The Performing Art of Huaiju Opera Actress Chen Fang
Chen Fang plays different characters in different plays, with different identities and personalities, but she plays each of them vividly, and her every move, every step, every knit of the brows, and even her back is a play. Her performances are full of passion, her singing is wonderful, y imprinted in my mind.
Chen Fang starred in dozens of Huaiju plays such as "Meng Lijun", "Blue Qi Gege", "Wedding Blood Case", "The Enmity Story", "Anshou Bao Sells Himself", "Playing Bowls", "For the Children for the Daughters", "Seeking a Son in the Palace", "The Edge in the Cupboard", "The Storm of the Peaceful Village", "The Love Affair between Mother and Child", "Half Scissors", and so on, and I can't describe them in detail here but can only briefly discuss the highlights of the choices I have made.
1. Meng Lijun
I have seen many versions of "Meng Lijun", but I think there is almost no version of this artistic infectious force, of course, not in addition to the other versions of the Huai Opera outside the performance of Meng Lijun actors and actresses are not enough, but other versions of the other versions of the other versions of Meng Lijun can be like the Huai Opera "Meng Lijun" so uncommon, unique, the main reason for the other versions of the play on its own! The main reason is that the scripts of other versions have their own defects, losing the essence of Chen Duan Sheng's original playwright of "The Fate of the Spawn", and the magnificent happy ending of the trapped roc and imprisoned crane causes the whole play to be eclipsed, which is regrettable. I believe that the audience has its own position in mind, especially those who have read the original audience friends, will not repeat here.
The unique Huaiju opera Chen Fang's version of "Meng Lijun" is refreshing. The script itself is already elegant and gorgeous, and Chen Fang's performance is even more outstanding. With her unique sensitivity, on the basis of a deep understanding of the plot and the characters in the play, she reproduced the artistic image of the legendary Meng Lijun, a woman of exceptional talent and amazing talent, with a delicate and moving, noble performance.
Chen Fang's performances in this play, such as "Appreciating Spring", "Recognizing Mother", "The Golden Palace" and "Touring the Garden", were all wonderful. The performances of the selected scenes are all wonderful.
Chen Fang's Lijun is very elegant and dignified in every move, with beautiful movements and classical beauty, and her performance is subtle and touching, showing the elegant and noble temperament of a woman of extraordinary talent, this is the amazing Ms. Meng.
Chen Fang and Wang Lingling as Mrs. Meng in the "Recognition of Mother" scene were both very fine. In the past, I didn't like this part much. In the original story, Meng's mother loved her daughter so much that she didn't care about her daughter's feelings or her daughter's situation, and in order to recognize her daughter, she refused to take her medication, and like the Huangfu family, she was even forced to die. Even if the talented and clever Meng Lijun in the face of her mother's sudden fainting, mother-daughter love off Lijun had to spit out the true feelings of mother and daughter to recognize each other. Feeling that mother is too unsympathetic and selfish. Which is like Meng Lijun's mother?
The Huaiju opera "Meng Lijun" after watching the feeling is really moving mother-daughter love. When Mrs. Meng rushed out to identify the young man in front of the brilliant young Sanguine is his daughter, Lijun forced to hold back the grief and determination to leave, Mrs. Meng fainted in front of the hall, Lijun can no longer be inhibited, several years of separation, a meeting, feelings such as the water of the dike, a: "Mrs. Mother, mother, mother ---". - "Meng Lijun at this time of emotion can not help but cry down in the arms of her mother.
Wang Lingling performance of Mrs. Meng is also in place, when sung: "before the eyes of this elegant and stylish university sergeant, but it turns out to be my knee pampered good girl ......" when the corners of the mouth with a shallow smile, the head gently swaying, showing the Mrs. Meng meets the Now is already high in the phase of the daughter overflowing with an indescribable pride joy. "Rie red make-up paste flowers yellow, whole hairpin ring describe beautiful eyebrow ......" sung in a light and smooth.
Chen Fang's Lijun slightly smiling and gently shaking her head to show comfort to her mother, but also to show the helplessness of reality. "A mother ten thousand tears a thousand feelings." Gently and tenderly assisted her mother to sit down again. "The unfilial daughter pulls up the python robe and kneels in the dust" is sung with great affection and rich flavor. Mother and daughter are intoxicated in the affection ......
Turning to the high-pitched singing voice sang: "......From now on the New Year's festivals children often come, but I hope that the two old people take care of their days more care of the world, there is no longer Li Jun female The skirt hairpin." This is the image of Meng Lijun who has a great ambition and a heart of stone.
"Traveling to Shanglin", Meng Lijun's appearance can be described by her noble temperament, calm attitude, unassuming and elegant demeanor. Is also a wonderful section of the play, Li Di sing and between, let the audience feel strongly that Meng Lijun put on the forest honor and disgrace forget the aesthetic mood, and then sang: "people in the center of the painting is not drunk, I still have to be careful with the words and careful and pay attention." And cautiously keep so calm and sober. It can be said that Chen Fang grasped the character of Meng Lijun appropriately. There is also that part of the dying look back, "one is the love, the other is the intention of a long-lasting" is really lingering love, implicit and meaningful, in no words.
The eighth scene is the climax of the play, but also a touching one, Lijun was forced by the Empress Dowager to give wine to take off her boots, and after vomiting blood, she lingered on her deathbed. At this time, it is already restored to the female Meng Lijun, forced to support the sick body reluctantly sat up. Such as the weak willow wind, swaying down the sick very beautiful and add a lot of wind flow, can not help but people love and pity dramatically increased. A large section of the singing voice pure and gentle, such as sobbing, rhyme, sang out the helplessness of Lijun in the face of reality, can be described as the sound of the heartbreaking heartbreaking.
The general helplessness also tormented the young son of heaven: "...... not sleep a night to listen to the night, really worried about the love of the Secretary woke up soul lost. Brave the wind and rain treading mud to come to greet ......"
The son of heaven at this time y regret because of a moment of weakness and make lijun nearly suffered an accident, and pain and pity, and love and pity said: "100,000 rivers and mountains I don't want to also want to love the secretary of your one person". Inner monologue. At this time, Lijun slowly turned around and gazed at the gentle support of the emperor, leaving a slowly lifted his head to look up at the son of a side of the back. It can be said that Chen Fang is all drama, can be a side back, let a person feel overflowing with a daughter's tender love and compassionate demeanor. The audience can slightly lower their eyes to listen and feel: voice-over (backing vocals continue: Mei Sheng's cheeks are red, and her tearful eyes contain a smile that is even more touching).
The whole play to Lijun silently accepted the son of heaven to put on the red wedding clothes, steps slowly stepped on the steps, foreshadowing with the son of heaven in the same boat to meet all the unpredictable challenges ......
The mood will be pulled both high and far, and to the audience to leave a seemingly magical imagination space.
2. Blue Qi Gege
She portrayed another beautiful princess with noble royal lineage, Blue Qi Er, another realm.
"Blue Qi Gege" story backdrop is the TV series "Kangxi Dynasty" Blue Qi Gege married far away from the grasslands of Jungar. Sixteen-year-old girl, born in the imperial family of blue Qi Gege, in order to national security, had to give up love far away from their relatives, married Jungar tribal leader Geerdan.
The play is written by Sun Maoting, directed by Wang Youli, and composed by Wang Sujun, and is a legendary play with excellent writing, directing, composing, and acting.
The most touching part of the play is "welcoming the bride". Blue Qi Gege for the family for the country and dedication, helplessly married to the grassland ...... music, the back is a vast expanse of empty grassland. Side ear listening: the sound of music such as the whistling cold wind cold and sad, such as the geese wailing, and as the cloud cranes whispering; open eyes to see: the set changed to the snowy mountains outside the plug, turned a hill is covered with frost undulating and stretched for miles of the towering Great Wall ...... a team of travelers, with heavy footsteps, clustered around a cart slowly forward, the voice: "The sky is pale and wild, the road is long and the water is long ......" "The heart is miserable and fearful" such as sobbing as the sound of Hu Jia and the voice.
Then Chen Fang with her mellow and clear voice, sang a long sky of bleak sadness: "The sound of the car clattering the ancient road far away, crushed the dream crushed broken wish, crushed the soul crushed broken edge, Li Guangdi only promise to be disgusting, the year's suavity has become a smoke ...... the Forbidden City sad place more No attachment." It is really heartbreaking ah, is also 12 minutes of time to welcome the bride in the most beautiful and best singing, voice clear and mellow desolate sad, soulful. I've heard a lot about golden voices, and this is the clearest, most purely beautiful singing I've ever heard, filled with the sorrow and loneliness of a young girl.
The image of the stage is also extremely beautiful, scarlet cloak covered with a young girl out. An appearance, a posture are strongly expressed the pain of uprooted from home, married to the desert, the weight of all thoughts.
"All the way to the desert, the lonely smoke of Hu Jia, the tears in my eyes have flowed out, no longer whimpering, my body is like a haggard wood, my heart is like ashes, it is difficult to rekindle, listening to the car driving me to dedicate my body," it is difficult to endure, can not help, sympathetic tears flow.
Scene switch, the song sounded "day also hope to night also hope, the heart of the person finally came to me in front of the girls warriors are ready to go to meet your most beautiful princess it." Grassland warriors girls one after another, suddenly joyful like boiling up. "White clouds in the sky you stop for a moment to see how lovely our royal consort is, steeds on the grassland you stop for a moment to see how cozy our royal consort is. The larks in the sky sing loudly, praising our princess how beautiful; the sheep on the ground yo clamor, all praising our princess world without peer." According to the whole grassland at this time the atmosphere of joy and enthusiasm should be infected with the noble bride, but the helpless far from the marriage, the heart is like a dead sadness and sadness, full of grievances and anger have no place to vent. Chen Fang's treatment is a cold face to the joy of welcoming the bride procession, on the pretext that Gerdan future personally meet, to find him to settle the score.
Li Guangdi, a former lover, was worried about Lanqi Gege, fearing that Lanqi Gege's capriciousness would incur Geerdan's wrath. Being blue Qi gege despised a sweep of cold rebuke, cautious and speechless retreat to the side. Li Guangdi's obsequiousness reveals even more the capricious and arrogant, untamed personality of the noble Princess Lanqi, the fearlessness of a person who is so arrogant that she is not even afraid of death. Precisely all of this was anonymous to meet the Gerdan see in the eyes, love in the heart. Noble and holy blue Qi Gege in the eyes of the grassland lord more twelve points of luster. Singing out the "eagle rushing to the blue sky, embracing the brightest stars ......" inner joy!
Qiu Xiaoxiang, who plays Gerdan, also has the rough, swarthy look of Gerdan.
The chorus and the accompanying melody incorporate the style of grassland music, which is obviously an innovation of Huaiju opera that has continuously absorbed other folk music. The heroic Lanqi Gege, finally infected by the passion and exuberance of the prairie people, was in an enlightened mood, and surrounded by the prairie warriors and girls, accompanied by the singing, waving her cloak and singing and dancing. In the play, Chen Fang meticulously demonstrated that Lanqi Gege was a naturally lively and bright sixteen-year-old girl in her flowery season, to the coldness and arrogance of a sad and distant marriage, and then from the coldness to the almost solidified heart silently felt the enthusiasm and exuberance of the prairie people's rejoicing, and gradually integrated into it, which had the beauty of a poetic picture. People feel that she is not singing on the stage, but with her rich expressive power to tell a poignant story. How can we not be intoxicated? Chen Fang's acting is so devoted and forgetful.
When I first watched the TV series "Kangxi Dynasty", the marriage of Lanqi Gege was only a small part of a large-scale serial drama, which was not very attractive. But through the re-creation of the writers and directors of the Huaiju opera, after adapting and transplanting it to the Huaiju opera, with Chen Fang's extraordinary performance and singing, this fictional story was interpreted into a moving song of sorrow for the ages.
Chen Fang's style of singing in the "Welcome to the Marriage" section is completely different from that of the "Marriage Dress and Bloodshed" section. It is round and loud with a masculine flavor, and the songs and dances reflect the bold personality of the noble-born, untamed girl, Lan Qi'er. The use of this singing style is a bold breakthrough in the singing style of Huai Opera, injecting new vitality into this centuries-old traditional drama.
An outstanding feature of Chen Fang's performance in this play is that through the two scenes of welcoming the bride and crying for her husband, she sings with a painfully loud voice, singing with a sincere and heartfelt feeling, singing to the point that it hurts to the bottom of her lungs.
Chen Fang's singing voice is round and clear, extremely charming, listening to her singing like drinking mellow and refreshing wine, refreshing and refreshing. Her voice can be likened to an extravagant tycoon, who is allowed to squander it endlessly. Perhaps it can be said that, in other plays she performed, due to the limitations of the plot, her singing may only need to use 30% of the force can be, this play due to the needs of the plot, the character's psychology ("the body is like a haystack, the heart is as dead as ashes hard to rekindle"), the face of the background of the open grassland can be a show of singing. At that time, I was very surprised to hear it, listening to the intoxicated, a long time, a long time, but the reverberating more than the beams of the sound is still resonating in the ears.
The last scene is even more touching, I was in tears watching the whole play, Chen Fang with her superb performance style and artistic charm tells, such a poignant story!
3. Wedding dress blood
By the Jiangsu Provincial Huaiju Opera Troupe, "Wedding dress blood" plot synopsis: Jiang Qiaoyun since childhood and cousin Qian Yulin grew up together, one day dad went out to collect money cousin Yulin to come, the language of evasive trance, Qiaoyun carefully probing, when learned that the cousin for the Beijing test, want to come to the uncle to borrow some of the money, perseverance will be nine pieces of the dowry to the cousin to go to the pawnshop. I'm afraid not enough, in the baggage and hidden silver ten taels as to go to the examination of the pangs.
Out of her love for her cousin, Qiaoyun secretly paid for an embroidered shoe in her bag as a token of trust for life. Coincidentally, Mr. Qiao's daughter Cuihua's nine pieces of the wedding dress was stolen, when the rain forest to be when the wedding dress was captured to the public court for questioning, Mr. Qiao clearly see that it is not their own dowry, in order to greed for stolen goods has been a selfish idea, a mouth to determine that it is the daughter of the stolen dowry. Qiaoyun secretly paid for the bag of silver and embroidered shoes Yulin did not know, Yang magistrate tortured, Yulin innocence was framed, no choice but to get the torture room to kill themselves and died. Qiaoyun shocked to hear that his cousin unbearable torture hit the death of the torture room (really is a real thief yamen Zhang Hu heavy cane death) of the bad news, a piece of the heart suddenly want to break inch by inch, I want to help my cousin to go to the examination to give a gift of the wedding dress to pay for the silver, but therefore harmed his cousin, grief, a filial piety dress and then worship three worship father. I do not care to show my face, and the Qiao family father and daughter to the court. Finally, he cleared his cousin of any wrongdoing.
Chen Fang's delicate performance in "The Case of the Wedding Dress" shows the charm and tenderness of traditional oriental women. When she heard that her cousin had come to visit, she smiled from ear to ear. Seeing her cousin stammering, seeming to be full of sadness, and difficult to speak, with a daughter's unique meticulousness, she had already noticed. Walked up to the fine words of warmth, eyes, delicate with shyness, can not help but Rainforest did not say out of the bitter feelings. A piece of deep love are sent in the package, thousands of instructions, thousands of instructions. Chen Fang uses her eyebrows and eyes to express the joy of seeing her cousin and the deep emotion of sending her wedding clothes. Her every look and every movement truly portrays the three-dimensional image of an innocent girl who is shy, affectionate, secretly promising her heart and trusting her for life. Seeing the stage of the young man does not understand the daughter love really anxious for her. Especially "borrow when" in that section of the singing, and even let a person feel her heart beating, "I wish you happy news fly to the hometown" that line sung quite bold, is convinced that he can high school. The play can be said to have gripped the audience's heart, filled with the beauty of unfulfilled innuendo.
The sixth confrontation reveals the truth and returns the cousin's innocence. When Mr. Yang asked Qiaoyun to return to claim the wedding dress, Qiaoyun saw the dress again and was saddened by it, and sang a song of nostalgia for the old days, the beautiful dream was shattered, and it was hard to come back to life after death. Chen Fang sings every word of the song with a broken heart. At the end of the song, the lover pulls out a sharp instrument and kills himself. The entire play Chen Fang will love to sing to the Yellow Springs Bilu, sung to the end of the world ......
4. An Shoubao sold (also known as the "tooth marks")
This play Chen Fang appeared on the scene to let a person suddenly feel bright, the snow in the pink cloak, The pink cloak and goose-yellow embroidered clothes in the snow, warm, quiet, elegant and calm a stunningly beautiful woman. A pair of wonderful eyes, two sleeves fluttering, can not help but stunned, praised: "This scene should only be in the painting, the world is hard to find without fate!"
5. For the children for the women
Talked earlier about Chen Fang had shaped several images, playing Meng Lijun such a teenage talent, the position of prime minister of the atmosphere of elegance, beautiful and dignified; playing blue Qi Gege, welcoming the bride in a cold, noble and proud; "An Shou Bao sells his body," playing Li's quiet, calm ...... Jiang Qiaoyun played the first half of the first half is affectionate, gentle and infinite, the second half of the righteousness, the public court for the Qian Yulin justice after stabbing the throat of his own death ......
And in the "for the children for the women" of the play so that I have seen many Chen Fang performance of the audience fell through the eyeglasses, can no longer be found in the past the shadow of the Chen Fang, a complete change of the The person is a different person. Chen Fang in the "for children for women" a play this play played a eat, drink and play, do not learn, go astray in the small child.
There is such a scene, Ma Qiangqiang (Chen Fang) and Xiaohu (played by Yang Aiyi) to fight for the schoolbag, the two fight to fight, Xiaohu is big, a backward back to Qiangqiang to the ground, Qiangqiang angrily climbed up, shook his head, grinning, left foot a kick right foot a Yang, "Hi" a more force to Xiaohu head (bladder) hit, immediately put Xiaohu head (bladder), and then the child's head (bladder), the child's head (bladder) to hit. Crash into the small tiger, immediately knocked down to the ground, not waiting for Bing Bing back to the hand, and will be a small tiger pulled up and knocked over to the ground, go up a foot. Actually can not find a trace in Meng Lijun and other plays in the elegant and dignified shadow. The bad boy is alive and well.
Successive actions in one fell swoop, the naivety of a small child performance of the vivid. In another scene, the three of them, talking and disco dancing, Chen Fang's disco dancing is beautiful, her movements are light and steady but good-looking. Chen Fang with her solid martial arts skills, a few consecutive rolls of the "Wulong strangulation column" disco jump more beautiful and cool, jumped out of the flower, jumped to the wonderful.
6. Cabinet edge
"Cabinet edge" is a traditional old play, the plot is: "Yue Fei was framed by traitors, his son Yue Lei refuge into the Liu family, coincidentally met Yulian at home, the officials and soldiers chased to the Liu family to search, Yulian Yue Lei hidden in the closet to escape the officials and soldiers, the two fell in love at first sight, the mother and the brother of the naughty home, the mother of Liu Lei is a loyal and good, will daughter betrothal to Yue Lei, the mother of Liu Lei is a loyal and good, and the daughter will be married to a good man. Will daughter betrothed to Yue Lei."
Chen Fang in this play can be used to dress handsome, lively, the most wonderful section is Chen Fang in the mother's brother to go to his uncle's home, alone in front of the chair to do red embroidery needlework section. Chen Fang has a pair of what a pair of white and soft hands ah, this scene in the hand theater performance is enviable and fascinating. Her every little action is permeated with the innocence of the young girl, her singing monologue, her expression of the performance of a long locked boudoir of the maiden's feelings.
7. Half a pair of scissors
Chen Fang appeared in this play for only ten minutes (subject to the image of Chen Fang on stage), playing the role of a colorful woman - a midwife. In the ten minutes on the stage, through a series of small coherent actions that can withstand scrutiny, bringing a strong comedic effect, like a sudden burst of spring wind in the harsh winter months, easy and lively fun, to the traditional tragedy of the play to add and points of color.
Jin E (played by Liang Guoying) was bullied by the fake good man Cao Jintang (played by Ling Shunwu), and was falsely accused by the vicious Mrs. Cao of being expelled from the Cao family, and being pregnant with a six-month-old woman whose innocence has been tainted by a complaint, Jin E can not help but be angry and sad, and Fugen is desperate due to his sister's suffering, and is in an emergency when his younger brother, Chen Fugen, precisely encountered the midwife, Wang (played by Chen Fang), who is enthusiastic and helpful in looking for his son, and who attracts laughs as soon as she appears. Laughing, wearing a coat with a short front placket and a long back placket, with sleeves covering her hands ...... In a hurry, she collided with Chen Fugen, and was about to be sent to do so, but she could not help but be happy to see the innkeeper Fugen, who received guests from all directions and was trying to ask for help, but where did he understand that Fugen was in a time of trouble and that he was not in the mood for it? The movie is about a man who is in the middle of a difficult time. Chen Fang plays a midwife in this play, and she captures the image of a colorful woman just right. Let's take a look at her performance and see what she says, what she smiles, what she does:
a, before she speaks, she takes a look around, and mysteriously squats down to open her mouth to Chen Fugen;
b, then stands up and sings with a twisting rice-planting step;
c, when Fugen hears that Wang is looking for a baby, he immediately gets happy, and says: "I've got a baby". Note the action, Wang pushed Fu Gen away, and turned back to re-examine Fu Gen up and down, and the back of the hand knocking on the palm of the hand yelled: "Nonsense, you don't even have a wife, where is the baby?" ......
d, is her passionate and exuberant two handfuls, director designed a concealment of the sea to steal the pillar Xu Laozi heavenly gift of linnie's joyful comedy. Her ten-minute performance on stage allows people to feel the "funny" and "interesting" word, is how natural and smooth performance ...... is not convenient to list here, interested friends may wish to own I'm not sure how much I'm going to be able to do this, but I'm going to be able to do it.
Chen Fang not only puts a midwife's enthusiastic and bright personality to help people, but also because of the fun in Chen Fang's performance will be in the whole play to set up a festive climax, reflecting Liang Guoying's Jin'e finally failed to save her own son, so that the Tianzhi (played by Cui Chenghua) in vain in the hands of the fake good man Cao Jintang, weeping faint in the penal colony. The contrast between the sad and the happy is so great that it gives people a strong shock. It is for this reason that the Huaiju opera Half a Scissors has a more tragic atmosphere than other versions of Half a Scissors. Chen Fang's handling of the play is to use the original authentic Huaiju opera to sing out the local flavor of Huaiju opera. Although Chen Fang played such a small supporting role in a ten-minute play, she was not at all sloppy in her performance and made the play very detailed and sufficient.
Additionally, Chen Fang's roles as the cynical maid Juxiang in "A Tale of Enmity", the bitter Chen's wife in the modern drama "A Tale of Playing Bowls", the second son of the Emperor Heng'er in "The Palace Seeking a Son", and the virtuous, beautiful and dignified second wife in "A Tale of Love Between Mothers and Sons" are also all distinctive, so she really has a wide range of roles to choose from!
Recently, I heard that she is playing Wang Lizhen in the new drama "A River Flows East", which is another challenging role, and I am looking forward to seeing her performance soon!
Overall, Chen Fang has performed in more than a dozen Huai Opera productions with full enthusiasm and dedication. The images she plays are all different and never the same, and each character has a distinctive image with a strong sense of three-dimensionality. The elegant and dignified Meng Lijun with extraordinary atmosphere; the indulgent and heroic Lanqi Gege; the gentle and affectionate Jiang Qiaoyun; the loving and kind Li; the maid Juxiang with the delicate heart of the Red Queen and the hatred of evil; the uneducated and untalented Qiangqiang; the struggling sister-in-law of Chen in the endless sea of misery; the innocent and benevolent Heng'er; the lively Yulian; the devil-may-care Zhang Yueying; the beautiful and virtuous Second Mistress; and the passionate, bright, but funny and lovely midwife! ......
Perhaps with the passage of time, many images faded or even disappeared, but the images portrayed by Chen Fang will always be remembered. This is by no means the height that can be achieved by following the example of her predecessors, and she has portrayed a variety of roles according to the different plots, such as ancient and modern, student and dancer, literary and martial arts, etc. She has a deep knowledge of the art. She has a deep artistic background and is born with a good voice. According to the development needs of the plot, she can sing the local flavor of the Huai style, but also actively explore and boldly try to improve the singing style of Huai opera with rich imagination and courageous innovative consciousness, constantly exploring and pursuing, and you can see that she is pursuing in each play to make it more in line with the identity of the characters in the play.
Chen Fang is a very serious actor, not because of the starring role of the stunning Meng Lijun and deliberately pursued, leaving excessive traces of sculpture, artifice, regret, and not because to play a small town character and burnout prevarication slow and feeble, she in the "for the children for the girls," "half a pair of scissors," the same serious, and strive to perform well in every scene. Even in "half a pair of scissors", she made an unforgettable impression as a midwife in a scene that lasted only 10 minutes.
As the audience who loves Chen Fang's performing arts really shouldn't play deaf and dumb, all we can do is to promote the art of Huaiju opera, pick up the pen in our hands, raise our voices, and strongly appeal to the relevant parties for such outstanding Huaiju opera performers, to protect them, and provide them with the opportunities as much as possible, and to give the excellent talents of Huaiju opera such as Chen Fang a broader stage, so that they can show off their talents, and add more talents to the hundred gardens of Huaiju opera. We will give a broader stage to excellent talents like Chen Fang, so that they can show their talents and add more beautiful flowers to the garden of Huai Opera! This will enrich the temple of the national essence - theater art.