Every time we watch a movie, we will taste some truths from it. A good movie is not only because its actors have good acting skills, but also because it can reflect some social realities, from which we can understand life and then inspire ourselves to move forward. I think excellent movies must do the above, not the story of Hengshui. Nor is it for profit to make this film. A film should be regarded as an art and should develop towards classics. Among many inspirational movies, there are always some very classic movies. I don't know if his family remembers them. For example, Forrest Gump is one of them, which can be said to be one of the very successful movies.
First of all, we are going to talk about The Salvation of Xiao Shengke, which can be said to be the spiritual pillar of many people. In 1995, no matter from any aspect, the plot was well arranged, and the theme was quite distinct. The cast was quite strong. Under the influence of music and background, the film was nominated for an Oscar. In this movie, when Andy and Ray pulled out the sewers and drains of the prison that night and took off his clothes, he stretched out his arms and embraced the storm of freedom. I believe many viewers watching this movie are excited!
There is another movie, which I think is also quite infectious and courageous. This film tells the story that the anti-Japanese war is the army. The theme belongs to that serious type, but the scene is very grand, which is very shocking in music and some vision.
The above are two inspirational movies I recommend to you. I hope you will have a look, and you will have different feelings.
Tiangou tells a touching story of an ordinary forest ranger defending the forest with his life. The hero, Li Tiangou, is a war hero. He broke his leg on the battlefield and was assigned to a remote state-owned forest farm as a ranger after demobilization. He was penniless but upright. He was regarded as a thorn in the side by the famous local power figures and the Confucius brothers known as the "Three Dragons" because he did his duty faithfully and was unmoved by interests. As a result, he suffered a series of inhuman tortures such as water cut-off, power cut-off, humiliation of his wife and disappearance of his children, and finally he was beaten to death in the long-planned fighting of the "Three Dragons".
But all this did not erase his persistent sense of responsibility and simple faith. In order not to lose a tree for the country, he struggled to raise the old gun of justice when his life was dying! Three brothers fell, justice won! But Tengu never stood up again. . . . . . When I walked out of the cinema, several eyes of Tengu flashed in my mind, which indirectly showed the inner world of Tengu. Fu Dalong's performance was superb.
goodbye mr. loser gave me a great touch:
The general plot of the film is as follows: a person named Charlotte went to a classmate's wedding, then fell asleep in the bathroom, and then had a dream. After waking up, she decided to have a good life with her wife. This is the main line of the movie. In the movie, first, students fight with teachers in the classroom, and then there is a stream of consciousness-like nonsense. A dream, completely without the constraints of reality, can have a wild plot, which makes people clap their hands and cheer, exciting and surprising. It is these plots that attract us to watch the complete works.
The dream in the movie is a very common and ordinary dream: a person is successful in official career, becomes a star, then loses himself, does something out of line, and then stops being a star, and his life plummets. How popular, vulgar and vulgar this idea is, it is simply vulgar! Taking such an idea as the main thread of a dream is not just for the sake of noisy joy! Doesn't this also show the dream of most people at the bottom of society?
throughout the whole story, what touched me more was the emotional route of the hero and heroine. Don't hurt the people around you for some unrealistic things, in fact, the people around you are the most suitable for you, and the pursuit is good. Don't wait to lose it before you know how to cherish it.
Most movies will reflect or show some problems in life. Or express some philosophical or spiritual inspirations or opinions!
Li Cangdong's Burning premiered at Cannes Film Festival on May 16th, 218, and won the highest score of 3.8 points. After that, the film's commentary articles appeared one after another, and the praise mainly focused on the actor's performance, the scheduling of scenes, and the treatment of the truth and falsehood of the narrative. Of course, there were also some different voices that the film was mysterious and actually a mediocre work.
The nature of the author's film
Li Cangdong, the director, was already a famous Korean writer before he entered the film industry in 1992. The film was just a different expression, with the camera as the pen and the picture as the text, completely explaining Truffaut's definition of the film author.
The most prominent feature of the author's films is the director's unique personal expression, which is different from the popular expression.
it is unrealistic to analyze the author's films and find a creative method suitable for the general creators, but outstanding film writers can not only influence the general public, but also influence the creators in artistic concept and creative methodology.
The film world is rich, including commercial films with the main box office, literary films with deep minority, and many experimental films.
Some people only create commercial films, take the box office as their sole pursuit, and scoff at literary films; Some people only make literary films, and think that doing commercial films is compromise and kitsch; Some people are addicted to experimental movies with no more than 1 viewers.
If we are too immersed in what we love, we may have the illusion that "this is the whole world", and it will become the leaf that blocks us from seeing the world clearly.
When we write a commercial film, the market must be considered. The design of characters and their relationships and the way of telling stories need to be novel and meet the expectations of the audience.
At the beginning of this kind of creation, all aspects of the script design are far from being personal and close to being popular. The characters should be recognized by the public, the relationship between the characters should be dramatic, and the story should be attractive to the audience.
Commercial movies will eventually be tested by the audience in the cinema. Some movies that are full of confidence in the market may fail miserably, while some movies with conservative expectations may bring great surprises.
For film writers, it may be a bad experience to erase individual experience and try to figure out the public's favorite writing. In contrast, the directors of the author's films are happy, and what they shoot is the story they want to shoot most.
novel narrative
The movie Burning tells a story in the form of a novel on the screen.
The novel narrative has two characteristics: one is freedom, and the other is the reader's sense of participation.
The story of the movie Burning is adapted from Burning Barn by Haruki Murakami, a Japanese writer, and draws lessons from the relationship between father and son in Burning Horse Barn by William Faulkner, an American writer.
The scene of the movie Burning follows the hero Zhong Xiu and tells the story of his meeting with Hui Mei. The appearance of Hui Mei is a sunshine in his life. Because Hui Mei went to Africa, they said goodbye for a while. When he met Hui Mei again, Ben appeared beside Hui Mei. Zhong Xiu fell in love with Hui Mei, and helplessly watched Hui Mei associate with Ben. When Hui Mei suddenly disappeared, Zhong Xiu followed Ben, trying to find the whereabouts of Hui Mei. Ben's side appeared a new girl, simple and lonely, who was of the same kind as Hui Mei. The interaction between the girl and Ben was a reenactment of the last time of Hui Mei's life. According to the details discovered gradually, Zhong Xiu concluded that Hui Mei was murdered by Ben and was buried in a burning plastic shed. Zhong Xiu, who was depressed, invited Ben out and killed him by Ben's murder.
The movie doesn't use omniscient perspective, but is close to the characters, so that the characters can solve the truth step by step, fully express their emotions and pursue smooth narration.
Zhong Xiu follows Ben's investigation of the mystery of Hui Mei's disappearance, and there are many hints in the narrative. The new girl around Ben hints at Hui Mei's experience before he disappeared. In the film, there are many scenes with blank space to express the emotions of the characters, and the narrative rhythm is very suitable for the audience to immerse themselves in it and participate in the search for Hui Mei with Zhong Xiu.
The facts under the narrative are full of possibilities of various interpretations. There is no absolute boundary between reality and reality. The film can interpret that Cost is a serial killer. He kills a girl every two months and destroys the body by burning a plastic shed. Movies can also be interpreted as the world in Zhong Xiu's novels. His girlfriend, who has just been dating for a short time, is dating the rich second generation. He is helpless. He can only imagine Hui Mei's experience in Ben through rewriting the reality in the novel, and finally kills Ben.
The poor literary youth and the super-rich second generation have become rivals because of a girl. The story originality of the movie Burning is not uncommon, and there are a lot of online novels written about this content. It can be said that this is an idea that easily appears in the mind of a novelist. Whose story is good-looking, it depends on who writes new ideas. In the movie, the rich second generation kills one person every two months under the cover of burning plastic shed, which shows that a perverted killer is new. In addition, Zhong Xiu can restrain herself from watching the interaction between her favorite girl and her rival in love, describing the subtle emotional ups and downs of the three people present, which is also the moving part of the story.
The world is like a riddle
The reason why Zhong Xiu hasn't started writing novels is that the world is like a riddle to him.
Zhong Xiu doesn't know Hui Mei. What Hui Mei said about their experiences, Zhong Xiu has no memory. That's why he asked if there was a well near Hui Mei's hometown. He inquired about the whereabouts of the well, in order to authenticate the identity of Hui Mei, and whether she was the Hui Mei who was once a primary school classmate. He didn't know Hui Mei, so he witnessed the contact between Hui Mei and Ben with a very embarrassing attitude.
Zhong Xiu and Ben belong to two completely different classes. Zhong Xiu was born in the countryside, worked part-time in Seoul for a living, and his father was sentenced to jail. His life was gloomy, but he didn't have to work. He cooked spaghetti in a mansion, and two people with diametrically opposite lives were connected because of Huimei.
The connection between Zhong Xiu and Ben's two classes is rare in the real world, and it only exists in this movie story. In other words, the film deliberately created the connection between Zhong Xiu and Ben, and looked at the reaction between the two people through the story with the questions we often design in reality.
There is a gap between Zhong Xiu and Ben. Zhong Xiu doesn't understand why Ben can easily live in a mansion at a young age, but the topic of talking with Zhong Xiu instinctively is just how Zhong Xiu's novels are written. The serious gap makes two people have nothing to talk about, and the director tries to make people from two classes collide with each other through stories, which has no obvious effect. Zhong Xiu killed Ben in anger, putting an end to all possibilities of this conversation.
The gap between people's heart and class makes the characters in the play under oppression, including poverty and mental distress. When the characters are squeezed into a narrow space and have no time to think about the world, they will feel that the world is like a riddle.
The movie Burning completes a description of the spiritual world of young people at present, and also tries to explore the causes of anger between people, which is both modern and social critical. However, we should also understand that this is the artist's thinking. It is not a problem to change a country or look at these problems ten years later. Looking at problems from a development perspective, many problems have been solved in development, and we cannot deny the bright future because of the twists and turns of the road.
Let's talk about Dead Poets Society, which has been brushed again recently. In fact, the poetry teacher in the film is really great. I think he is the kind of educator who really awakens the soul, and makes children have a passion for life again, and want to live a wonderful life, live high. But why do children have to resist the restrictions from parents, schools and society? When they can't compete, they are like a broken tree. One child committed suicide in the film. Fortunately, other young people who were also encouraged didn't give up.
The film makes people think deeply. Maybe everyone is a caged bird, but some of them are outside, trying to help the birds inside and pass on their hope. But if they can't help them open the cage door, there may be a tragedy in the film. We should not only give children desire, but also give them strength. Give them a treasure of life
Education is that a tree shakes a tree, and a cloud leads a cloud. The following article is my thoughts on this concept. Welcome to read and discuss
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Thanks for inviting me. I was deeply impressed by the movie "I saw a ghost with my left eye". I guess everyone will think it is a funny movie at the title. Indeed, it is.
I understand the theme of this movie deeply-can you leave an unforgettable love in 7 days? When a lover dies, what will the living do?
First of all, introduce the general content of the story:
The female caller of the story, He Lizhu (Sammi Cheng), is a woman from an ordinary family with a poor family background. When she was on vacation in the Caribbean, she met Xu Liren, a rich son. They only met for seven days, and they got married by lightning. However, the man was later killed in diving. He Lizhu did not forget her husband soon, but was immersed in the shadow.
Many friends, relatives and even her mother-in-law of He Lizhu think that she and her husband have only known each other for seven days, but they are not interested in his money.
She tried several times to commit suicide without success, so that she could see ghosts in her left eye. This ghost named Wang Jinwei always followed He Lizhu, protecting her, teasing her and being funny all the time. He Lizhu was annoyed with him at first, but in the process of getting along with him, she repeatedly got his help and comfort.
Later, after the ghost was reincarnated, she finally realized that the ghost who claimed to be Wang Jinwei was her husband, and it was hinted several times in the play. In order to let her get out of her grief as soon as possible and let her go on living, her husband has been reluctant to reincarnate for a long time. He came to her as Wang Jinwei to help her untie her heart and let her face life positively.
When she stated the past and talked about her husband, Wang Jinwei, the ghost, always refused to show his face in the swimming pool, for fear that she might see his tears. And Wang Jinwei is a real person, that is, Sam, the plane pilot who helped her repair the car. The real Wang Jinwei admired He Lizhu since childhood. On the day when He Lizhu and her husband met, Wang Jinwei and his girlfriend were also in the Caribbean.
this funny but actually tear-jerking movie makes me think that maybe the real love in the world should be like, even if it is only 7 days, it can be unforgettable for a lifetime. I want to take care of you forever, but I have no chance, so let you continue the wonderful life together. Things are impermanent, life and death have lives. May we cherish every one.