About the author: Guo Mian, Wang Churen, born in Yongjia, Zhejiang at the end of the Southern Song Dynasty, is a famous pianist, guqin composer and educator. Founder of Zhejiang Guqin School. At the end of the Southern Song Dynasty, Qin scholars of the school Mao Minzhong, Yang Zan and Xu worshipped him as a teacher in Jingchun (1260- 1274). The reason why Mao Minzhong's Woodcut Songs and Fishing Songs spread is because of Mao Bu's strong national consciousness. However, musicians of later generations have always believed that the success of these pieces in skills is inseparable from Guo Mian's attainments. Guo Mian's deeds are only scattered in Yu Delin's "Pei Wei Zhai Moon Hee" and Jue Yuan's "Rong Qing Jushi Ji" in the Song Dynasty, but there are not as many records as the famous aristocrat Yang Zuan and his disciples. When discussing the school of Qin, Jiang Wenxun of Wuxian mentioned that Yan Tianchi said that Yan's Qin was "influenced by Chen Xingyuan, and later posthumous title flaunters called it Yan, not Chen. Isn't it the son of Zaifu and the respect of the prefect, which is enough to stir up the world? " Yang Zuan and Guo Mian seem to be the same.
3. High mountains and flowing water
This piece of music has a history of 700 years and is probably the most famous ancient music in China.
The piano piece "Mountain Flowing Water" spread in the Warring States Period, so some people say that "Mountain Flowing Water" was written by Boya. There is this legend in Liezi in the pre-Qin period, and also in Lu Chunqiu. It is said that Boya is good at guqin, Zhong Ziqi is good at listening and Boya is good at guqin, aiming at Mount Tai. Confucius said: Good as guqin, majestic as Mount Tai; Aiming at running water, children will say: If the ocean is like running water, what Boya reads will win over children. Zhong Ziqi died, and Boya never played the piano again. Later, because of the metaphor of "high mountains and flowing water". The music score was first seen in The Secret Music of the Ming Dynasty (written by Zhu Quan at 1425). It recorded two songs, Mountain and Running Water. There is only one song in this book. In the Tang Dynasty, it was divided into two songs, regardless of section. It can be seen that the trilogy of "Mountain Flowing Water", "Mountain Flowing Water" is actually the same track. The solution of "mountain" and "flowing water" in this spectrum is: "mountain" and "flowing water" are two songs, but there is only one. The first ambition is to care about mountains and rivers, saying that benevolent people are Leshan. For more than 2,000 years, two famous guqin songs, Mountain and Running Water, together with the story of Boya guqin meeting a bosom friend, have been widely circulated among the people.
"Mountain and flowing water": Boya can show "ambition in the mountain" or "ambition in flowing water" when playing the piano. And his good friend Zhong Ziqi can enjoy his music performance completely and accurately. After the Tang Dynasty, it developed into two independent piano pieces, Mountain and Running Water. Among them, the song "Running Water" developed more in modern times, especially "Running Water" written by Zhang Kongshan, a Sichuan school, in "Tian Wen Ge Qin Pu". Due to the full use of "rolling brush" and other fingering methods, it further shows the effect of surging water.
Handbook: It is also the first book in Zhu Quan's Handbook of Magic. But at present, people who play "Running Water" all use Zhang Kongshan's "Running Water". The flowing water of Zhang Kongshan is only available in the printed version of Qin Pu of Tianwen Pavilion (1867), but the banknote version of Zhang Kongshan's flowing water (1808- 1876) transmitted by Gu Yucheng of Huayang, Sichuan Province is quite different. 1850 or so, Zhang Kongshan's spectrum exhibition in Wuhan is different.
Qu Qing: Zhu Quanxu said: "The two songs" Mountain "and" Running Water "are just one. The first ambition is Guanshan, and the meaning of benevolence is Leshan. Later, my ambition was to care about the meaning of running water and the wise man enjoying water. In the Tang dynasty, it was divided into two songs, which were not segmented. In the Song Dynasty, the "mountain" was divided into four sections and the "flowing water" was eight sections. According to the Records of the History of Qin Dynasty, Lieziyun said, "... Boya will never play the string and never play the piano for life." So there is the song "Mountains and Rivers". "
The two songs "Mountain" and "Running Water" have evolved since the early Ming Dynasty. The first half of Zhu Quan's Handbook of Magic Secrets is written in a category called Taikoo Shenpin. "Mountain" is short, "flowing water" is long, and it is not segmented, which proves that he is implying that he composed the music of the Tang Dynasty, and the fingering does have traces of the late Tang Dynasty and the early Song Dynasty. In Feng Xuan Pin (1539) written in the middle of Ming Dynasty, these two songs are still short before and long after, but the fingering is changed. By the middle of the Ming Dynasty, Zheng's The True Story of Piano Score (1585) had four sections of high mountains and eight sections of flowing water (he added a postscript). At this time, the high mountain dedicated to the imperial court is also four sections, and the flowing water is also eight sections (according to Zang Chunwu's 65438+ piano score). However, it is only fifteen years away from Yang Biao Orthography. Yang Lun's "Boya New Law" (1600), also published in Nanjing, turned the mountain into six sections. Yan Hui (1647, but he became famous in the piano world around Wanli 1600) divided Gao Shan into eight sections. From then on, all the "high mountains" in the Qing Dynasty were eight stages.
Judging from Yang Biao's timing, Running Water was originally eight paragraphs, but in Zhang Kongshan's Running Water, a paragraph was added between the original fifth and sixth paragraphs and became nine paragraphs (see Gaoshanwen). The added paragraph, that is, the sixth paragraph of Zhang Pu, uses the so-called "seventy-two rolling pen" technique to simulate the sound of dripping water in spring. Tian Wen Pu Ge has set some new fingering for these rolling strokes and the harmony in rolling strokes, but it is very puzzling. Zhang himself wrote in "Little Knowledge": "Yu played the piano with Mr. Feng and dictated it. Shangyi and Shanhao are the most difficult songs to learn. Moreover, although the "running water" collected by each spectrum is different, it is actually similar, but the six paragraphs of this exercise are completely suspended. It has been a long time, and I began to listen to his spirit ... "We don't have Feng's information yet, but it can be seen that there will be another version of Running Water by Zhang Kongshan. Gu Yucheng originally used the traditional rolling pen and marginal notes for this paragraph, but it was not very confusing. Gu's spectrum has a strong sense of melody in the simulated water flow, while the spectrum of Tian Wen Ge is closer to the simulated underwater sound.
4. Yuqiao Q&A
Music book: Fish and firewood question and answer is a famous song that has been circulating for hundreds of years. There are more than 30 versions of music books in past dynasties. The music score was first seen in "Continued Music in Xing Zhuang Taiyin" (1560 written by Xiao Luan in Ming Dynasty): "The ancient and modern prosperity is like a palm, and the mountains and rivers are solid. After a thousand years of gains and losses, this is just a word. "Music praises the natural scenery between green mountains and green waters through the dialogue between fishermen and firewood. Some carefree phrases in the song are repeated or reproduced by substituting flowers for trees, forming the dialogue effect of question and answer. There are also some effects of simulating rocking boats to cut down trees, which arouse the association of fishermen's life and firewood. There are also the True Story of Piano Score published by Yang Ye in the middle of Ming Dynasty (1585) and 20 other piano scores published since Ming and Qing Dynasties. The style of music is medium, and there are many words in each spectrum in Ming Dynasty, but no words in each spectrum in Qing Dynasty. Modern Qin Xue Jin Chu said it was "meaningful and free and easy, but the majestic mountains, the magnificent water, the tinkling of the axe, and the sighing of the sound were looming under the fingers until the question and answer period, which made people think of mountains. "This song reflects a hermit's longing for the life of fishing firewood, hoping to get rid of the fetters of secular affairs. Music has been widely circulated among musicians in recent hundreds of years because of its accurate and vivid image.
The melody at the beginning of the music is carefree, showing a kind of elegant and free-spirited style. The echo of the upper and lower sentences causes the scene of fishing firewood answering, showing the interest of fishing firewood enjoying itself in the middle of green mountains and green waters. The change and development of theme tones, the continuous addition of new tones, and the use of scrolling techniques reach a climax in paragraph 7. Describe a hermit's uninhibited situation. Among them, the strong sound produced by the technique of throwing three bullets should be coordinated with the rhythm of segmentation, so that people can feel the towering mountains and the sound of the woodcutter beating drums and axes. The theme tone presented at the end of 1 paragraph is repeatedly changed in the whole song, which leaves a deep impression on people.
Qu Qing: For this musical sequence: The Fisherman's Questions and Answers, written by Gu Cao Ye. Fingering is used to check the heritage spectrum, and there is no sound text; "Qin Shi" has a literary sound and no fingering. "Now, it is necessary to set the tone to music, so that people who are good at drumming can know the ancient simplicity of their songs ... but the subtlety lies in being greedy and favoring others and being wise." His marginal words, like fishing songs, have very healthy meanings; In the Qing Dynasty, the lyrics of Yuqiao Q&A were all written by Lun, specially for the moon (simpler than Zhang Yuan's lyrics). Most of his lyrics are written by literati, which is more "elegant". Wang Guangqi also used Yang Lun's narration when introducing this song, so Yang Lun's lyrics spread widely. The more popular and meaningful lyrics of Yang have been forgotten. Most music books say that this song was written by Yang, so Yang's original lyrics deserve to be re-introduced. Yang Biao's exact words are:
In the first paragraph, the fisherman asked Joe, "What do you want?" Joe replied, "Count the rafters, the trees are green, and you can return them when you go." Life is not in the west; "The axe is heavy, and the mountain is in the clouds."
In the second paragraph, the fisherman added another sentence: "If the vegetation meets spring, the business is unstoppable; Change to salary and grow! " The firewood replied, "Wood can make a fire, and fire can cook things. Fire and wood, who is there in the world?"? The nature of mountains and trees should also be born and withered; " It will be more beautiful after cutting, and it will have more leaves after taking it. "Yu Nai smiled and said," Because wood seeks money, the heart is more greedy; "If you get rich, you will always be humiliated."
In the third paragraph, Joe said, "In the past, when he was not rich, he took books with him and studied together. At first, he lost track of his horses and chariots. Do you know? " I'm holding Ke to chop Ke today, and there will be a meeting at last. "There will always be meetings."
In the fourth paragraph, Joe said, "What happened to the child?" Gu Yu replied: "One pole, one boat; All corners of the country, let me walk freely; " I'm glad to be back in the first row. "
In the fifth paragraph, Chai Huo said, "When people are alive, it is peaceful to eat, drink, and fish in troubled waters. You can't stand the police." Children hanging on the land, using Ji Xu's heart too much, is harmful to life! ？” Yu also said, "I don't specialize in fishing and throwing nylon bait, but I love beautiful scenery." "
In the sixth paragraph, Joe said, "Don't aim at vertical fishing? Sitting at home without greed; " Today I am an otter standing on the edge of a rock. Why should I forget the moon? "
In the seventh paragraph, Yu Naixi said: "Lv Wang is on the Weihe River, and four rounds and a half are in the Hai Xia; One day, I will meet King Wen, and I will go to Beijing by bus. " Jia Yan said that this is the right time and method for Eagle Show to make the city peaceful. "
In the eighth paragraph, Chai Daidan said, "The son is in the river and I am in the mountain, killing two birds with one stone;" Don't treat mountains and rivers as leisure, just take a quick look. I'm a son, so there's no need to argue. I am not a son, so I don't talk empty words; Why don't you get a red scale carp, steam it with a fire and smile? "
In the ninth paragraph, Yu Naixi said, "Not only the old Xishan; I will see my face in the future, but I will abandon Yunfeng's tobacco and alcohol industry, seek rain in the drought, and return to my boat. Sigh that life can have geometric joy. "
5. Wild geese fall in Pingsha
Manual: It was first published in the authentic ancient sound of Ming Dynasty (1634), also known as Wild Goose in Pingsha. Since it came out, more than 50 kinds of music collections have been published, and there are many music genres. Only 1962 published the first collection of guqin music, which included the scores of six musicians. The author of this piece of music is Chen Li 'ang of the Tang Dynasty. What Mao Minzhong and Tian Zhiweng said in the Song Dynasty was also said by Zhu Quan in the Ming Dynasty. Because there is no reliable historical data, it is difficult to prove who wrote it. It is also said that it first appeared in Yan Hui Secret Newspaper published in Yinye in the late Ming Dynasty (1649). Since the Ming and Qing Dynasties, there have been nearly 40 kinds of music books. According to Dai's Dream, Yin Ye studied under Shaoxing pianist Wang Benwu in his early years. The curve is medium. The original text has no words. In the Ming Dynasty, this song was called Wild Goose in Pingsha. The melody is melodious and smooth, and the scene of geese hovering in the air before landing is described through the flickering geese.
There are different solutions to the meaning of "Pingsha Wild Goose" and various musical scores. The song "Authentic Ancient Sound" said: "Take autumn as an example. Autumn is crisp, calm, sandy and calm, with clouds in Cheng Wanli and sky flying. Write Yi Shi's heart from the perspective of Honghu Lake. ..... the perfect rhythm of three ups and downs. The first play is like the guest of the swan goose. The sky is very ethereal, and the geese are in harmony, hidden and obvious, if they come. It wants to fall, look around and hover in the air; Will also fall. The sound of breathing tilted and swept three times around the mainland. It's down. It needs another one. It's just right to fly around and sleep in groups of three or five: mother and son can give in and taste it. " This description of the nature of geese is extremely profound and vivid. The whole song is euphemistic and smooth, meaningful and fresh.
Qu Qing: Qin Le appeared in the Ming Dynasty, and there was no preface and postscript in the Ming and Qing Dynasties. According to the legend of the Qin family in Shangjiang, it is an abridged version of Qiu Hong. Then, its melody should be divided into four subheadings: "flat sand gathers late", "far down flat sand", "drifting with the reed" and "South Huaibei". Wang Qingshan's "Zhi Xin Zhai Qin Pu" is said to have been written by Mao Minzhong in the late Song Dynasty, while Qing Qin Han Wei's "Jiaoan Qin Pu" is said to have been written by Zhu Quan in the early Ming Dynasty. This is as mysterious as the author of Qiu Hong. Zhu Quan said in Preface to Qiu Hong that the author of Qiu Hong is lazy in Xijiang River and poetic mad in heaven. Some people think that Qiu Hong was written by Zhu Quan himself. However, according to the legend and Qiu Hong's original words, it is based on Qiu Hong's sadness of "being in the south and being in the north", and it is similar to the work of Guo Mian, a pianist of Mao Minzhong. The artistic conception and author of this song should still be in doubt. This is the largest number of piano music books with the largest discrepancy. At present, it is also the one with the largest number of people playing and the biggest discrepancy.
6. Spring and snow
One of the top ten famous songs of Guqin. According to legend, it was written by Liu of Jin State or Qi State in the Spring and Autumn Period. Yangchun and Snow White are two instrumental works in the existing music score. In the spring, everything knows spring, and the wind is refreshing, and the snow is awe-inspiring and clean, and the snow bamboo forest means it.
Yangchun: Yangchun Baixue is called the masterpiece of Qu Gao and Widow, and then it is divided into two different works. "Solving the riddle" says that "all things know spring, and the wind is indifferent."
9. Meihuasan Lane
One of the top ten famous songs of Guqin. This song eulogizes the noble people through the white, fragrant and cold-resistant characteristics of plum blossoms. The exotic melody in the song is repeated three times in different positions, so it is called "three strokes".
"Three Lane of Plum Blossoms" is a guqin song adapted from a flute. The whole song shows the nobleness of Bai Meihua and the nobleness of proud snow and frost.
Meihua Sannong: Guqin Music. Also known as Introduction of Plum Blossom and Introduction of Jade Princess, it is a masterpiece of plum blossom in China traditional art, and Magic Secret Music records that this song was first played by Huan Yi in the Eastern Jin Dynasty.
7. Hu Jia's eighteen beats
One of the top ten famous songs of Guqin. Music adapted from a poem of the same name. The theme reflected is "Wen Xi returned to Han". During the war at the end of Han Dynasty, Cai Wenji lived in South Xiongnu for twelve years. As Zuo's wife, she misses her hometown very much. When Cao Cao sent someone to take her back to the mainland, she was reluctant to leave her two children. The joy of going home was overwhelmed by the pain of separation of flesh and blood, and her mood was very contradictory.
It is said that it was written, a vocal suite composed of 18 songs, accompanied by Qin. "Pai" is the "first" in Turkic, hence the name "Hu Jia", which is why the sound of the piano melted Hu Che's wailing.
Huang, a pianist in the Tang Dynasty, was famous for being good at playing this piece. There is a saying in Li Jie's Listening to Dong Da's Blowing Prose: "Mrs. Cai wrote this music for a long time, and even the Tatars shed tears, which made Han feel sad." In Qin music, Wenxi empathizes with sound, borrows Hu Jia's music which is good at expressing homesickness and sadness, and blends into the timbre of guqin, showing a noble resentment.
There are two kinds of biographies at present. One is Qin Song in Qin Shi (16 1 1 year edition) in Ming Dynasty, whose ci is Cai Wenji's narrative poem of the same name; First, the solo music recorded in the piano score of Chengjiantang in the early Qing Dynasty and its later scores, the latter is widely circulated in the piano world, especially the notation in Wang Zhizhai's piano score is the most representative.
The eighteen passages of the whole song * * * use three modes: Gong, Zheng and Yu. The contrast and development of music are distinct and divided into two levels. The first ten beats mainly describe the author's homesickness when he was in Woody. The latter level expresses the author's hidden pain and sadness when bidding farewell to young children.
The whole song of this song is inseparable from the word "sadness", which has been adapted into a wind solo. When playing a wind instrument, the sad voice penetrates people's hearts, the high one is sad, and the low one is deep and sad.
Cai Wenji's Eighteen Beats of Hu Jia was praised by Guo Moruo as "the most admired lyric poem since Qu Yuan's Lisao".
Le Shu: The extant 18 beats of Le Shu by Hu family were first seen in Le Shu of Chengjiantang in the early Qing Dynasty. After several generations' processing and development, the musical part of this song has broken away from the shackles of poetry and given full play to the expressive force of instrumental music. "Wuzhizhai Qinpu" published its music score of Shu school, and at the same time published Wu Pai's lyrics-the original poem "Eighteen Beats of Hu Jia", which showed that the lyrics and songs were originally integrated into one. This piece of music has a fine notation and many side notes, which is the most popular among musicians. It is currently played according to this version.
Qu Qing: This is a piano piece based on a lyric poem of the same name. Eighteen Beats of Hu Jia was written by Zhu in the Southern Song Dynasty (A.D. 1 130- 1200). The following are Cai Yan's poems, Shang Liu's and Wang Anshi's Hu Jian's songs. The poem is profound and touching, expressing Cai Yan's thoughts and feelings of missing his hometown and seeing off his young son. There are many lines in the poem, such as "The string is heartbroken", "I want to stop playing" and "The string is in a hurry to adjust my sadness", which can be considered as specially written for Qin Ge.
Whether music is written at the same time as poetry has not been confirmed. But from form to content, the relationship between them is very close. Qin Le with the same theme began in the Tang Dynasty, that is, Jia and Xiao Hu Jia were introduced earlier. In the Southern Tang Dynasty, Cai Yi wrote Xiao Hujia's Nineteen Beats, and in the Northern Song Dynasty, Biehul and Yi Hu appeared in the Qin music. In the Northern Song Dynasty, Wu also wrote Wang Anshi's Hu Jia Poetry. Eighteen beats of Hu Jia, which have been handed down to this day, belong to the latter.
In the face of the invading forces from the north, the Song authorities repeatedly endured humiliation and concessions, and all patriots were saddened by this. The poems of Lu You and Xin Qiji represent such a strong patriotic enthusiasm. Patriotic literati also use traditional themes to express their feelings. Eighteen Beats of Hu Jia, written by Wang Anshi, Li and Li Gang based on Cai Yan's Poems of Mourning Anger, is the product of this historical situation. Li Gang clearly pointed out in the Preface to Hu Jia's Poems: "The matter of Jingkang can be a worry for all generations." In my spare time, I will concentrate on writing sentences and chatting about endless sad clouds. After Jingkang (AD 1 126), a large part of the northern territory was lost, and the Southern Song Dynasty began. Li Gang imitated Cai Yan's poetic style just to write "infinite sadness" in real life.
After the demise of the Southern Song Dynasty, Wang Yuanliang took the "Three Palaces" to the north and played "Eighteen Beats of Hu Jia" for Wen Tianxiang in prison, which was also a manifestation of national subjugation and "endless sorrow". Hu Jia beat the tune of grief and indignation for eighteen times, which caused a strong * * * sound from many patriotic subjects at one time. Someone said: "I am disappointed, sad, angry, thinking about resentment, and how much I feel, I will send" Eighteen Beats of Hu Jia. " Some said, "Beat the syllables in Hujia, and Yanshan is independent." Others, in connection with their eagerness to return home, wrote: "Cai Yansi's arms are flying and the piano is playing, which is so sad" (see Complete Works of Qin Shu for all). It can be seen that the emergence and spread of music in this period is by no means accidental, but has its profound political and social reasons.
The song "Eighteen Beats of Hu Jia" sings: "It's sad to find a way after the war and the people are in exile." By describing the suffering caused by the war at the end of the Han Dynasty, we accuse the people at the end of the Song Dynasty of the same experience of leaving their homes and being ravaged. "Striving for peace" is caused by the struggle for power and profit between the ruling classes, and there is no fundamental conflict of interests between the people of all ethnic groups. "Qiang people dance wildly, eulogize songs, and the two countries make friends, so they go to war", which expresses the common wish of people of all ethnic groups to unite, oppose separatism, friendship and war. People put forward a sharp question about the cruel reality: does heaven have eyes? Ask God if he has a "spirit"? This is actually a strong protest against the rulers; Ask, "When will the battlefield stop?" This kind of resentment is "vast" and "not allowed" in Liuhe.
Jia: Dong and Xue, famous pianists in the Tang Dynasty, are good at playing this song. At that time, I was also called Hu Jia Er Ben with Xiao Hu Jia. Zhu Jiasheng and Shen Jiasheng, popular in the early Tang Dynasty, are famous for these two songs. Dong inherited the traditions of these two schools and sorted out biographies. The song exists in "The Secret Music" and has eighteen paragraphs.
Little Hu Jia: a famous piano music in Tang Dynasty, and Hu Da Jia are also called Hu Jia Er Shu. The Magic Secret Spectrum included it in Taikoo Shenpin. Its musical form retains the characteristics of early Qin music, which is very close to the composition of Guangling San, and provides a rare example for understanding ancient Qin music works.
8. Triassic in Yangguan
One of the top ten famous songs of Guqin. It is a piano piece based on the poem "Send Yuan to Twenty Shores" written by the poet Wang Wei (699~759) in the Tang Dynasty. This poem by Wang Wei was widely circulated in the form of songs in the Tang Dynasty and was included in the third paragraph of Yizhou Daqu. Chen Tao, a poet in the late Tang Dynasty, once wrote such a poem: "The third time Song was in Yizhou, he sang the words of defense from seclusion." It shows that there is a certain connection with Daqu in Tang Dynasty. Later, it was compiled into Shaanxi Opera, and it has been passed down to this day in the form of Qin Song. Wang Wei's poem is about sending friends to serve in Guan: "Weicheng is light in rainy city, and the guest house is green and willow-colored;" I advise you to drink more wine. It makes no sense to go out to Yangguan in the west. "Some words were added after the music score was put into the piano music, which strengthened the mood of parting. The music score was first found in the piano score with gradual color change (149 1 years ago), and there are more than a dozen different music scores such as Inventing the Piano Score published by 1530. Basically, a tune is changed repeatedly and sung three times, so it is called "three folds". Each stack is divided into a stack of He Qing Street in Spring as a quotation, and the rest are all poems by Wang Weiyuan. The second half is the new lyrics, and each stack is different. Musically, the second half is somewhat similar to the chorus. This piano piece is simple in timbre and full of passion, especially the octave jump in the second half and the repeated presentation at the "going through hardships", which fully expresses the author's sincere feelings of infinite care and nostalgia for friends who are about to travel far away.
Manual: In the Ming Dynasty, it appeared in five periodicals, all with lyrics. But there are three different factions. The earliest I saw was Xie Lin's The Heritage of Taikoo (15 1 1) between Zheng De and German. I didn't pay attention to the mode, and played the original poem "Fortress Besieged" by Wang Wei for thirteen times with a very simple playing method, which basically had no musical value. In Jiajing period, Fu Jeer Huanglong Mountain published Inventive Spectrum (1530) and Nanjing Yanglun published Taikooli Legacy (1609) during Wanli period, which were nine pieces of medium-sized music with desolate timbre (25 strings with one emblem each), while Weicheng Qu was decorated with quite exquisite words. However, the tunes and words are somewhat different (Huang Xiaoshan's "Xishao Songs and Musics" in l866 reduced the lyrics and music to seven paragraphs, but the tunes are different, which may be his own adaptation). The true story of Qinpu published in Nanjing in Wanli period (1585) and Taigu Andrew published in Fujian in Wanli period (6544) have different melodies. Although they are also bleak, Yang Biao was misunderstood this bleak tone, and he only tightened five strings. "Although Zhang Xianyi has two or five strings in hand, he avoids playing the second string. Generally speaking, this piece of music is mixed in the Ming Dynasty, which can also be said to be immature. At present, piano players are playing Qin Jinshi Men (1867), a piano book written by Shanghainese Zhang He during the Tongzhi period of the Qing Dynasty, and it is also a three-part piano piece with completely different lyrics from that of the Ming Dynasty, which was adapted by Zhang He's pianist Pucheng Zhu ().
Three Layers of Yangguan: A poem by the poet Wang Wei in the Tang Dynasty, named Yuan Ershi Anxi, is widely circulated. In addition to singing in music, it was even created as a three-story piano piece in Yangguan. This song was first seen in Yin Zheqin's music. After a slight change in melody, it was repeated three times to express the sincere feelings of singing three sighs and saying goodbye.
Two Ambassadors Anxi written by Wang Wei in Tang Dynasty is a famous farewell poem. At that time, it was used in Daqu, called Acropolis Song. Piano music with this poem as a song was first seen in Yin Zhe's Shuo Wen Jie Zi (149 1). At present, the popular piano music "Three Levels of Yangguan" is named after repeatedly developing the original poem into three paragraphs. Music can closely combine with poetry and deeply express the sincere feelings of parting in poetry, which is still loved by people today.
Qu Qing: People all know that "Yangguanqu" is the artistic conception of farewell, but Wang Wei's original poem only uses the word "people have no reason" to write feelings. Therefore, musicians want to enrich its content, which is also the reason why many lyrics in Three Chapters of Yangguan are different, and there are inevitably some different emotional expressions. Personal score, personal lyrics, personal lyrics.
2. Guangling Powder
Guangling powder: also known as Guangling powder.
Manual: It was first seen in Zhu Quan's "Magic Manual" in the early Ming Dynasty (1425), and later in another edition in the middle Ming Dynasty (Fan Hui Feng Xuan) (1539). It was first seen in Authentic Ancient Sounds by Zhu Changfang in Ming Dynasty (1643), and later in Qinpu in Qing Dynasty. These two books were also found in Qin Xue Series in the early years of the Republic of China (19 12). The former is forty-five Daqu; The latter is reduced to nine pieces of medium-sized music. No words.
The editor of "Magic Secret Spectrum" said that this spectrum was handed down from the Sui Palace, from the Tang Dynasty to the Song Dynasty, and passed down from generation to generation. The subtitles in the spectrum are "Take Korea" and "Throw Sword". Therefore, people close to it think that it originated from Nie Zheng's Song of Killing korean king in Cao Qin. There are forty-five pieces of music, of which the first and last paragraphs seem to have been obtained by later generations, while the three paragraphs before and after the pronunciation are likely to retain the form of phase and Daqu.
The Cao Qin written by Cai Yong in the Eastern Han Dynasty tells a historical story related to the Song Dynasty: Nie Zheng was a Korean in the Warring States Period, and his father was killed by the Korean king for casting a sword. Nie Zheng failed to avenge his father's assassination, but he was disfigured and went to the mountains to learn the piano 10 for many years. When I returned to Korea with my stunt, I didn't know anyone. So, while looking for an opportunity to enter the palace to play the piano for the South Korean king, he drew a dagger from the belly of the piano and stabbed the South Korean king to death. Of course, he himself died heroically. Modern pianists admit that this song originated from the HeJian Zaqu in the series.
Cai Yong Original: "Nie Zheng stabbed the King of Korea" was done by Nie Zhenggan. The father of politics is Wang Han Zhijian. If it fails to expire, the king will kill it, and the current politics will not be born. When he was strong, he asked his mother, "Where is father?" Mom told me. Political desire to kill the king of Korea is to learn painting and enter the palace, draw a sword and stab the king, not to leave the city. Go to Mount Tai, meet immortals, learn to play drums, draw bodies, and swallow charcoal to change your voice. Seven years later, I became a piano player. I want to enter Korea. I told my wife that I would buy a comb and smile at her, and her wife would cry. Zheng said, "Why are you crying?" My wife said, "My husband Nie Zheng has been traveling for seven years, so I have been dreaming. "You smile at me, teeth like teeth, crying. The official said: "Everyone in the world is contemptuous. If you try your best politically, why are you crying? "just don't go, go back to the mountains, look up at the sky and sigh:" oh! "It's easy to say, I want to avenge my father, but as far as my wife knows, when should my father avenge me?" He helped a stone break his teeth, stayed in the mountains and practiced for three years, which was held in Korea, so people knew nothing about politics. In the absence of Zheng Gu and Qin, the audience went on a trip, and the horse stopped to listen to the king of South Korea. Wang Jianzhi told him to play the piano, and the government helped him to sing it. The internal knife was in the harp, so the government held the clothes in its left hand and stabbed the king of Korea with a knife in its right hand. He said, "Nothing can make life invisible to its father, but can it be made?" When you kill a monarch, you know when to touch your mother, that is, to skin you and break its shape, so no one can know. This is a small political city, and there is a gold sign hanging on its side: "Anyone who knows this person will be rewarded with a thousand pounds of gold." Then a woman went over and cried and said, "Well, revenge for my father?" Gu said that people in the city all said, "This is so-called." Revenge for my father, knowing that I should be my mother, is peeling my face from the plow. Why do you love a woman's body but don't praise my son's name? "Instead, he cried while holding the body, and the grievance was blocked, so he died. Therefore, he said, "Nie Zheng stabbed korean king. "
According to "Warring States Policy" and "Historical Records", South Korean Prime Minister Yan Zhongzi had a feud with Prime Minister Xia Lei, while Nie Zheng made friends with Yan Zhongzi. He assassinated Han Xiang for Yan Zhongzi, which showed a feeling that "a scholar knows he will die". This is a common view, and the title of this song in the magic secret score comes from this story.