Black African dance has a unique style, and, different tribes in Africa have different styles of dance (due to their history, ethnic origin and the degree of acceptance of foreign cultural influences vary), but the close proximity to each other's natural environment and economic conditions determine the black African dance **** the same characteristics, some of which can be traced back to ancient times, and some of which can be traced back to the era of the civilization of the Middle Ages Africa, and some of which can be traced back to the era of the Western colonial invasion. Some of them can be traced back to the invasion of Western colonizers. Long years, a broad field of life, a variety of ways of life gradually formed a wide variety of black African dance styles, although there are differences in the black African dance, but there is a great **** the same characteristics, which constitutes the basic characteristics of the black African dance. The biggest feature of black African dance is also the strong and clear rhythm, free and unrestrained. Black Africans are very sensitive to rhythm: "The paddler sings with the movement of the paddle, the picker walks and sings, the housewife pounds rice and sings." Ning Sao introduced: "Sotho people especially like the rhythm in music, and the stronger the rhythm of the tune, the more they like. The women wear metal rings on their hands that ring when they move, and they often gather together to grind their wheat with their hands, singing songs in time with the regular movements of their arms, which harmonize well with the rhythmic ringing of their rings. In dancing, the Sotho beat the beat with their hands and feet, and wear some special bells on their bodies to intensify the rhythm of the music."