China's widely spread and has a distinctive national characteristics of the dance form. It is mainly performed in the square on the 15th day of the first month of the lunar calendar, the Lantern Festival. This dance is closely related to agricultural labor. By the labor footwork, as the basis of the dance footwork, in the artistic processing, and make the masses of team dance neat, formed a complete Yangge dance, and then gradually become congratulatory, entertaining New Year's Eve social fire team dance, the performance of the contents of the Han folk tales, myths and legends. Yangge dance in the Qing Dynasty has been prevalent, the Qing Dynasty scholar Wu Xiqi in his book "New Year's Day Miscellaneous Chant Copy" that the Song Dynasty popular Han folk dance "village field music" is the predecessor of the Yangge dance. [2]
Qing Dynasty scholar Huang Joon's "Red Mountain Broken Leaves" said, "The Red Mountain Lantern Market has rice-planting songs, and the 'rice-planting' or '姎' of rice-planting songs is the song of the women. According to the ancient book, the word "姎" is the name of the ditch Shuai, it seems to have not been coordinated." The saying that the rice-planting song is "the song of the woman" is very noteworthy.
Republic of China Liu Wenhai "westbound journal": "Xinjiang Tangmin women, indeed delicate and charming, meet the soul. ...... There is a good person, had made the word yangge. Central Brother, that is, the women of the people of the said." Also remembered Xinjiang ballad: "Turpan grapes Hami melon, Kuche central brother son (wrapped back to say that women's title) a flower."
The rice-planting song
Qing Qi Yunshi, "Western Frontier Essentials", Volume 4, Xinjiang dialect: "Calling the woman as Yuanyang." Accordingly, it can be said with certainty: 姎 brother, central brother, sheep high, mandarin brother are a turn of the voice, the Department of Wei language to the female title. Moreover, this female refers mainly to young girls, or at least young women. It is inconceivable that anyone over middle age could be called "a flower".
Xie Xiaozhong's "Travels in Xinjiang" records that "the group called for a brother to snuggle up to the Lang", both young men and women to sing and dance to flirt, but also a simple plot of the theater, and the Han's Yangge is very similar. The main "roles" are played by young girls. The name "Yangge" of the Han Chinese may be derived from this.
"姎哥" used to be the name of the role, the Northeast has "Yangge role" said. In addition, the Qing Yongzheng, Qianlong between the strict ban on "Yangge feet, the fall of the people's mother-in-law" singing decree, today Jidong Yangge in the collective dance, "by a folk song artists (or Yangge corner concurrently) sang Yangge tune".
Republic of China Li Junya "Huangshuzhong Lantern Festival", recorded the southeast of Qinghai Lantern Festival around the performance of the performance: masquerade dance team with stilt sister, pull flowers sister, flower clappers, the old Yanggao (also written as "old goat"), pseudo-fire god, the newspaper, the flower drums, pulling the medicine sister, the flower monks, the mute, bladder aunt and other roles. This is basically the same as the general Yangge performance, and the leader of the "Yanggao" (Yanggao), i.e., the "Yanggao" of Kuche, "Jiegao," which is the Han Chinese word for "Yangge feet," is the same as the "Yangge feet," which is the Han Chinese word for "Yangge feet. The "Yangge Foot" or "Yangge Corner" of the Han Chinese is also known as the "Yangge Foot" or "Yangge Corner". Later, the whole dance team was called by the name of the leader.
Style Characteristics
Editing
Performance Forms
Twisting Rice-planting Songs
Range-planting Songs around the world generally take the form of Rice-planting Song Dance Teams as the main form, and the number of people in the teams is as few as a dozen or more than a hundred, with collective dances, as well as duo dances, trio dances, and other forms of performances, holding the corresponding handkerchiefs, umbrellas, rods, drums, money whips, and other props, and performing in the drums, gongs, and other instruments, as well as in the drums, gongs, and other instruments. They dance to the accompaniment of gongs, suona and other musical instruments. The dances, movements and styles of Yangge vary from place to place, some are powerful and majestic, some are soft and playful, and all of them are beautiful. [1]
Composition
Yangge is a comprehensive art of singing and dancing, a kind of Han folk art that integrates dancing and singing with the accompaniment of gongs and drums. There are four types of Yangge, namely, singing Yangge, twisting Yangge, opera Yangge, and theater Yangge, which have been passed down in the Han folklore. [3]
Types
Northeastern Rice-planting Songs
Range-planting Songs
The folk dances of the Northeast region include the rice-planting songs, the dragon lanterns, the dry-boats, the butterflies, the wrestling of the two, the playing of the flower stick, and the stilt walkers, etc., which are mostly performed together and are collectively known as the "rice-planting songs". The Northeast Rice-planting Song has a long history and is an artistic treasure created and accumulated by the working people in the north for a long time. It originated from the labor life of rice-planting and cultivating fields, and is related to the songs of praise and sacrifice sung in ancient times when sacrificing to the gods of agriculture to pray for a good harvest and praying for blessings and sacrifices for avoiding calamities, and it continues to absorb the techniques and forms of agricultural songs, ling songs, folk martial arts, acrobatics and operas in its process of development.
The costumes of the rice-planting teams are rich in color, and most of them are mainly theatrical costumes. The characters can be judged from their attire, including the Tang Monk, the Monkey King, the Pig and the Sand Monk in the Journey to the West, the White Snake, the White Lady, Xu Xian, and Bao Zheng, Chen Shimei, Qin Xianglian, etc., accompanied by gongs, drums, cymbals, and oboes playing tunes. Among the various dances, the stilt walking, dragon dance, lion dance and dry boat running are the most famous.
North China Yangge
On the North China Yangge, Li Bingwei and others wrote in "A Guide to the Civil Society in Beiping" about the "Yangge Society" in Beijing: "All the roles of the troupe were dressed up in color for the opera, and they stood on stilts and went beyond the crowd. The roles were divided into ten sections: the Monk with the Head, the Foolish Eunuch, the Old Master, the Little Erge, the Faggot, the Fisherman, the Fisherman's Own, the Ointment Seller, the Fisherman's Wife, the Jun Gong, and the Ugly Drum. The above ten parts are composed of twelve singles because of the pairing of gongs and drums. The roles are funny and entertaining, and the ensemble is inspired to contribute to the art of the vocation." The so-called "silly Gongzi", that is, the northeast rice-planting songs in the "sand Gongzi", or "Cangxian Zhi" in the "Gongzi".
Henan rice-planting songs
The rice-planting songs in Henan include "Hui Min Rice-planting Songs", "Junzhuang Rice-planting Songs", and "Danying Rice-planting Songs", etc. "Hui Min Rice-planting Songs" are the most popular ones in Henan. The "Hui Min Yangge" is one of the few Hui folk dances in Henan Province, and its style is different from that of the traditional Han Chinese rice-planting songs. The Hui people's Yangge is distributed in the Nantong set in Xiangcheng, Zhoukou. According to legend, during the Tang Dynasty, when the country was in great turmoil, the King of Tang sent his general Guo Ziyi (who was also said to be a Hui) with 3,000 Hui soldiers to quell the turmoil. After the war subsided, Guo Ziyi stationed his soldiers in Nanton, and in order to calm the hearts of the army and the people, he called on the Hui soldiers to sing and dance to enliven their lives. According to the old rice-planting artist Ma Renjie (deceased), the Hui people rice-planting songs have been passed down from generation to generation in Nanton, and by his generation, only the Ma family has seven or eight generations, and the memory of the time of transmission is about 200 years. The "Junzhuang rice-planting song" originated in the forty-eighth year of Emperor Qianlong's reign in the Qing Dynasty (1784 AD), and it is a kind of folk art that integrates song, dance and opera.
Gaoping Yangge
Gaoping Yangge originated in the southeast township of Gaoping City and is popular throughout Gaoping and neighboring counties such as Jincheng and Lingchuan. It is also known as "Thousand Boards Yangge" because it is sung with only clappers and gongs. It has developed into an independent opera from sitting and singing. It has a complete line of actors and actresses, and has the following styles: cross-cavity (three-three-four), sandwich four-cavity (three-four-three), inverted plate, stack, double-name inverted (three-three-seven), standing plate, falling plate, counting plate, and selecting plate, and so on. The representative plays include "Playing the Punch" and "Playing the Sour Date". Rice-planting opera criticizes the ills of the times. In the sixth year of the Tongzhi period of the Qing Dynasty, the government banned the opera. Writer Zhao Shuli loved Yangge opera very much and wrote a Yangge opera book "Open Drainage" in the 60s.
Northwest Yangge
The Yangge performance in the northwest region has the so-called "white beard, flower face, red tasseled cap, white short coat worn backwards, hand-held umbrella lamp leader", which is equivalent to the Northeast Yangge in the "anti-wearing leather coats" in the precursor to the North China Yangge. The so-called "Prodigal Son" is equivalent to the leader in the Northeast Yangge who wears a leather coat in reverse, and the leader in the North China Yangge who wears a long robe and short coat, soap boots and feather tassels, and holds a red umbrella. The so-called "prodigal son" and "whore" are probably equivalent to the "gentleman" and "beautiful woman" in North China's rice-planting songs.
Umbrella-head rice-planting songs
In western Jin and northern Shaanxi, a kind of "umbrella-head rice-planting songs" is popular, and there is a pivotal singer in the rice-planting team, who shakes the ring with his left hand and holds the umbrella in his right hand, which is commonly known as the umbrella-head. Is a rice-planting team leader, its main responsibility is to command the whole situation, the program, leading the rice-planting team row street, go yard, pull out the field, and on behalf of the rice-planting team improvised singing rice-planting songs to thank you for the tribute.
Shaanxi rice-planting songs
Umbrella-head rice-planting songs
Northern Shaanxi calls the festival of lights "rice-planting songs," and the rice-planting teams from each village, led by an umbrella-carrying umbrella-head who dances to the beat of the gongs and drums, run the "big field," or the "big field," or the "big field. Under the leadership of an umbrella-carrying "umbrella head", each village rice-planting team dances to the beat of gongs and drums, performs a "big field" (group dance) and a "small field" (double and triple dances), and goes to each house to celebrate the New Year and pray for a good harvest. The umbrella leader of the dance should be good at leading and singing traditional lyrics as well as improvising and singing new lyrics according to local conditions to meet the needs of different occasions. Generally, the dance is sung first, and when the song is sung, the players repeat the last sentence he sang. During the festival, the local community also sets up a lantern array called "Nine Quarters of the Yellow River Lantern" (commonly known as "Turning Nine Quarters").
The old rice-planting songs of Baoningbao Township in Yulin, Shaanxi Province, and Guo Xinzhuang in Mibi County, China, are known as "Shenhui Yangge," which means that "before the Spring Festival activities each year, the rice-planting teams, led by the president of the Shenhui Association, honor the gods and visit the temples, and then the next day they begin to go from one house to another to pay their respects to the households, which is known as 'Yanmenzi,'" and is also known as the "Along the Door. 'Along the door', in order to eliminate disasters and difficulties, good luck and peace".
Hubei rice-planting
Hubei Fangxian Lantern Lantern Lanterns staged at the Lantern Festival, Yunnan Yaoan Lantern Opera ten hundred for the group, Republic of Hunan "Jiahe County Chart": "rice-planting, a so-called 'lanterns,' decorative children men and women relative to the singing and jumping, drums and trumpets with the body and hands of a match, classified as a Hengzhou Horse Lanterns carry on. The wind to 15 days, called 'play the Lantern Festival'."
Hu Pu'an "Chinese national customs" recorded in Jiangsu Yizheng "flower drum lamp", is a typical rice-planting songs. The popular yingge of Puning and Chaoan in Guangdong Province, also known as yingge, yangge, and yingge, retains some of the performance characteristics of the northern rice-planting songs, as well as the name of the rice-planting songs.
Inheritance status
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Status
Cheangli Earth Rice-planting Song
Declared area or unit: Changli County, Hebei Province
Cheangli Earth Rice-planting Song is one of the most representative folk dances in Hebei Province, and it is distributed in Changli, Lulong, Furning, Leiting, and Luanxian Counties, etc. of Hebei Province. It was first produced in the Yuan Dynasty and has been passed down to the present day.
Changli rice-planting song has a distinctive personality from form to content. It is formally divided into two kinds of rice-planting songs: row street rice-planting songs and field rice-planting songs, and most of them are "rice-planting songs out of the son" except for the "flat rice-planting songs" which have no fixed plots. Changli's rice-planting songs are divided into several types, such as "girl", "ugly", "male" and "male", and their performances are unique. The performance is unique. At the beginning of Changli Rice-planting Song, all the roles were played by men. The roles, structures and costumes were influenced by Mongolian culture, and the "tasseled hat" worn by the "ugly" character in the rice-plantation songs was developed from Mongolian costumes. Changli Rice-planting Song is closely connected with local folk songs, dances and operas, with lively and rich expression, showing the artistic characteristics of characterization and lineage, y expressing the character's personality and emotion, and richly and delicately expressing the intention of action, which is very prominent in folk dances. The famous Yangge operas in Changli Rice-planting Song include Butterfly Puffing, Sawing Cylinder, Wang Erxiao Catching Feet, Foolish Pillar Receiving Daughter-in-Law, Donkey Running, etc. The dances of Changli Rice-planting Song are very rich in characterization and artistic features. The dance of Changli Rice-planting Song emphasizes the coordination of all body parts, with flexible twisting of shoulders, hips, knees and wrists, and the performance is witty and interesting. The Zhou School represented by the famous folk artist Zhou Guobao, the Zhang School represented by Zhang Qian, the Lu School represented by Lu Fengchun, and several other styles and genres of rice-planting songs have their own charms, and are well known in the household. After the founding of the People's Republic of China, Changli rice-planting song program "running donkey" participated in the World Youth Festival, won the silver medal. 1996, Changli County was named by the Ministry of Culture as the "hometown of China's folk art".
Drum Rice-planting Songs
Declared area or unit: Shanghe County, Shandong Province
Drum Rice-planting Songs are distributed in the Shanghe area of the North Shandong Plain, and they are one of the three major rice-planting songs in Shandong. Drum Rice-planting Song originated in the Northern Song Dynasty, became popular in the Ming Dynasty, and flourished in the Qing Dynasty. According to the famous local artists, during the Northern Song Dynasty, Shanghe area was affected by disasters for years, and Bao Gong came from Henan Province to release grain to relieve the victims, and his subordinates taught the drum rice-planting songs to the local people. Afterwards, people ran up the rice-planting songs every Spring Festival to show their gratitude to Mr. Bao, which has been passed down to this day and has become a custom.
Drums rice-planting song in the Shanghe folk to the old man down to at least children love to learn to jump. The county's 21 townships, more than 800 villages can be organized rice-planting teams. There are five kinds of roles in the rice-planting team: umbrella head, drum, mallet, wax flower, and clown, with very different performance styles and unique flavors. The existing drums are mainly divided into two parts, namely, "itinerary" and "running field". "Itinerary" is the dance before the team marches or enters the field; "running field" is the main part of the performance. The "itinerary" is the dance of the dance team before marching or entering the venue; the "running field" is the main part of the performance, which is divided into the "cultural field" and "martial arts field" performed by different roles. The formation of the field run by the drum rice-planting performance is extremely rich, with "bull-nosed pincers", "hook heart plum", "one street and two doors", "six six big luck! ", "four outside eight", "eight streets", "four door fight" and so on more than a hundred kinds. The movements of "Umbrella Head" are rounded, "Drum" is rough and bold, "Mallet" is light and agile, and "Lahua" is spicy and generous. "The movements of the umbrella head are mellow, the movements of the drum are rough and bold, the movements of the mallet are light and agile, the movements of the flower are spicy and generous, and the movements of the role are **** there for each role.
Jiaozhou Yangge
Declared area or unit: Jiaozhou City, Shandong Province
Jiaozhou Yangge is one of the three major rice-planting songs in Shandong Province. It is also known as "Ground Yangge", "Juggling Yangge", "Stilt Yangge", "Twisting the Waist", "Three Bends", etc. It is popular in the area of East Xiaotun Village of Jiaozhou City, Shandong Province. Jiaozhou Yangge originated in the Qing Dynasty during the reign of Xianfeng, according to the Qing Dynasty Song Guanwei made "Yangge words" description of the Jiaozhou Yangge dance movements, line names, costumes and props are basically the same as now.
The Jiaozhou Yangge has the roles of anointed guest, cuihua, fan girl, small, mallet, drums, etc. The basic movements are mainly "cuihua twisting three steps", "skimming the fan", "small twisting", "stick flower", "small twisting", "fan", "small twisting", "small twisting", "small twisting", "small twisting", "small twisting", "small twisting", "small twisting", The basic movements include "Cuihua twisting three steps", "skimming the fan", "small twisting", "stick flower", "ugly drums and eight states", etc. The performance procedures include "opening speech" and "running", The performance program consists of "opening speech", "running scene" and "small drama", and the running scene formation includes "cross plums", "four-door bucket" and "two-door", "Positive and negative heart digging", "big swing team", "rope head" and so on, there are also "send the daughter", "three wise", "small aunt wise", "double push mill" and other small plays. In the Jiaozhou Yangge, women's dance movements are heavy and light with floating waist and body, walking like wind-swinging willows, rich in toughness and curvature, with "twisting off the waist" and "three bends" as their representative movements; "mallet" movements are light and brittle, and "rope head" and so on. The movements of "mallets" are light and brittle; the movements of "drums" are "ugly drums and eight states" with peculiar flavors. Its music consists of three major parts: percussion, suona, and folk tunes. The original 72 repertoires of the small opera rice-planting songs are now 135 in existence. There are more than 100 rice-planting song teams in the city of Jiaozhou. After the founding of the People's Republic of China, the relevant personnel have seven times on the Jiaozhou rice-planting songs for excavation and finishing, has been compiled as one of the teaching materials of the Chinese national dance. 1996, Xiaotun Village was awarded the title of "China's folk art township" by the Ministry of Culture.
Haiyang Da Yangge
Declared area or unit: Haiyang City, Shandong Province
Haiyang Da Yangge is one of the three major Yangge in Shandong Province, which is the dance part of the folk festival and is popular in Haiyang City along the southern flank of the Shandong Peninsula and the coast of the Yellow Sea.
Haiyang Da Yangge is a folk art form that combines song, dance and drama, and it is found in more than ten towns and villages in Haiyang and radiates to the neighboring areas. According to Haiyang Zhaojiazhuang "Zhao genealogy book" records: "the second ancestor (Zhao) pass, hereditary (Dasongwei) command, Zhenfu, enjoined General Wuliao. The first year of Hongxi, happy to meet the five generations of the same hall, on the given 'seven leaves diffractive Cheung' amount, hanging plaque Gudan, the commanders and red gentry with the visit to give congratulations. Music and dance students heard "shao", rate of its creation of the practice of rice-planting songs, dancing and singing in the court, its happy." According to this can be seen, Haiyang Yangge was created in the Ming Dynasty.
Haiyang rice-planting song performance content is rich, the team structure is rigorous, mainly composed of three parts. At the forefront of the procession is the deacon's part, followed by the band, and then the dance team. The dance team has dozens of various roles, including the conductor - Medicine Doctor, collective performers - Flower Drum, Small, King Whip, double performers - Cargo Man and Cuihua, Hoop Leak and Wang Da Niang, Ugly Woman and Foolish Boy. Dame, ugly woman and stupid boy, old man and wife, male and daughter-in-law, etc., and at the end of the line are the characters of rice-plantation opera or opera impersonators. The common formations used by the rice-planting team are "Two Dragons Spitting Whiskers", "Bagua Bucket", "Dragon Swinging Tail", and "Dragon Coiling Tail", "two dragons strangling columns", "three fish fighting for the head", "stars cupping the moon" and so on. The outstanding feature of Haiyang Yangge dance movement is the combination of running and twisting, the dancers twist in running, women twist the waist and pull the fan, step up and shake the shoulders, lively and generous; men trembling step shaking the head, waving the arm for the shoulder, bright and funny.
Shaanxi Rice-planting Song
Declared area or organization: Suide County, Shaanxi Province
Shaanxi Rice-planting Song is a traditional dance with a wide range of popularity and representativeness that has been passed down in the northern plateau of Shaanxi Province, and it is also known as "Red Hot", "Red Ranges", "Red Ranges", "Red Ranges", and "Red Ranges". It is also known as "Haunted Red Fire", "Haunted Yangge", "Haunted Social Fire", "Haunted Yangge", etc. It is mainly distributed in Yulin, Shaanxi Province. It is mainly distributed in Yulin, Yan'an, Suide, Mili and other places in Shaanxi, with a long history, rich content and various forms. Among them, Suide Yangge is the most representative.
Suide can be said to be the center of northern Shaanxi Yangge, where the countryside still retains the traditional Yangge performance programs, rituals and style features, including both the ancient townspeople exorcise the "God will be Yangge", "twenty-eight old Yangge", but also 1942, after the rise of the new Yangge. After the rise of the new Yangge. There are often dozens of rice-planting performers, some as many as a hundred, led by the umbrella head, who step to the resounding gongs and drums and the loud and clear suona, and make twisting, swinging, walking, jumping and spinning motions to dance to their heart's content. Immersed in a happy and festive atmosphere, the Shaanxi plateau rice-planting songs are very popular. Rice-planting songs absorb artistic elements from local water boats, donkeys, stilts, lions, kicking fields, and other forms, forming a vast rice-planting team. The traditional Lao Yangge and Shenhui Yangge preserve the rituals of "starting", "visiting the temple" and "honoring the gods", etc., and there are also activities such as worshiping the door (also known as along the door), taking the colorful door and stepping on the big field, The performance also includes activities such as paying homage to the door (also known as following the door), building the colorful door, stepping on the big field, and turning nine curves. A rice-planting team ranges from dozens to hundreds of people, and its performances include "twisting in place", "walking in a cross-step", "three steps and a jump", "slanting step", "shaking body step", "shaking body step", "shaking body step", "shaking body step", "shaking body step", "shaking body step" and "shaking body step". "Shaanbei Yangge is divided into two types: the "big field" and the "small field", and the big field is rich in changes in formations, with "Dragon Swinging Tail", "Rolling Cabbage", "Cross Plum Blossom", "Two Dragons Spitting Water", "Twelve Lotus Lanterns" and hundreds of other arrangements; small performances include "water boats", "donkey running", "stilts" Smaller performances include "Water Boat", "Donkey Running", "Stilt Walker", "King Whip" and so on. According to the style and content of the action, it can also be divided into "cultural field", "martial arts field", "kicking field", "ugly field", etc.; among them, the "cultural field", "martial arts field" and "ugly field" can be divided into "cultural field", "martial arts field", "kicking field" and "ugly field". The "Kickboxing" is a two-person dance that expresses the love life of men and women, and has more difficult dance movements, which need to show the "soft waist", "two feet", "three feet" and "three feet". ", "three feet without landing", "dragon claw through the clouds", "golden chicken stand alone", "golden hook upside down "Golden Rooster Standing Alone", "Golden Hook Hanging Upside Down" and other difficult skills. Shaanbei rice-planting songs became the main protagonist in the 1942 Yan'an New Rice-planting Song Movement, which was given a new spirit and contemporary content and spread throughout the country with the development of the revolutionary situation.
Fushun Rice-planting Song
Declared area or organization: Fushun City, Liaoning Province
Fushun Rice-planting Song, sometimes called "Tartar Rice-planting Song", is a folk dance form with a long history of formation, and with a strong sense of ethnicity, folklore, and regional characteristics, and it is mainly spread in the area where the Manchus originated, in Fushun, Liaoning Province. It is mainly circulated in Fushun, Liaoning Province, which is the birthplace of the Manchu people. The Fushun Rice-planting Song was formed in the early Qing Dynasty and has been passed down to the present day. It has a direct relationship with the folk dances of the Manchu ancestors. According to historical records, there was a dance called "Tap Hammer" in the Tang Dynasty and a song and dance called "Mang Style" in the Ming Dynasty, which had a certain influence on the formation of Fushun Rice-planting Song.
The most representative characters in Fushun rice-planting songs are "Tartar officials" dressed in flag costumes and "Kerry spits" (commonly known as "foreign Tartars"), who only wear leather jackets, cross-body bells and all kinds of living and hunting implements. (commonly known as "foreign Tartars"). Its performance movements are mostly originated from the primitive state of Manchu production life such as horse jumping, archery, fighting and so on, and some of them imitate the movements of eagles, tigers and bears, etc., which mostly have the elements of traditional dances. The squatting, stomping, panning, swinging, trembling and other gestures in the rice-planting songs are rich, vigorous and bold, with distinctive characteristics of the fishing and hunting life and the battle life of the Eight Banners. The accompanying music is borrowed from the percussion form of the Manchu shaman jumping to the gods, and there are "old three points", "seven sticks", "fast drums" and other ways of playing, which are quite different from the Han Yangge. Fushun rice-planting songs have been circulating in Fushun area since the Qing Dynasty, and are y loved by the masses. According to a survey in 1986, there were still 50 rice-planting teams active at that time, however, only 4 rice-planting teams have a clearer genealogy of their origins and inheritors at present. [1]
Honors
Range Song (4)
In 1983, the Beijing Dance Academy officially listed the Haiyang Rice-planting Song as a mandatory part of the Chinese Han folk dance curriculum.
In September 1994, it was invited to participate in the 4th Shenyang International Folk (Yangge) Dance Festival of China, and stood out from the fierce competition among dozens of domestic and foreign teams with its strong local characteristics, simple and bold style and exquisite skills, and won the highest award of the competition, the Golden Rose Award.
The Golden Rose Award.
December 1994 and won the national "Group Star Award" silver medal. And was transferred to Shandong Province, the fifth Cultural Arts Festival curtain performance, by Zhao Zhihao, Li Chunting and other provincial leaders of the five major groups of new cuts and praise.
October 1995, in the '95 Jinhua China excellent folk square dance exhibition, won the highest award - excellent performance award.
In December 1996, it won the gold medal in the dance competition of the First Peasant Art Festival of Shandong Province, and in 1996 and 1997, it participated in the filming performance of the Spring Festival Gala of Shandong Province for two consecutive years.
In 1997, Haiyang City was named "Hometown of Chinese Folk Art" by the Ministry of Culture.
On May 20, 2006, the rice-planting songs were approved by the State Council to be included in the first batch of national intangible cultural heritage list.
On June 8, 2007, the Taigu County Rice-planting Song Troupe and the Shuozhou City Rice-planting Song Troupe of Shanxi Province won the first Cultural Heritage Day Award issued by the Ministry of Culture of the People's Republic of China.
In August 2008, they were invited to participate in the warm-up performance before the opening ceremony of the Beijing Olympic Games.
Inheritance significance
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Inheritance value
Range songs are one of the most representative folk dances in northern China, both performative and self-entertaining, self-entertaining, and popular among the people. There have been some representative folk rice-planting dance artists in various places, and many of them have played an important role in the construction of the dance career of new China. In the rapid development of the rural economy, the cultural environment has changed today, can master the traditional rice-planting techniques and pure dance style of folk artists has been very few stars, protection and inheritance of work urgently.
The Changli rice-planting song is a form of rice-planting song that embodies the farmers' interest in life and has a distinctive and unique dance style, reflecting the agricultural society, part of the characteristics of rural life and the optimistic and witty mental outlook of the farmers. However, due to the rapid social and economic development, the ageing of the artists and other reasons, the inheritance of Changli rice-planting songs is facing a serious situation, and is in urgent need of rescue and protection.
The Drum Rice-planting Song has many dancers, strict organization, complete form, beautiful dancing skills, magnificent momentum, deep historical and cultural connotations, rich in the atmosphere of the times and distinctive local characteristics. After the establishment of New China, Drum Rice-planting Song has participated in many national folk art competitions and won many awards. 1996, Shanghe County was awarded the title of "Hometown of Chinese Folk Art" by the Ministry of Culture. The inheritance and development of the drum rice-planting song has enriched the cultural life of the masses, inherited the excellent culture of the Chinese nation, and has high aesthetic value and research value.
Jiaozhou rice-planting song was born in the countryside, active in the folk, in the development of their own changes, is the masses of spontaneous participation, free catharsis, self-entertainment square folk art, showing the rural women of Jiaodong unique fitness and emotional charm, has a high aesthetic value and artistic research value.
The Haiyang Rice-planting Song is the embodiment of the collective wisdom and creative spirit of the people of Haiyang. In reality, the Haiyang Rice-planting Song distinctly demonstrates the spiritual outlook and character traits of the rural people of Haiyang, and is an important part of the regional culture of one side, with aesthetic value and historical value, and plays an important role in promoting the enrichment of the cultural life of the masses and the construction of a harmonious society. Haiyang Dayangge has been listed as one of the teaching materials of Chinese folk dance, and in 1996, Haiyang City was named the "Hometown of Chinese Folk Art" by the Ministry of Culture.
Shaanxi rice-planting songs express the simple, honest and optimistic character of the people in northern Shaanxi, and have outstanding historical and cultural value.
Fushun rice-planting songs have been passed down for a long time in folklore. Due to environmental changes, the number of old performers is decreasing, regular Fushun rice-planting activities have been difficult to carry out, the performance of the walking formation, movement is also gradually being simplified trend, is on the verge of extinction, the need to vigorously support. [1]
Social Impact
Every major festival, such as the New Year, teams are organized in both urban and rural areas to pay their respects, wish each other well and entertain each other. In addition, different villages and neighborhoods will twist rice-planting songs to visit each other and compete with each other in songs and dances. Yangge is a popular Han folk dance in rural China. It embodies a distinctive national style in the use of colors. People wear clothes with strong color contrasts, including red, blue, yellow and green when twisting rice-planting songs. Everyone in the drums and gongs accompanied by the sound of the song and dance, so as to express a happy mood, expressing the vision of a better life.
You're a pig if you don't adopt it