? Gansu Weiyuan? Yuan Yi Rong? Writing/painting
Mr. Li Yunpeng, the former editor-in-chief of Tian Fei and a famous poet in China, is 70 years old and deeply recalls a series of nursery rhymes in his childhood, entitled "Children's Feast in Weishuiyuan". Born in Wuzhu Town, Weiyuan County, Gansu Province, this gentleman is not only the pride of Wuzhu people, but also the glory of Dingxi City, Weiyuan County, and should be the glory of Gansu Province and even the Western Cultural Festival.
In fact, almost every man and woman who was born at the time of knowing destiny and grew up at the source of Weihe River began to learn language and knowledge enlightenment education, which is a nursery rhyme that will never go away. Due to the nourishment of the loess culture of Weishui civilization and the transmission of brothers and sisters from generation to generation, Weiyuan folk nursery rhymes are crisp, healthy, vivid and humorous, rich in content, numerous in versions and strong in life. She will be imprinted on every Weiyuan child's mind for life, which is enjoyable, interesting and far-reaching.
In today's increasingly rich cultural life, Weiyuan nursery rhymes are about to die out. We have rarely heard children playing and singing, and occasionally we can only hear them from the elderly who are old and sparse. Here, from the nursery rhymes of Weiyuan Mountain, which were passed down from parents' mouth to mouth, we select some classic ballads that spread widely, wake them up from the old population, pick them up, compose pearls and string jade, and leave them behind. This is not only a faithful record of the essence of urban and rural nursery rhymes in Weiyuan, but also an original ecological observation of the ancient and simple folk customs at the source of Weihe River. It can also be used as a model of China folk language and the first choice for the declaration of intangible cultural heritage in Weiyuan region. They are almost more interesting and artistic than the children's songs circulating in the streets and schools for a hundred years.
When we sing in the local dialect, the cadence, severity and exaggeration of that dialect can only be realized by Weiyuan children. What is picked up here is only the most gorgeous and dazzling part, which is sung very frequently.
The author tries to "format" folk songs in the form of musical beats, which can be sung in concert or like "ruapu" in modern pop rock songs. The "/"-"0" in folk songs respectively indicate the pause in a sentence, the delay of a beat and the pause of a beat in folk songs, and the horizontal lines under folk songs have similar effects as those under notes.
1, "Fart Bug": Diandian-Fart Bug-/Every family has a hard lesson-/A bowl of millet and a bowl of rice-/It's you who let go (ha) of fart! Every word in the ballad should be underlined. I'm too poor to show it? Add two lines to the last two words of the three words, and add the lifting and sliding logo at the end)
This nursery rhyme is often sung by several friends, clapping their hands and pointing at everyone in turn. When the last word "you" stops on who, who becomes the object laughed at by the partners as "fart". When someone has a brain teaser and doesn't want to put the word "you" on himself and his favorite and best friend, he deliberately takes the word "yes" apart and reads it in two beats, thus dragging it to the next one, forcing this "make a fool of yourself".
2, "Fuck": knitting eggs-/kicking shuttlecock 0/ His mother raised a black egg.
Zi 0/ can climb? He's gone-/He'll go-/His mother has a zero in her belly. Everything here should be read in Lao.
Nursery rhymes are all about children's personality, eloquence, adaptability and ability, regardless of gender. There are almost no taboos and gaps. No one organized, no one trained, no one took the lead on the spot. It seems that everyone is a talk show with great hands-on ability and eloquence. That kind of harmony, that kind of tacit understanding, that kind of downstream, is even better than when TV programs are performed for a few months now. Even the audience are enjoying singing, smiling and enjoying themselves.