China's Top Ten Ethnic Golden Songs-01 Spring Dawn at Cuihu Lake
China's Top Ten Ethnic Golden Songs-02 Racing Horses
China's Top Ten Ethnic Golden Songs-03 Joyfulness
China's Top Ten Ethnic Golden Songs-04 Overture to the Chinese New Year
China's Top Ten Ethnic Golden Songs-05 The Liangzhu Song
China's Top Ten Ethnic Golden Song-06 Colorful Clouds Chasing the Moon
Top Ten Golden Songs of Chinese Nationalities-07 New Songs of Herdsmen
Top Ten Golden Songs of Chinese Nationalities-08 Dance Song of Yi Ethnic Groups
Top Ten Golden Songs of Chinese Nationalities-09 Dance of the Golden Snake
Top Ten Golden Songs of Chinese Nationalities-10 Joyful Splash Festival
Some of the repertoire is introduced:
<< < Yi Ethnic Groups Dance>>
Wang Huiran's 1965 solo pipi piece is based on the Yunnan Yi "Hai Cai Cavity" and "Smoke Box Dance". With a lyrical and beautiful melody and a rough and strong rhythm, it depicts the charming night of the Yi cottage and the scene of people's joyful dance. The music is rich in ethnic characteristics and has a strong contemporary flavor, and has been loved by many musicians, and has been adapted into guzheng, sanxian, yangqin, and ruan solo pieces as well as orchestral compositions.
<<Liang Zhu>>
China's famous musicians Mr. He Zhanhao and Mr. Chen Gang in 1959, and in the same year in Shanghai on May 27th, premiered, the content of the music from an ancient and beautiful and touching folklore: in the middle of the fourth century, in the south of the village of the family Zhu Jiazhuang, the intelligent and literate Zhu foreigner of the daughter Zhu Yingtai, breaking the boundaries of feudal tradition. Breaking away from the constraints of feudal traditions, she went to Hangzhou in disguise as a man to pursue her studies. There, she formed a deep friendship with the kind, simple and poor young scholar Liang Dibo, with whom she studied for three years. When they parted, Zhu used all sorts of wonderful metaphors to reveal to Liang the love she had long harbored in her heart, but the sincere Liang Shanbo did not understand. A year later, Liang learns that Zhu is a woman and immediately proposes to her. However, Zhu had already been betrothed to Ma Wencai, the son of Ma Taishou. Liang died of grief because of the unfree marriage. Upon receiving this unfortunate news, Zhu Yingtai went to Liang's grave to voice out a tearful complaint to the heavens against feudalism. Liang's grave suddenly cracked open, and Zhu Yingtai threw herself into it. Then they turned into a pair of colorful butterflies, fluttering in the flowers, inseparable. This colorful, lyrical and moving and with a rich flavor of life symphonic works, in the nationalization, the masses, made a bold innovation and successful attempts, performances at home and abroad have been warmly welcomed, the masses called "our own symphonic music, and now & lt; & lt; Liang Zhu & gt; & gt; has flown into the world of music, active in the international music world of the colorful butterflies.
The whole piece is divided into: (1): Worship (2): *** reading (3): Love (4): Farewell (5): Resisting Marriage (6): Terrace (7): Weeping at the Grave (8): Butterflies
<< < Caiyun Chasing the Moon>>
Chinese Rhythm Series "Night of the Moon and Flower in the Spring River" ensemble of the Caiyun Chasing the Moon piece is a five-tone melody with a rich national color. In 1932, when Ren Guang was the director of the program department of Shanghai Baidai Records Company, he and Nie Er worked together to customize a number of national orchestral pieces for the Baidai National Orchestra and make records, and "Caiyun chasing the moon" was one of them. The piece was composed in 1935 and re-orchestrated by Peng Xiuwen in 1960 according to the compilation of the Central Radio National Orchestra. The piece depicts the fascinating scenery of the vast night sky with a five-voice melody of national colors, delicately arranged by various instruments, and in a brisk rhythm. The tune is melodious and lyrical.
<<Horse Racing>>
Huang Haihuai Song is a new work in the 4th Shanghai Spring Erhu Solo Competition in 1964. The piece depicts the enthusiastic scene of horse racing in Inner Mongolia. The structure of the piece is the common one-part triad with reproduction. The first section of the music has a warm and unrestrained character, with firm and powerful strong tones and rapid patterns of tones in between, in order to portray the boiling scene of the horses galloping on the racecourse. Inner Mongolia folk song "Red Flag" is the second section of the music, the tune is excited and high, expressing the joy of people in the festival. In the first half of the piece, the rhythm is light and lively, and the music is full of power; in the second half of the piece, the accompaniment plays the theme melody, while the erhu skillfully plucks the inner strings with its fingers and plays jumping decomposition chords, which is a vivid and interesting combination of the two. After the climax of the coda, the erhu's colorful section is introduced at a slower tempo. The melody is full of passion and characteristics, which introduces people to the vast grassland. Finally, the first theme is reproduced, and the warm and joyful scene of horse racing is brought back to the audience.
<<Cuihu Spring Dawn>>
A national orchestral piece, adapted by Nie Er according to the music of Kunming Cave in Yunnan. The piece uses different beats, rhythms, modes, tempos, and orchestration changes to contrast and develop into three passages. At the beginning, the tune is lyrical and clear, the middle section is a soft and gentle melody, and then the music is enthusiastic and joyful, and gradually reaches a climax. The piece vividly expresses the scene of spring returning to the earth, full of vitality of everything, and also expresses people's desire for a better future
<<Golden Snake Dance>>
Folk orchestral piece, from the folk instrumental song "Inverted Eight Boards", Nie Er in 1934 based on the folk music "Inverted Eight Boards" organized and adapted, renamed the "Golden Snake Dance", and personally conducts the recording. It was recorded in 1934 and conducted by Nie Er himself. The piece has a cyclic structure with a soaring melody, passionate and powerful gongs and drums. The accompaniment of the gongs and drums is very exciting, creating a warm, cheerful and exciting atmosphere. It was later adapted for pipa solo and Yin Biao for guitar.
<<Joyful>>
Liu Mingyuan composed it in 1958. The whole piece***is divided into three sections, with an ABA structure. the theme of A is taken from the Shanxi folk song "Selling Ointment", and the author gives full play to the original song's light and lively character with the overlapping of two flute voices, staccato, and the technique of adding flowers, as well as adding a warm atmosphere. the theme of B is adapted from another Shanxi folk song "Grinding Cake and Noodles", and the author maintains the original song's spreading character and develops the upper and lower lines into a four-sentence sequence; with the addition of flute, staccato, and the flute, the author maintains the original song's spreading character, developing the upper and lower lines into a four-sentence sequence. The author maintains the spaciousness of the original song, developing the upper and lower verses into four stanzas; the flute, erhu, and banhu embellish the melody with various techniques, while the wooden fish sets off the tune with regular rhythms, and the joyful singing is still in the ear. The third verse repeats the melody of A in its entirety.
<<Spring Festival Overture>>
Li Huanzhi's Spring Festival in Yan'an was a product of his experiences and feelings. It was composed between 1955 and 1956. The music shows a moving picture of the people of the revolutionary base area in the Spring Festival as a scene of great joy and unity, love, and mutual celebration and congratulation. "Overture", is a warm and joyful general description of the rice-planting dance, with the sound of gongs and drums and song, rice-planting members of the dance and dexterity of the wearing flower scenes, as well as a singing Lily's footage.