One, Hundred Birds Chaofeng
Hundred Birds Chaofeng, suona solo song, there are different versions all over the north.
In the spring of 1953, when the team from Heze Prefecture of Shandong Province participated in the first National Music and Dance Concert performance as a suona solo, it was warmly welcomed.
Later, Ren Tongxiang, a famous suona player, with the assistance of professional musicians, compressed the sound of birds, deleted the sound of chickens, and designed a colorful phrase, using the long tone playing technique of the special cyclic air exchange method, and expanded the end of the Allegretto, so that the whole piece ended in a warm and joyful atmosphere. The piece is characterized by a warm and joyful melody and the chorus of birds, which expresses the vitality of nature.
Two, the whole family
Sona song solo, with the folk opera singing, plate style, song combination of blowing music in the north of Henan Anyang area.
The melodic direction, tonal color and blowing characteristics of the song give people a kind of ancient simplicity, spontaneity, and strong meaning, which makes you lingering and unforgettable. The piece consists of loose, medium, fast, and flying plates, which can be said to be a typical traditional plate structure, in line with the traditional aesthetic tendency of Chinese people. From the loose plate to the positive plate, from the slow plate to the fast plate, and from the narrative to the agitated plate, it gives people a sense of contemplation, liberation, and fulfillment.
The special regional style and the accommodation of playing skills have given many players a platform and opportunity to display their talents. Such as scattered board of spitting, trembling, on the board of the slide; in the board of the deep, fine, soft, strong and spit, slide, strong, weak changes, and fast board echo, swallowing, spitting, broken play, so that the players have to show their talent space. Especially the flyboard part of the "section sparse", and the climax stacked up heart-stopping.
Three, sedan chair
Sedan chair music is our country's folk opera music, according to the sedan chair action, walking, movement state and music, widely popular in our country's folk, is one of China's traditional folk classical music, the form of performance to suona playing mainly. Due to the long history, the author of the music has been unable to prove.
Four, six words open the door
Suona solo song, was originally a folk instrumental music brand. The tune is smooth and the mood is light.
Commonly used in opera to accompany the playwrights in changing clothes, cleaning, and traveling to pay tribute to the scenes, it is a variant of "Small Open Door". The first half of the piece uses the "air arching sound" that simulates the sound of human laughter, as well as the "air topping sound" technique, which makes the melody as beautiful as a song; the second half uses the single and double spitting technique to play the "three-stringed sound" that resembles the sound of the three-stringed string. "
The music is a combination of short and elastic notes and a brisk rhythm.
The mood of the piece is lively and cheerful, so that the music has a contrast, the performance is more vivid, and get a better artistic effect.
V. Social Celebration
Suona solo piece "Social Celebration" by Ge Lidao, in 1965 in the "service for the rural areas of the musical works of the call for submissions" activity was selected by the Music Publishing House published in the "founding of the country thirty years of instrumental works", recorded and brought to the art groups in Japan, South Korea, the United States, Nepal and other countries performance. Recorded and taken to Japan, Korea, America, Nepal and other countries by art groups for performances. Very favorite suona song.
Sixth, a flower
A flower, suona solo, Ren the same in the spring of 1959, according to Shandong's local opera and other folk tunes.
The piece begins with a loose plate, using the "weeping" tones of the Shandong opera, which is mournful and tragic, followed by a narrative slow plate, which is soft and touching. Finally, the slow and fast transition to the middle plate, taking "Little Peach Red" as the material, the rhythm is lively, the music is light and fast.
After that, there is an unfolding passage characterized by "spikes", the repetition of short and small notes, and the intermittent appearance of the long notes of the "release of the wheel", which creates a fiery and joyful atmosphere.
Seven, the yellow earth love
The yellow earth love is China's contemporary famous suona player Mr. Zhou Dongzhao in 1992, the work has won China's third national orchestral music exhibition and broadcasting evaluation of the solo works of the first prize, and then was instilled into the author of the suona album.
This piece is very popular among suona enthusiasts at home and abroad, and it is also a common piece played by professional suona players. The melody of the piece expresses the infinite affection for the Loess Plateau, and the unique artistic expression of suona has been fully utilized in the piece.
Eight, the village came to the salesman
Suona solo, Zhang Xiaofeng. Based on the tones of northeastern folk songs, the piece describes the scene of selling and purchasing goods in a mountain village and combines it with lyricism, making the music light and witty.
The piece is divided into: [Rushing], [Yelling], [Echoes of the Valley], [The Village is Alive], [Shopping], [Farewell], and [Moving On], with each of these headings hinting at the content of the section. Describing the joyful and lively scene of selling and shopping in the mountain village, it is a piece reflecting the theme of real life.
Nine: The Song of Huaixiang
The Song of Huaixiang was composed by Mr. Wang Guotong, who used the songs of Taiwan's local opera, Gezai Opera, "Weeping Tune" and "Seven Characters Tune," as the source material.
The original song is divided into three sections.
The first section expresses the deep nostalgia of Taiwan compatriots for their motherland and relatives. This slow and long melody, deep and sincere feelings, as Taiwan's flesh and blood compatriots in earnestly tell their own wishes: "Ballad looking home for thousands of miles, flesh and blood of the West and East, leaning on the fence Huai Xiang song, infinite hometown feelings."
The second paragraph: the compatriots in Taiwan to see the motherland thriving scene of excitement, as well as their praise and yearning for the motherland.
The third paragraph: the emotion is even more excited, showing the urgency and firm conviction of the Taiwanese compatriots who long for the unification of the motherland.
Jia Pengfang adapted and played the "Nostalgia Song", which abbreviated the second and third sections, and changed and developed the first section; there was much less excitement and thrill, and more sadness and longing, and the poignant melody made people think about it, which is also the most touching aspect of the Chinese erhu.
Ten, Yuxi two eight board
Sona song "two eight board" in the early 80's of the last century due to the need for the performance of the work again, in the value of more than two minutes from the development of 4 minutes and a half minutes, from the soprano oboe to the alto oboe, in the "two board" before the "Yuxi" added the word "Yu Xi" that is, "Yuxi two eight board".
The "Yuxi Erbaiban" was revised and completed by Mr. Liu Wenjin and processed by Hao Yuqi in 1983. Through the meticulous simulation of the alto suona, the blowing cavity in the fluttering through the rigid gas, in the deep and simple through the soft, as chanting, as humming; here, such as the green meandering point of the water-like gas spit sound of the soft chant, so that the blowing cavity into the wood is even more touching.
ReferencesBaidu Encyclopedia - Suona