and other kinds of sound. The songs are loud and clear, passionate and unrestrained. Its music is both tough, straightforward, rough and bold (represented by the flying song), and soft, gentle, delicate and deep (represented by the traveling song). Vocal music includes drinking songs, love songs and Ga Baifu songs. Musical instruments include wooden drums, copper drums and lusheng. Wine Songs In Hmong, HXat Jiud, includes Da Song, Kai Song, Ancestor Offering Song and so on. The wine songs of the Bara River Basin are often recited in the style of recitation, and generally a phrase is repeated over and over again. Such as |1-1|5-6|3 1 1-|3 6 5 3|1 6 5|5 -| For the purpose of expressing feelings, sometimes there are two or more musical phrases reflected. The drinking songs around Kaitang, Diwu, and Weng Xiang are solemn, mellow, and dignified. For example, |2 6 6 - |2 - - |2 2 6 3 |3 6 6 3 |3 2 2 - |3 6 0 0 | (open song). The area around Wanshui, Wanchao and Fenshan north of the Qingshui River is mostly characterized by the recitation style, with its big songs being thick, rough and unrestrained. Love Song HXak Yex Fangb (Yufang Song) in Hmong, with four tunes in four areas, namely Hanging Ding, Kaitang, Wanshui, and Zhouxi. The love song of Hanging Ding belongs to the four-tone scale with a slightly low style, the terminating tone is dragged, the strength and weakness are undulating, low and gentle, and the lyricism is blended. The love songs of Kaitang, Wanshui and Zhouxi areas are generally of microtonal style, mostly sung by soloists and two-person chorus, and a few are sung in pairs. Flying Song HXak Yangl in Miao is a kind of love song sung by young men and women who express their sincerity to each other and invite each other to travel across the mountains and water. When welcoming guests and sending guests and feasting, sometimes also use the fly song. Flying song tunes have hanging Ding, Kaitang, bay water three. Hanging Ding Fei song popular in the Bala River Basin area, the Department of 5613, four microtonal folk songs, character robust, bright, enthusiastic, unrestrained. For example: 5 3 5--5 i 5 3 1-|3-5-|1-000|.... Kaitang Fei Song is mainly popular in the area of Kaitang, Weng Xiang and Di Wu, belonging to the 6135 four-tone scale plumed folk song, with a melody that is largely the same, two voice parts appearing one after the other, and a facsimile two-part repetition and chorus. Tone range as high as 5, placed in any extended position, high and bright, cheerful and exciting. Wanshui Flying Song, popular in the area of Wanshui, Wanchao and Fushan north of the Qingshui River, belongs to the Hmong musical instrument - Mangtong
1256 four-tone scale Gong tonal folk songs. The melody proceeds with consecutive fourth and fifth degree jumps, and the 2652 5 2 tone pattern runs through the whole song. The terminating note of the piece is 1, affirming the bright character of its Gong tonal form. Ga Baifu Song The melody has small ups and downs, with a recitative style, and one phrase is repeated indefinitely, and there are also more than two phrases. Wooden Drums The ancestral drums of the Miao people are not used for ancestor worship activities. The Li Clan of Ailang Village has been practicing ancestor worship once a year, and a pair of these drums still exists, while the rest of the area has lost them due to the loss of large-scale ancestor worship activities and disappeared. Wooden drum, about 150 centimeters long, about 30 centimeters in diameter, will be chiseled into an empty cylinder of wood, the two free bandage on the cowhide and become. When used in the wooden frame, drumstick strike, dance with the sound, the end of the event, placed in the cave or drum room.