said that Peking Opera still has the last corner. The four major Anhui classes of Peking Opera are Sanqing, Sixi, Hechun and Chuntai, and in the 55th year of Emperor Qianlong's reign in the Qing Dynasty, the famous Sanqing class from Anhui Province made its debut in Beijing. Peking Opera specializes in historical themes, most of which are adapted from the content plots of articles, books and novels.
My favorite singing Dan role of Mei Lanfang, he is the Peking Opera art of one of the most outstanding performing artists, during the war, he in order not to sing for the Japanese, he grew his own beard, I once read an article about Mei Lanfang "art is not money can buy", his representative repertoire before the Cosmic Peak, Farewell My Concubine, Drunken Princess, and so on.
I y appreciate the flavor of Beijing opera.
3. Essay on Peking Opera 500 WordsThe stage of Peking Opera used to have no big curtain, and the audience could see the whole stage at a glance. The stage is generally only a table with "table surround" table, two chairs with "chair phi" chairs, known as "a table and two chairs". Both the table surround and the chairs are covered with decorative embroidery. Sometimes there was nothing on the stage. Later, a big curtain was added in front of the stage, which was used to cover the stage before the performance. Sometimes in the performance process and pull a curtain, known as the "two curtains", with which to set up the tables and chairs, actors and other preparatory work in the back of the curtain, the curtain can be performed at the same time there are actors and actresses, so that the Peking Opera performances more compact.
Peking Opera stage time, space is very free, it is not subject to the time and space limitations of real life. After the curtain is drawn, the stage does not indicate any time or place until the actors are on stage. The time and space of a Peking Opera dance is defined by the activities of the actors. For example, when a character comes on stage in Peking Opera, he can indicate that the stage is his study by reciting and singing. But this study ceases to exist when he leaves the stage. Immediately afterward another character comes on, and through his stance acting, he can indicate that the stage is a rugged mountain road. When a man sits idly in his own house and wants to walk to his friend's house, he walks in a circle on the stage (called a "circle"), and his house is converted into his friend's house. Another example is when the playwright hears an unexpected news and is shocked. This is supposed to be a momentary psychological reaction, but in order to portray the character, it can take a long time to sing. On the contrary, like writing a letter, reading a letter, drinking process, it would have taken a certain amount of time, but in order to be concise, only perform a gesture, while playing a suona tune, and it is done.
Therefore, when the audience enjoys Peking Opera, they need to use their imagination along with the actors' recitation, singing and performance, so that they can understand the time, place and environment of the play. The types of roles in Peking Opera, commonly known as "line", are mainly based on the gender, age, status, position, character and temperament of the characters in the play. The division of roles in Peking Opera has evolved from the ancient styles of Kunqu and Huihan. At the beginning, there were ten roles, such as Sheng, Dan, Mei, Wai, Jing, Chou, Miscellaneous, Top Hand, Bottom Hand, and Pop. Later, due to the development of the performing arts and the richness of repertoire, the strict line was broken and synthesized into four major lines: Sheng, Dan, Jing and Chou. Each line embraces several different types of roles.
The main singing voice of Beijing opera is "Xipi" and "Erhuang", referred to as "Pihuang". Xipi, Erhuang is a general term for the two cadences, which are divided into a number of "plate style". These patterns are based on the development of a tune. Xipi, Erhuang have "original board", "slow board", "fast three eyes", "scattered board", "rocking board" and other boards, Xipi also has "two six", "running water", "fast board". Peking Opera gongs and drums also have a special role, which is to unify various means of expression. All the changes of singing, reading, acting and playing, and the adjustments of the stage rhythm are completed by gongs and drums. Therefore, the gongs and drums are used throughout the play.
The recitation of Peking Opera is also very distinctive. It is different from the language of daily life, but after artistic processing, rich in musical stage language to appreciate the Peking Opera and appreciate the opera is different, the audience and the actors can communicate directly. For example, an actor raises one hand, blocks the other actor's view with a sleeve, and faces the audience to say what is in his heart, while assuming that the other actor can't hear these words, which is called "hitting the back of the bow". Watching Peking Opera is not as constrained as watching an opera, and the audience can react to the actor's comments at any time. For example, for the actor's skillful martial arts, beautiful drag, and the wonderful "flower over the door" played by the pianist, they can immediately give a warm applause, and can shout out loud. Actors are encouraged by the audience, acting more vigorously, so that the stage echo, the theater is full of warm atmosphere.
4. Watching Peking Opera essayLike most people always think that Peking Opera is the art of the middle-aged and old people, for Peking Opera is only know the four famous dancers, and only remember that their time is the era of Peking Opera's splendor, and denied the innovation of the theater since then, in the majority of the classical and traditional arts to the valley, for the Peking Opera, the majority of people are not pay attention to or let it develop, instead of going to pay attention to and protect, innovate and develop. The Peking Opera is not a place to emphasize and protect, to innovate and to develop.
It is also possible that there are too many people who are attached to the Peking Opera, putting a black veil in front of our eyes. Most people may recognize Beijing opera as a national treasure, as I do, but they really have no interest in it, or even avoid it.
Of course this has its own reasons, but the main one is that there is no guide to take you into the Peking Opera context. There is a big difference between the Peking Opera that you hear in class and the Peking Opera that you remember. Because of this, the Peking Opera Art Observation Performance is very much expected, taking this opportunity to understand what is the real Peking Opera and to really feel the charm of Peking Opera.
The interest in Peking Opera began with Mr. Yi's first lesson, "Dreaming of a life in opera - a life of love". I slowly began to understand that the flavor of life and the dream of life expressed in Peking Opera can only be shared when there is enough experience in life, but this kind of empathy can only be formed by cultivating interest and accumulating knowledge at a young age.
Peking Opera has openness and inclusiveness, when Peking Opera became a national treasure, Chinese Peking Opera is a great spectacle, the emergence of the "four great dancers, Cuibi Zhu Huang", Peking Opera development to the present is by winning and flat. Going to see a Peking Opera performance is the result of a newly aroused interest in Peking Opera.
This is the first time I went to the theater to watch Peking Opera, not to be attached to the elegant, not tasteless and go. In the whole process of watching the show, it did give me a dream-like feeling, with ups and downs, elegant and playful, and after watching it, it was really a lingering, memorable experience.
The first time I saw the Beijing opera could not help but make a few mistakes, which I fully realized when I listened to the class of drama appreciation. When watching Double Down, I did look at it with prejudice, very much like the prejudice that the teacher said in class when looking at how the Emperor Zhengde was viewed in The Play of the Dragon and the Phoenix.
Always pondering over a monk and a nun, it is indeed indecent, and also feel that the play is not very impressive. And in listening to the folk section of the singing, but also to stare straight at the screen, focusing on understanding the words, rather than listening to understand the play.
After seeing the show, I realized the importance of the principle of "not looking for the details, but appreciating the beauty" in watching the play. In listening to the play, "Peach Blossom Village" and "The Monkey King's Big Trouble in the Sky" listened to the most seriously, but also the most touching.
Whether it is the line, the costume, or the storyline is very shocking.
Liu Rong, an old servant, mistakenly invited Zhou Tong, the owner of Peach Blossom Hill, and Zhou proposed to make a mistake and marry him on the same day. Chunlan also invited Bian Ji to come to his home in female attire to discuss with the young lady.
It happened that Zhou Tong robbed the bride, and carried Bian Ji away by mistake. Zhou was furious when he realized the wrong robbery, and he wanted to go to Liu's house again and force his way into the family.
Lu Zhishen back Bianji fled, asked for reasons, personally to the Liu family, in the cave beat Zhou Tong, so that Bianji and Yuyan married. The performance only Miss took Chunlan to the flower field event to choose a son-in-law coincidentally met the scholar Bianji's fold, in this fold for the virtual nature of Peking Opera has a great sense, especially Chunlan will be Miss and the scholar's eyes connected to the scene, highlighting the art of Peking Opera's writing rather than realism.
"The wind is hard to write without essence, and the willow branches are skillfully used to describe each other", borrowing Chunlan's hand well expresses the feelings of love at first sight and mutual adoration between the young lady and the scholar. Chunlan's teacher Li Lanping (a national actor) really played this role to perfection, lively and not frivolous on the stage, frank and unsteady.
When watching Mr. Zhang Xiaobo (a national-level actor) perform "The Monkey King Rages Against the Sky," the appearance of the Peking Opera art was characterized by beautiful singing and recitation, superb martial arts skills, magical face painting, wonderful make-up, glittering costume headdresses, and exaggerated stage art images. The role of dress has not been the actor himself and become a work of art, the role of the stage has not sung and read the performance, the viewer knows what he is a character, which is the so-called "costume".
Good dressing is half of the success of the show. There was a foreign guest to watch the Peking Opera in the martial arts general Zha Da Lean after the scene of the fight, said: "General behind the insertion of countless small flags, than our commander-in-chief of the three armies to review the troops and more imposing."
In fact, there are only four flags, only because in the actor's dance movements, the fluttering belt. Plume tail flying, as well as gorgeous helmets, costumes, so that people watching the play produce colorful and mysterious feeling.
In the play like Hercules and other gods of the costume is indeed imposing, extraordinary. But there are also two delicate female deities in it, making the whole fight scene tense but not too showy, which is indeed refreshing.
In this scene, the symbolic thinking of Peking Opera is particularly poignant. A few simple lines show the Monkey King making a mess of the sky, and I was worried about how such a stage and such a few characters would behave before I saw the play.
After watching the play, I recalled that the teacher said in class that Peking Opera is from life, but has its own expression, the real into the virtual, focusing on Peking Opera to convey the art of Chinese painting and the scattered perspective, the size of a thousand miles, the wandering eye gallop heart has the same wonder. In the stage performance, sometimes it is like splashing gold like ink, dripping with color; sometimes it is like sparing ink like gold, passing by a stroke of the pen.
At the beginning of the play, I heard a student behind me say, into the theater to listen to Peking Opera, I feel noble. Listening to this I also produced a **** Ming, previously felt that the Beijing Opera is very far from me, now I can be interested in it, and can personally see a Beijing Opera, very happy.
After watching the Peking Opera observing performance, although I still can't understand Peking Opera, but it has aroused my interest in Peking Opera, and I love to listen to it, and I will find some classic selections to listen to on the Internet by myself, and remember that "under the garden light, it is important to be the first Bo Guan," "manipulate a thousand hands and then know the sound, and watch a thousand creations, and then know the tool. I will also listen to the classics and memorize the words, "Under the Garden of Light, we must first be broad-minded. I will also keep a fair attitude towards the commentaries on Peking Opera, and will not appreciate them with prejudice, and I will not be "too harsh" in my commentaries.
5. Into the Peking Opera essay 600 words or more,can only provide some understanding of some of the Peking Opera, you do the next reference, the Peking Opera in the people now say is a profound traditional art, the Peking Opera from a small talk is one of the many forms of performances, to the big talk about is the essence of the country, in fact, the Peking Opera in the film and television before the emergence of the social "pop songs", theater fans chase the popular songs, the Peking Opera in the world. In fact, before the emergence of film and television, Peking Opera was the "pop song" of the society at that time, and the fans chased after the famous actors and actresses as much as the stargazers nowadays. With the changes of the times, and the influence of outside culture, the whole world of modern culture tends to be the same, which makes each country's a little history or can not keep up with the trend of the times of the form of entertainment lost audience, but these forms of performance but not the self record of the social landscape and form, so can only be archived or used for historical research, or to give the protection and to be inherited. However, Peking Opera is a form of performance that has always influenced the development of music, singing and performance in our country. Peking Opera is not all orthodox, it is not all praise and warning, there are also performances that have to break with the world in order to make a living, but it has left behind most of the essence of the Peking Opera, and eliminated the dregs of the bad things. Peking Opera is a corner of the art since ancient times, that is to say, watching the play is to see the corner of the general, like the stars, like now acting in TV dramas or movies a reason to watch the play is to see the main actor, but no supporting cast can not sing a play, so the Pearly Gates line is always talking about the spirit of the "one dish". Peking Opera's singing, rhythm, soundtrack several have their fixed form, so that Peking Opera is programmed art, but in its programmed inside, there can be a thousand variations, which is the Peking Opera inside the talk of the changes in the original, that is, the fans often say, "the taste of the play".
6. Peking Opera as the topic of the essayMy favorite drama is Peking Opera, Peking Opera is one of the operas formed in Beijing, so far there has been nearly 200 years of history, Peking Opera is our Chinese "national essence".
Peking Opera has a history of more than two hundred years, and it is a treasure of Chinese opera art. It is on the basis of Anhui opera and Han opera, absorbed the Kunqu, Qinqiang and some other types of opera gradually evolved and formed the advantages and strengths. The music of Peking Opera belongs to the board cavity system, and the main singing voice has two systems: Erhuang and Xipi, so Peking Opera is also called "Pihuang". Peking Opera is also known as "Pihuang". Other commonly used singing styles in Peking Opera include "South Bang Opera", "Siping Tune", "Gao Bazi" and "Blowing Cavity". Peking Opera specializes in political and military struggles with historical themes, and most of its stories are taken from historical dramas and novels. There are not only big plays, but also a large number of short plays, and there are also a number of serialized plays. Peking Opera roles are strictly divided into seven lines, namely, Sheng, Dan, Jing, Mou, Chou, Wu Xing, and Long Suo, which are later categorized as the four major lines of Sheng, Dan, Jing, and Chou.
Peking Opera's dramatic plot is peaceful, in the calm and clear narrative process to show the beautiful, it does not need to be tense, intense, *** plot to attract the audience; Peking Opera's musical accompaniment is peaceful, in the long Jinghu accompaniment, giving a seamless feeling of peace; Peking Opera's performance style is peaceful, neither too high and passionate, nor deliberately sing three sighs, and never emphasize the violence and bloodshed. Peking Opera in the development, in innovation, in keeping with the times, and did not rest on the status quo, An always in the smooth; Peking Opera in the push of innovation, and in the constant push of innovation, to promote peace and stability, peace, serenity, in order to sit on the stage of the theater, "the national essence of the" throne peacefully immobilized!
In 1960, Premier Zhou watched the Peking Opera "Farewell My Concubine" at the rehearsal hall of the General Government in Xinjiekou, Beijing. At the beginning of the play, Liu Bang sent troops to attack Xiang Yu. The ministers were advising Xiang Yu, but Xiang Yu would not listen. The Prime Minister said, "One man's word." Xiang Yu returned to the palace, Yu Ji advised again, Xiang Yu still did not listen. The Premier said, "The head of the family." When it comes to Xiang Yu's lone army caught in a set ambush, the Premier said, "One man's word." When Yu Ji prepared wine to comfort Xiang Yu, the Premier said, "An elegy." When Yu Ji drew her sword and cut her own throat at the end of the drama, the Premier said, "A defeat." The Premier summarized the whole process of Xiang Yu's defeat in only 20 words, which is wonderful.
Peking Opera is a national treasure, is the essence of our national culture, unfortunately, many young people now know little about it. Many people like to listen to pop music, rock music, watch "Supergirl" ...... they do not like to listen to the theater, let alone see our country's "national essence" - Beijing opera. --Peking Opera. Many people think that Peking Opera is boring and old-fashioned, and not as interesting and popular as the music of today. So many people don't like to listen to theater, and abandon our "national treasure", which is a great pity!
So I hope we can all watch more Peking Opera and learn more about our "national treasure".
7. 600 Words on Peking OperaThe predecessor of Peking Opera is Huiban. In 1790, the four Huiban of the Qing Dynasty came to Beijing and absorbed a lot of the achievements of Kunqu, Beijing, Qinqiang and other theater arts popular in Beijing at that time, and at the same time, they were influenced by Beijing's language, customs and other local cultures, and after 50 to 60 years of convergence, the derivation of the Beijing Opera.
Ancient Huizhou opera activities earlier, the mid-Ming Dynasty has been momentum. She people, Jiajing years official to the Ministry of War Minister Wang Daokun, is an outstanding playwright. Although he served in the military, but also essay, also write poetry, especially good at miscellaneous plays, authored "Gao Tang dream", "five lakes tour", "Luoshui sad" and other historical plays, staged in Huizhou around the prevalence. Into the Qing Dynasty, Huizhou's opera activities are in the ascendant, which is mainly with the Huizhou's "place of learning, line of business", "business and both out", combined with commercial capital and gentry in one of the ideas related to the development of Huizhou's business economy at the same time, promote the opera The great development of culture, teaching in the fun.
The formation of Huizhou Opera is based on the combination of Huizhou cavity and Qingyang cavity, with the chaotic bombing, blowing cavity exchanges and fusion, and by the influence of the Kun cavity to a certain extent, there is a Huiban and Huiban gang. At that time, there were four famous classes, namely, Qing Sheng, Cai Qing, Tong Qing, Yang Chun and so on. In the 55th year of the Qing Dynasty (1790 AD), the four Huiban performed in Beijing one after another, creating a sensation in the capital. Later, during the Jiaqing and Daoguang years, they cooperated with the Han tune artists from Hubei, influenced each other, and accepted part of the repertoire, tunes and performance methods of Kunqu and Qinqiang, absorbed some folk tunes, and gradually formed a fairly complete artistic style and performance system, which evolved into Peking Opera.
Chinese Peking Opera is China's "national treasure" and has a history of 200 years. Peking Opera's name was first seen in the Qing dynasty Guangxu two years (1876) of the "Declaration", the history of the Pihuang, Erhuang, yellow, Peking, Peking Opera, Ping Opera, State Opera, etc., the Qing dynasty in the fifty-fifth year of the Qianlong era (1790), the four Huiban Beijing and the Beijing theater, Kunqu, Han Opera, Yiyang, Chaobao and other types of theater after 50 or 60 years of fusion, the derivation of the Peking Opera, China's largest opera plays. Its repertoire, the number of performing artists, the number of troupes, the number of audiences, and the depth of its influence are all the highest in the country. Peking Opera is a comprehensive performing art. It combines singing, reciting, acting, fighting and dancing, and uses programmed performances to tell a story, portray characters, and express thoughts and feelings of joy, anger, sadness, happiness, shock, fear and grief. The roles can be categorized into: Sheng (man), Dan (woman), Jing (man) and Chou (both man and woman). The characters are divided into loyalty and treachery, beauty and ugliness, good and evil. Each image is distinct and lifelike.
Satisfaction hope to adopt, thank you!
8. How to write an essay on operaIt depends on what angle you want to write from. However, I personally feel that, generally if it is the kind of teacher asked to write the composition, for example, like the examination room composition or like the language book requires the composition of the composition of the ordinary composition, to write about the content of the opera, generally write what you like the opera, and then why do you like it, it gives you the feeling of good in where and so on; or like the memories of the kind of, for example, to write about their own childhood in the countryside and the adults to go to watch CaoTaiBanZi, and then grew up to the city to study gradually away from the opera, a chance chance for you to hear or see a small section of the opera, so many good memories from the past and so on; or, you can say that you like opera, such as how the Beijing Opera, like what (you can liken it to something), Kunqu how, how the Yue Opera, etc., on the formation of the form of a little bit like a paragraph of the form, with the kind of culture and culture, and then the form of the form of the form of the form of the form of the form. form, with the kind of cultural composition, such as using the sentences of ancient poems as the beginning of a paragraph of the article to lead to the following so similar to the way of writing; or, you can say that the makeup of the opera you think how how good-looking, write, how the words of the opera you think how good, literary how (this is a bit like the ancient poems like the same), the program of the opera, the method of performance you think how to give you a kind of imagination, and so on, can write a lot. A lot. But this kind of ordinary composition, I personally do not think it is recommended to write some of the more in the general people do not watch the theater people seem to be more esoteric (although you may feel very shallow) things, such as to discuss a certain school of singing similarities and differences in performance and so on, because these things, in their view, is more boring, and not quite suitable for the form of this kind of composition. Because, this kind of ordinary teacher-assigned essays, the main object to look at is the teacher rather than theater fans. If your teacher happens to be a fan of the theater may be okay to understand, but, still, not very suitable to write this kind of content, so, I personally do not recommend. If you are writing an essay, you can talk about the performance of a certain type of theater, genre, etc., or the origin of a certain type of theater. There is also a distinction, if you are studying that kind of art, opera and those related things, you can talk y; if it is an ordinary student, such as high school students (because some high schools are now not the new reform of the research study well ~) of the research study of the paper, then the shallow talk about it is almost the same. Moreover, if it is the latter, almost talk about it, do not need to be too in-depth, in general, the word count and content requirements have been met, the teacher will not how to look at it, if there are individual errors in it, it will be handed in, and generally there will be no further information. I don't know what it's like on your side of the world, but it's like this here. Of course, if it is an ordinary essay, now generally write about opera is not a lot of students write words will give the teacher a novel feeling, and, with the example is not easy and other people's collision, such an essay if you write a good, as a book on the back of the composition of the comments, is a "can be seen that the author's literary skills are very deep, and the Chinese traditional Literature and art have a certain research" (although this said with no say almost) ~ I feel that such a composition should also be considered a cultural composition of a kind of it, written if the score should be relatively good. The above is purely a personal opinion, for reference only....