2 1 century, a masterpiece "Butter and Fragrance" appeared in this period, and won the second prize in the Fifth National Dance Competition. The first prize of the director of the seventh PLA art performance. The theme is similar to that of laundry songs, but the living condition is very different from that of laundry songs. Today's people in Xizang has not only been liberated spiritually, but also achieved unprecedented satisfaction in material and cultural life. Therefore, in the creation of Sweet Butter, the author rebelled against the normal state of Tibetan dance in the past, and integrated the new dance vocabulary with the basic style of national dance, so that it not only lost the style of national dance, but also showed the new dance vocabulary, and at the same time fully expressed the spiritual outlook of Tibetan women today through this vocabulary. [ 1]
"Sweet Butter" and "Laundry Song" have the same theme, both of which praise the "sex of fish and water" between the army and the people, but "Sweet Butter" has made great innovations in the image of Tibetan women, the relationship between the army and the people in frontier minority areas, and the vocabulary arrangement of dance movements. Great changes have taken place in the appearance and heart of Tibetan women today. Gorgeous national costumes, together with valuable headdresses, chest ornaments and waist ornaments, graceful posture and confident, lively and bright personality, all contain fashion elements, and modernity is directly forced out through thick robes. In the Allegro part of the work scene, sixteen actresses stepped onto the platform, nodding their backs to the audience, hunching their backs and swinging their hips. Their movements increase, speed up and increase with the rhythm, which is more innovative than the laundry song era. It absorbs the bright, cheerful and unrestrained style of Tibetan dance. There are two core dynamic laws in the works, one is the dynamic law form of leaning back and the other is the dynamic law form of shy oblique butter. These two core rhythms run through the dance, vividly and unconventional showing the special folk customs of Tibet. At the same time, the dynamic law of leaning back and stepping forward has changed the situation of bending over and suffering in the past, and fully demonstrated the cheerful and vigorous spiritual outlook of the Tibetan people in the new period, which is refreshing.
Liu Liukang Liu Ding Qing
There is a beautiful legend that there is a Tibetan girl named Duoluo who sells astigmatism in kangding city. She is absolutely beautiful, unique in the world. Kangding is called "the beauty of loose light". Every morning, she goes out to sell scattered lights. As long as Kangding people hear that she sells astigmatism, they have to open the doors and windows to poke their heads out, some to buy astigmatism, and more to see the beautiful scenery of "astigmatism beauty". Kangding love song sings Dolo. Kangding love song is a plateau snow lotus growing on the fertile soil of the ancient tea-horse road. It is the crystallization of China national culture. It is not a personal masterpiece of any talented person, but is created by folk singers and constantly enriched and improved by many cultural people and folk singers. To be sure, there are many wonderful legends behind love songs. It doesn't matter who the author of the love song is. The important thing is that there are many legends about love songs and many romantic love stories. This is the cultural connotation of Kangding and the romance of snowy plateau.