Request 100 Han Chinese Folk Songs

What are the genres of Han folk songs? The basis for the division? (Each characteristic) Genre division based on: social living conditions, singing occasions, social role, as well as the method of musical expression and musical characteristics. ﹡ Classification: Ethnic folk songs are divided into three types: labor bugles, mountain songs, and ditties. Labor Songs: Carrying Songs, Engineering Songs, Agricultural Songs, Workshop Songs, Boat Fishing Songs.　(Mountain Songs: Grazing Mountain Songs, Field Rice-planting Mountain Songs, General Mountain Songs [Albatross, Flowers, Mountain Songs, Mountain Climbing Songs, Divine Songs]) Minor Ditties: 1. Minor ditties evolved from Ming and Qing Dynasty popular songs (Meng Jiangnu Ditties, Fresh Flower Ditties, Embroidered Lotus Ditties, and Indigo Cutting Ditties); 2. Local minor ditties; 3. Dance and Dance Minor ditties (Flower Drum Ditties, Lamp Ditties, Lantern Ditties, Tea-picking Ditties, Rice Planting Song Ditties and Dancing Ship Ditties). The northern "picking the burden is not afraid of flat bend" Sichuan "crate bugle" engineering bugle, Sichuan "ramming song" Hunan "hit the ram song" agricultural bugle, Zhejiang Haining "car water bugle" Fuling "round field number" workshop bugle, Zigong, Sichuan "artificial bugle" fishing boat bugle, Shaan Bei "Yellow River Boatman Song" Sichuan "Sichuan River Boatman bugle" (2) labor bugle features: 1. Musical character. Expression method: solid and powerful, bold and heroic. Lyrics: real words, leader. Imaginary words, helpers. 3. Rhythm: fixed, cyclic repetition. 4. Singing form: a leader and the crowd, but also solo, duet, and unison singing. 5. Song structure: short and simple, repetitive. 6.　(A) types of mountain songs A; 1. grazing mountain songs, 2. field rice-planting mountain songs slightly. 3. general mountain songs : . Xintianyou [noun explanation: Xintianyou is mainly popular in the north of Shaanxi and the east of Ningxia and Gansu, high spirited, deep and simple, reflecting the spirit of the people of the Loess Plateau; singing of love, singing of the hardships of life and the sorrows of the parting of the people for the most part. Characteristics: top and bottom sentence structure (more seven-word sentences), the upper sentence is fond of using simile, the next sentence points the theme, and the end of the sentence rhymes. Footman's Tune", "The Blossoming of the Sophora Tree", "Blue Flowers", "My Brother Became a Red Army"]. Flowers [Ningxia, Gansu, Qinghai. "Flower Children's Meeting", a love song. Going Up to the High Mountains and Looking at the Flat River", "A Pair of Doves Flying in the Void". Shanqu (Sour Song) [Northwest Shanxi, Shaanxi. Going West. Characteristics: Inner pain, poignant deep feelings. The People Are All Here But You Are Not" (Hequ, Shanxi). Shenge [Yibin area in southern Sichuan, suburban counties of Chongqing and Chongqing County in western Sichuan. Divine Song Divine Song lyrics are more subtle and literary, with delicate and deep feelings, and more four-sentence structures. When Will the Sophora Blossom Bloom" and "Lang Playing Whistle Should Cross the Ditch".　B. Mountain songs are divided into different singing methods: high-cavity mountain songs, flat-cavity mountain songs, short-cavity mountain songs.　(B) Characteristics of Shan Songs Lyrics of Shan Songs: reflecting all aspects of rural life, improvisation, the lyrics are mainly in seven-word phrases, more use of liner notes, the most common use of liner notes in Shan Songs, the combination of liner notes and free prolongation of sound or trailing accent, forming the unique characteristics of Shan Songs.　The music of the songs is unrestrained and loud and clear. The free prolongation and trailing cadences are widely used. The combination of free prolongation and the call-out phrases at the beginning and end of the song forms the front or back cadence, which is a unique feature of the songs.　Singing forms: Most of the songs are sung solo, but there are also duets, several singers singing together, singing in unison, and one leader and many others.　Song structure: Most of the songs are short, simple and diversified. Density and lyricism are combined. In the southern mountain songs, there are more four phrases in a single section. a''b'' III. Minor key ﹡ Concept: also known as small songs, slang songs, popular songs, etc. Generally refers to songs sung for leisure and entertainment. Generally refers to songs sung for leisure and entertainment.　Role: aria mood, recreation and entertainment (a) the classification of ditties: (evolved by the Ming and Qing dynasty popular songs ditties. Local ditties. (Song and dance ditty) 1. by the Ming and Qing dynasty popular music evolved from the ditty: [Meng Jiangnu tune (good at expressing the bitter and sad, moving feelings. The dances and songs of the ditties (Flower Drum Dance, Lantern Dance, Lantern Dance, Tea Picking Dance, Yangge Dance, and Dry Boat Running) (2) Characteristics of the ditties: 1) Structural rigidity and improvisation. 2) The ditties have been developed by the Ming and Qing dynasties. 3) The ditties have been developed by the Ming and Qing dynasties. 4) The ditties have been developed by the Ming and Qing dynasties. 5) The ditties have been developed by the Ming and Qing dynasties. 6) The ditties have been developed by the Ming and Qing dynasties. 7) The ditties have been developed by the Ming and Qing dynasties. 8) The ditties have been developed by the Ming and Qing dynasties. Turning to stereotypes, the art is more mature. 2, melodic, smooth and beautiful tunes. With twists and turns, a variety of melodic methods. 3, rhythm, beat more regular, balanced. The rhythm of the southern minor key is smooth, while the northern minor key has common syncopated and weak rhythms. Lyrics are relatively fixed, 4, singing forms are solo, duet, a leader and many, etc. Often accompanied by musical instruments. 5, the song has a variety of melodic styles. They are often accompanied by musical instruments. 5. The common song structure is the correspondence type and the starting and ending type. Folk Songs of the Northeast Plain Including the lower reaches of the Yellow River in Shandong, Hebei, Northeast Henan, and northern Suzhou, as well as the provinces of Liaoning, Jilin, and Heilongjiang, it is basically a coastal plain. The eastern northern dialect is used. Folk songs here are mainly ditties, followed by rice-planting songs and horns, with very few mountain songs. Representative folk songs include "Little Cabbage", "Painting the Fan Face", "Yimeng Mountain Ditty", "Little Watching Theater" and so on. Folk Songs of the Northwest Plateau Includes Shanxi, most of Shaanxi, northwest Henan, the Inner Mongolia Loop, and the Han-dominated areas of Gan, Qing and Ning. The east is separated from the northeastern folk song area by the Taihang Mountains, and the north and south are each south of the Yinshan Mountains and north of the Qinling Mountains. Use of the Northwest are northern dialect. Folk songs are most prominent in mountain songs. Including the "Albatross", "mountain song", "climbing the mountain tune" and "flower children". The second is rice-planting songs and ditties. The nationally famous songs include "Going to the West", "Catching Livestock", "Orchid Flower", "Pushing Fried Noodles", "Brother Wu Raising Sheep", "Plowing Taro", "Embroidered Gold Plaque", etc. The Jianghuai Folk Song includes the folk songs of Huaihe River and Huaihua River. Jianghuai Folk Songs Including the Huaihe River Basin, Suzhong, Subei, Anhui, most of the west to the Dabie Mountains and the Jianghan Folk Songs area as a boundary. They use the Jianghuai dialect. Folk songs are characterized by field songs and ditties, followed by mountain songs. Famous songs include "Jasmine Flower", "Yang Liu Qing", "Fengyang Flower Drums", and "Pi Gen Lu Zhai Hua". Folk Songs of Jiangsu and Zhejiang Plain Including Jiangsu Nandu, Shanghai, and most of Zhejiang, which is the ancient land of Wu and Yue. The dialect used is Wu. The folk songs are mainly in small tunes, and the famous ones are "Purple Bamboo Tune", "Wuxi Scenery", "Jasmine Flower", "Crying Qiji", "The Pair of Birds" and so on. Fujian-Taiwan Folk Songs Includes most of Fujian, most of Taiwan and the Chaoshan region of Guangdong. Fujian and Taiwan have had a cultural relationship since ancient times, and the local Han Chinese in Taiwan have always used the Minnan language. In addition, there are some ****same local operas and rap music in both places. Folk songs are emphasized by mountain songs, field-cultivating poems, and ditties, and famous pieces include "Picking Tea and Puffing Butterflies", "Tea Boys' Songs", and "Heavenly Woo Woo". Cantonese folk songs include most of Guangdong in the Pearl River Basin, the southeastern part of Guangyou, and part of Hainan, with the South Ridge as the boundary to the north and the Gan folk song area. The Cantonese dialect is used. In the past, the majority of fishermen were an important social class in the area. Folk songs are most prominent in fishing songs - salty water songs. Famous songs include "Falling Water Sky", "Spring Cow Tune" and "Mile Mile Beauty". Folk Songs of the Jianghan Plain The Jianghan Plain, which includes parts of Hubei, southwestern Henan and northern Hunan, was the center of ancient Chu culture. The folk songs of the Jianghan Plain use the southwestern dialect. The most prominent folk songs are field songs, followed by lamp songs, ditties, custom songs and mountain songs. Famous repertoire includes "Huang Si Sister" and "Honghu Fishing Song". Hunan and Chu Folk Songs include Hunan and several counties in the northeast corner of Guangxi. The people of Hunan and several counties in the northeast corner of Guangxi. The people of Hunan and several counties in the northeast corner of Guangxi. The people of Hunan and several counties in the northeast corner of Guangxi. The people of Hunan and several counties in the northeast corner of Hunan and several counties in the northeast corner of Guangxi. The most representative folk songs are mountain songs and field songs. The most famous songs are "Country Sisters Come to the City", "A Pond of Lotus Flowers and Lotus Ponds" and "Going up to Sichuan". Gan Folk Songs The basic scope of the central, northern and eastern parts of Jiangxi, using the Gan dialect. With the nature of the transition zone of cultural exchange between the east and west of the Yangtze River Basin, the folk songs are highly intertwined. Tea songs are the most distinctive, followed by ditties and lamp songs. The "drumming song" is also prominent among the field songs. Famous repertoire include "Azalea Blossom", "Picking Tea Seeds", and "Sending Lang to be the Red Army". Folk Songs of the Southwest Plateau Including Sichuan, Yunnan, Guizhou, southern Shaanxi and part of northwestern Guangxi. It is bounded by the Qinling Mountains in the north, and the southwestern dialect is commonly used. The representative folk songs are mountain songs, followed by lamp songs. In addition, the Sichuan River Boatman's Horn is also very distinctive. Famous tunes include "Catching Horses", "When Will the Sophora Blossom Bloom" and "I Live in Guiyangfu, Guizhou". Hakka Folk Songs The Hakka people are widely distributed, with a population of more than 80 million nationwide, including mainly the northeast of Guangdong, southwest of Fujian, and the southeast of Jiangxi in the border area of three provinces. The Hakka people are concentrated here. The Hakka people are immigrants brought from the central plains in the north due to wars in ancient times, and they have preserved their ancient heritage and use the Hakka dialect. Folk songs are mainly mountain songs, the famous repertoire of "lamp red song", "wind blowing bamboo leaves" and so on.