The opening aerial combat scene was very touching, and it showed off the momentum first. The visual impact of this section is not only due to the fierce firefight, but also to a large extent due to the looks of the crew members. One advantage of young female directors is that they must strictly control the appearance of male actors. Our country's specialty "Tiny Times" also follows a similar approach, which makes straight male viewers like me find it very useful.
Last year Brad made a World War II movie about tanks, and his wife directed this one about masturbating. The two are really a match made in heaven. Just when I was thinking that I should invite these two couples to China to jointly make a big movie "Shook and Beta" to strengthen the cooperation between the Chinese and American film industries, the style of the film changed suddenly and began to recall the male protagonist's sunset. Running and lost youth.
I had just calmed down and was about to enjoy an inspirational sports story, when my eyes were drawn back to masturbation. After a near-miss emergency landing, the protagonist and his team finally returned to the base. Before their butts were still hot, they were sent out to perform a search and rescue mission, flying the plane they had just disabled. When I saw this, I was thinking that maybe the movie would generally follow the alternating lines of running and masturbating. As a result, the movie turned on the "Pi" mode again.
I have always been worried that Mike will suddenly attack the other two people, because in a TV series I just watched recently, he played a perverted murderer. This is the kind of people in the vast ocean. The perfect time to develop a special fetish. As a result, apart from not being as positive as the other two, he didn't cause much trouble. While I feel distressed that the fresh meat is gradually turning into dried meat, I also think that "Running Man Z's Life of Fantasy" should be the final destination of the plot of this film. Because "Pi" is about finding faith, and judging from the previous foreshadowing, this film seems to have a similar theme. As a result, after drifting on the sea for a while, the protagonists were finally captured by the Japanese, and the stage moved to the prisoner-of-war camp.
So the Life of Fantasy line that was pulled up after the director cut off two lines was cut off again. It seems that the real story has just begun at this time. Only then did I realize that the good-looking team presented by the director at the beginning was actually just a cover, because after the foreplay, all these people except the first protagonist Louis no longer appeared, including my favorite Dom. Phil, played by Nar Gleeson, was a warm-hearted man who originally seemed to want to stay with the hero and stay together more warmly. As compensation, the director worked hard to improve the appearance of the Japanese soldiers in the prisoner of war camp, so he had the handsome and coquettish cell leader Watanabe. His confrontation with the protagonist is the real thread of the film.
When Americans make movies about how brutal the Japanese are, they always feel unconvincing. The reason is easy to understand. Neither of them were good people back then. The Pacific War they fought was dog-eat-dog. Therefore, when Americans accused the Japanese, they were obviously not as confident as the Chinese who were beaten for no reason. It's so loud and powerful. When it comes to the ferocious image of the Japanese devils, no one in the world is more familiar with it than the Chinese audience, so no matter how much Americans try to do this, we still can't get interested in it. However, I think there is a very clever scene when the protagonist is first imprisoned in the prisoner of war camp. It is the scene where he sees through the door panel that his compatriots are being abused outside, and he is helpless, and he roars and screams in shock and anger. Many horror film trailers will use similar techniques to enhance the horror effect of the film itself through recorded audience reactions. This kind of side description can fully mobilize the audience's imagination ability, and at the same time avoids directly showing pictures that will make people feel uncomfortable. As for the abuse that the protagonist is shown in the film, in addition to the severe beatings, the most important one is probably the molestation from the cell boss who is ready to move. It's so annoying. This guy really doesn't know how to respect himself. No wonder they don't let him go to the front line.
The protagonist finally managed to survive until he was promoted to a high-ranking position, thinking that he could finally breathe a sigh of relief. At this time, he and other prisoners of war were transferred to work as coolies digging coal. In the new place, the protagonist once again saw a familiar figure and a familiar sultry look, "God, you must be playing tricks on me..." The slut boss came up with new tricks to punish the protagonist, and found a big and sexy one. They asked him to lift something thick and hard, and told his men to take out the thing and shoot him if he didn't lift it.
During the lifting process, the protagonist's body and the thing formed a huge cross. This suddenly inspired his belief and potential, so he lifted it high above his head. The slut boss was finally impressed by the protagonist's domineering spirit. After beating him coyly, he couldn't think of any new tricks and gradually stopped harassing him from then on.
After the battle, the Japanese decided to take the prisoners to take a bath. He was taken to take a bath, thinking that he was dead, but in the end he was not dead, so he took a bath happily with the excitement of escaping from death. As expected, the film lived up to expectations and included a segment from "Schindler's List". Finally, the director used subtitles to explain the tortuous mental journey of the protagonist Louis Zamperini in the decades after the war. After watching it, the audience all exclaimed, "Wow, this has great content. I really want to see it. Director, why don't you film it?" The last part is a video record of the real-life Louis Zamperini passing the Olympic torch. As many friends who have watched it have said, the most emotional impact of the film is that it is not half as skilled as the director of this film. Lenses of dime relationships.
Angelina Jolie, the director of this film, came prepared this time. After probably reviewing dozens of the best films that had made a splash at the Oscars, after some analysis and comparison, she felt that she had The essence of these films has been extracted and captured the hearts of the audience and judges. As long as they follow the same example, they will surely win the Oscar. However, although she prepared the material well, she swallowed it directly without chewing it carefully, which inevitably caused indigestion. The film came out with heavy traces of imitation, and several imitations of different styles could not be integrated with each other, making it difficult for people to watch. Later it was hard to believe that the plot I saw dozens of minutes ago was the same movie I was watching now. The life experience of Mr. Louis Zamperini, the subject of this biopic, is so rich that the director was somewhat dazzled and did not know which ones to highlight. As a result, she picked and picked four paragraphs, and finally missed the post-war story that contained Mr. Zamperini's most significant psychological change. So after the director forced these four stories that she couldn't put together on the audience, the audience still only got a little glimpse of the protagonist's inner world.
The year before last, Uncle Colin Firth starred in "The Train Man", which had a similar theme to this film, and that film happened to be about the missing parts of this film. However, this part of the plot was not filmed in the film, which may not be entirely a bad thing. Because this kind of psychological change of the protagonist from hatred to forgiveness is not easy to film. Judging from the execution ability shown by the director of the film so far, if she is allowed to film the subsequent plot, the film will probably look even more messy. What's more, every time I see this kind of plot, viewers like me will inevitably feel resentful about being represented. After all, I always feel that the Chinese are the most qualified to talk about the issue of not forgiving the Japanese. It's one thing for me to be happy for those British and American veterans who can let go of their hatred, but it's another thing for me to use propaganda tools like movies to show relevant plots.
Compared with this film, the "Train Man" mentioned above is too shabby. This film is directed by Angelina Jolie, a wealthy and willful director. In order to make her debut film more interesting, she added powerful-looking scenes such as aerial combat and sea drifting. I feel that since she has no intention of filming the plot where the hero overcomes his inner demons and moves towards forgiveness after the war, and she is destined to not have much room for portraying the brutal image of the Japanese, she might as well spend more energy on filming the bombing of Tokyo, A big scene like the atomic bomb explosion just adds to the festive atmosphere of the New Year. To make a digression, I have always believed that the atomic bomb was the greatest invention of the twentieth century, because it and its series of siblings put the great powers in a state of mutual deterrence balance, and world wars could never be fought again. Japan took two shots to show the world the power of this new weapon, which can be regarded as a contribution to world peace. Long live peace.