Learn to dance street dance breakdancing
"Breakdancing" sense of motion and rhythm is very strong, jump up to have fun, young people to dance to this kind of dance to the degree of intoxication. Here is some information I have compiled about learning to dance street dance breakdancing for your reference.
Learn to dance street dance Breakdance a: the most basic, is to develop the habit of feet to follow the music.
Begin to find some moderate rhythm and a little change of tune, first learn to use the feet to point beat. This time, we must pay attention to the footsteps to be clear, the pressure beat to be accurate. By the time you feel comfortable, you can find some difficult music, faster and more varied rhythms. The requirements are the same. However, at the beginning of the second step may feel overwhelmed, always feel that this beat of the footsteps have not been confiscated back to the next beat will come. Practice, it's all about practicing. And make your movements as wide as possible. (The greater the amplitude of the movement, the higher the rate of change, the more exaggerated the rate of change in the visual effect of the more powerful) such practice is to slowly remove their own footsteps in a fixed rhythm, practiced more often when you hear the music do not even have to think about it, the dance steps naturally come out. You'll be able to do whatever you want!
Learning to Dance Breaking Dance II: Power Moves
1. Inertia is especially important for power moves, which are practiced in power moves. I've seen countless b-boy's windmills. A circle. The windmill is a very good way to get your feet up and out of the way. Another lap 。。。。。 Hold up 。。。。。 It's hard to see, it's hard to watch. You should practice the first circle first and then start to learn the catching circle. When I first started practicing, I had a friend who practiced the first circle first and then went straight to no hands. His windmill was by far the best I've ever seen.
2. Learn to use the timing, I've talked about this earlier, so I'll cut to the chase. But I have another idea, if your toprock doesn't look good why do you have to wiggle on it twice first. Why don't you just rush over and spin around for a while as soon as your opponent moves back. It's a great way to get some momentum!
Learning to dance in the street Breakdancing III: Enrich your steps.
1. Since you can't learn any rich steps from break dance why not learn them in another dance genre? My own toprock has a lot of c-walk and house steps in it, but because the music is different when you're breaking, the rate of those steps changes in a different way, so it still feels like toprock. In fact, you don't have to look for inspiration in street dance. Many other dance steps have a lot to learn. Tap and cowboy dancing are recommended. (A few days ago, I went to see the performance of river dance (the world's most famous tap dance troupe), and I really benefited a lot. I came back and my house was immediately a whole lot stronger, and of course toprock has improved).
2. After toprock, let's talk about footwork, first of all, let's be honest, is it possible to get every beat of footwork? Yes, it can! But don't try to do it, it's very twisted and ugly! In breaking, except for toprock, everything else is done by inertia (or utilizing inertia to complete the movement to look good). And to utilize inertia, you need to add force at a specific time. Who can guarantee that the moment you need to add force will be on the beat? For footwork, it's probably better to talk about utilizing music. You can't say you're going to choose the music when you're battling. For power moves you can wait until you have the right music. (How long does it take to make a power move in a battle?) But that's not so much the case for footwork (a large part of a battle nowadays is spent mostly in footwork. All that can be said is to try not to break the inertia as much as possible while moving with the music and going fast or slow.
3. There's a lot of know-how in utilizing music, and in fact, footwork can be used to completely follow the beat by using the up and down of the body, the swing of the legs when the body is lying on the ground, and the support of the hands on the body, and the pointing of one foot behind the other. But this will be super monotonous, and lack of visual impact. You can't throw away the biggest attraction of breaking for the sake of deliberately following the beat. So, the best way to utilize music is still the word - stop! And the stop in footwork has a proper name, "freeze"!
4. freezes don't have to be only the head and hands and other parts of the body on the ground to be called freezes, as long as the music in the footwork with a very dry pose as long as it's not standing (of course, to be good-looking) are called freezes, the earliest freezes are that way. Only later with the development of breaking slowly appeared a variety of difficult freezes. However, slowly, freezes will lose its original role, become the main body of break dance. (In fact, my own footwork is not good (I restarted practicing breaking in just over a month, it's strange that it can be good). I'm sure there are readers of this post who have much better footwork than I do. Hopefully, these masters will chime in with their own tips in their replies as well ;). However, I've always believed that dryness is the most important thing about FREEZE. If you can be dry and sick, then you're tough. But if it's just sick and not dry, then it's going to be categorized as acrobatics.
Learning to Dance Breakdance 4: Mastering Momentum and Manners in Battle
Actually, I think that momentum is just as important as strength in battle. As long as the momentum is not lost, even if there is a big gap in strength, there will not be a one-sided scene. But I'm worried that this year's BOTY China team will lose to their opponents in terms of momentum when they make their first appearance on the international stage, in which case the loss will be ugly. (I think I'll go to Germany this October to cheer on the Chinese team.) But sometimes the momentum goes too far and it turns into rudeness. Like in the '04 BOTY final when a white guy in France did a follow back, a guy from the Korean team went over and interfered. That's a particularly rude behavior, and if the referee is jealous of that, well, how can the gambler win the championship? It's a good thing to keep in mind. Just don't interfere when someone else is jumping. To do what teasing a, what wait for you to jump when love how to do how to do. Actually, there are a lot of details in breaking that I didn't talk about in this chapter. Those things are reserved for the type of dance and the god of dance. There is actually a great connection between the various dances, and the topic of breaking will be continued in a later article. Most of this aspect will come up in the NEW STYLE section.
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