Famous flute pieces:
1. Gusu Xing
Gusu Xing adopts the tone of Kunqu opera, with the flavor of Jiangnan. The piece is elegant, showing the beautiful scenery of the ancient city of Suzhou (anciently known as Gusu) and the pleasant mood of the people during their visit. The quiet introduction is an attractive picture of morning mist, pavilions and small bridges. The lyrical line makes visitors enjoy the exquisite and beautiful gardens of Gusu. In the middle section, there is an enthusiastic little fast movement, in which the tourists are playing, and their feelings are overflowing. Then the theme is reproduced, and in the compressed tone, the melody is even more melodious, so that people are immersed in the beauty of the scenery for a long time, lingering and memorable. This piece has a long and deep flavor, playing the soft, broad and mellow characteristics of the flute, and then combined with the southern flute playing often use superimposed notes, playing, trills and other techniques, so that the performance of the piece is even more moving and perfect.
02. Spring on the Xiangjiang River
Spring on the Xiangjiang River is rich in Hunan characteristics. The music expresses the beautiful spring scenery on both sides of the Xiangjiang River and the people's joy and ambition to build their homes. Factor, broad and passionate, showing the magnificent scenery of the Xiangjiang River rolling blue waves, smoke. The light melody of the line of the song, sometimes chanting like a low back, and sometimes singing, very soft and moving; the middle section from the feather modulation to the same Gong Zheng modulation, the mood is refreshing. The rhythm of Hunan Flower Drum Opera is very rich in flavor, with the sound of drums in the warmth and the deep feelings, and the free and bold, witty and optimistic demeanor jumps out of the flute. The melody of the flute rises several times, pushing the mood to the climax like a roll. It is appropriate to make the softness and passion interact with each other, in order to present the deep friendship in a charming way. Spit the sound clear and smooth, clean, and pay attention to the arrangement of a good point of inhalation. Various sound areas to change freely, the treble should be rich in **** sense of song.
03. Happy Together
This song was originally a folk song in Inner Mongolia, and was later absorbed by the Shanxi Opera and Errendai for the music of the scene, used to accompany the characters in the drama into the bridal chamber, whisking the test dust and other actions. It is adapted to express the feelings of a pair of lovers at the time of parting and reunion. [1] It starts with the form of a loose plate, and with the use of slow tempo and glissando techniques, it expresses the feelings of the loved ones when they are bidding farewell and are hard to part with each other. [2] It expresses the joy of reunion after a long time. [3] Expresses the joy of returning to one's hometown. [The atmosphere is more enthusiastic, depicting the joy of a family reunion
04. The Pastoral Flute
The Pastoral Flute was composed in 1958. It was adapted by Liu Sen from the dance music written by Liu Chih for the duo dance "Pastoral Flute". It expresses the beautiful life of young people in the countryside in the fifties, and can be called "New Little Cowherd". The fresh and bright introduction brings people to the new rural life. The first small fast section shows the happy mood of young men and women when they are grazing and playing. The second slow section is beautiful and moving, expressing the young people's love of life, of nature and of their lovers. The third section is a slightly faster small fast tempo, which is the reproduction and development of the melody of the first small fast tempo. The Pastoral Flute belongs to the northern school of spitting, stacking, flowering and sliding, but it is different from the common northern school of folk music. Technically speaking, the piece can be played according to the feelings, fully and appropriately utilized breath control, and profoundly expresses people's thoughts and feelings.
05. Little Shepherd's Cow
The flute piece, adapted by Lu Chunling, is bright and smooth, showing the happy mood of the innocent and lively shepherd children when they ask and answer each other, with an idyllic flavor. The solo flute piece, originally a "blowing" piece in Kunqu, depicts a village girl asking a shepherd boy for directions, and the two of them asking and answering each other, singing and dancing, with a strong flavor of rural life. The tone is bright and smooth, rich in expression. Later, Lu Chunling arranged it into a flute piece and processed it instrumentally according to the song and dance music, giving full play to the decorative effect of the flute's playing skills on the tune. The introduction of the "Eight Panels" and the first section use the long, melodious twists and turns of the southern flute's luck, as well as the playing, leaning, granting, and legato, making the music idyllic and singable, smooth, lively, and full of vitality. The second section turns to the Allegro, the melody is more active in the treble area, spitting and legato alternately, clear and bright, full of flavor, coupled with tonal changes, the music seems more lively and pleasant.
06. New Song of the Herdsmen
New Song of the Herdsmen is a solo flute piece composed by Jane Guangyi in the 1970s, using the tones of Inner Mongolian folk songs as its source material. The introduction of the piece depicts a wide and vast prairie, with cows and sheep flocking under the blue sky and white clouds....... The brief off-key tone adds a fascinating impetus to the moving introduction. The first section of the lyrical slow, Inner Mongolia folk song flavor tunes, pouring out the love of the herdsmen to the party, to the new life. The second section is set to a feathery melody with an active rhythmic pattern, depicting the happy scene of the herdsmen galloping on their steeds. In the third section, the tempo is relaxed and the melody stretches, expressing the herdsmen's heartfelt praise for socialism. The fourth and fifth sections are even more climactic, using techniques such as floral tongue, spitting and flying fingers to simulate the neighing of the steeds. Finally, in the strong rhythmic patterns set off, the melody is even more rapid, further rendering the boundless grasslands of people happy horses screaming warm atmosphere, in the climax of the end of the whole song.
07. Partridge Flying
This is one of the main representative pieces of Jiangnan flute music. It is originally a Hunan folk music, also used for xiao solo or silk and bamboo music ensemble. It was later adapted by flutist Lu Chunling, who injected the style of Jiangnan silk and bamboo into the piece, making it even more beautiful and touching. Through the depiction of partridges flying, the piece expresses people's noble desire for freedom and the pursuit of light. The piece is divided into two parts: slow and middle. The slow part is the original folk music of slowing down and adding flowers, the player gives full play to the flute's rich and lyrical strengths, through the breath control, changes, the use of timbre, the volume of the changes in the release and the glissando. By controlling and changing the breath, using the tone color, volume and sliding tone, light tone, playing tone, superimposed tone and other techniques, the music is melodious, clear and mellow. The middle part is a variation of the prelude, the music is lively and flowing, showing the partridge flying on the wing.
08. The Yellow Warbler Shining Wings
This piece is adapted from the Shanxi Opera piece "The Great Rescue". It depicts a yellow warbler flying freely in the clear sky. The whole piece is divided into four sections, plus a coda. The first section: the sun rises, the earth is fresh, all creatures wake up, this is a beautiful picture, the flute requires a clear and melodious tone. The second paragraph: the yellow warbler woke up, jumping around in the branches of the woods, bright wings singing, as if to the nature to announce: a day of free and happy life has begun. The third and fourth paragraphs: describe the yellow warbler in the blue sky, looking forward to the beautiful nature to fly and sing to their heart's content. Epilogue: end the whole piece with a slow tempo and a vast and beautiful flute.
09. Five Knuckles
This is a traditional piece of music representing the northern bang bang flute, which is adapted by the famous flute player Feng Zicun from a northern folk tune. The original tune is a transitional piece of the "Two People's Stage" clock, called "Bang Bang". The tune is bright, cheerful, optimistic, the theme *** six lines, microtonal, the pattern of falling tone step by step down, respectively, 3, 2, 1, 6, 5, 5. the whole song *** four paragraphs, for the structure of the variations. The flute presents the theme in one section, with a slower tempo and a clear melody, rich in singing. The melody is embellished with glissandi, chopping, and florid tonguing techniques, and is simple and bright. The first variation decorates the melody with chopped notes and florid tonguing techniques, which is witty and fun. The second variation is a little faster, using the rhythmic spitting throughout the song, the music becomes light and enthusiastic. The third variation is even faster, with greater improvisation, and many "flower tongue" (vibrato), which makes the music even more enthusiastic and climaxes.
10. whip destroy horse grain busy
The music depicts the farmers driving a large car full of grain after the harvest, joyfully to the country to sell the scene of grain.
Additionally, many other famous songs, such as the orchid spring, Yi River happy song, wujiang river happy song, Qinchuan lyrical, looking at the countryside, the desert, the mountain dwelling autumn all night, Qinchuan love, the shade of the bird, selling vegetables, the morning, three, five, seven, Ordos spring, the southern rhyme, yandang autumn color ，，，，， too much. The following is a brief introduction to a few songs, to MP3 Q my 371024118.
Zaoyuan spring color Gao Ming song This song is filled with the rustic charm of the Northwest Plateau, expresses the deep affection for the Shanxi-North hometowns and the old generation of revolutionaries. Zaoyuan is the place where Mao Zedong lived during his time in northern Shaanxi.
Spring in the Pamirs Arranged by Liu Furong This piece was composed in 1970. The music is in the style of Tajik national music to express the Pamir Tajik people's love of labor, love of the motherland singing and dancing life scene. 7/8 beat is the common rhythm of Tajik songs and dances, joyful jumping and elasticity.
Snow sea over fat Liu Fu Rong song This song was composed in 1964. The whole song is smooth. The melodic rhythm of skiing is gorgeous, showing the warm scene of the border people actively transporting fertilizers for a good harvest.
Spring in the Pamir Arranged by Li Datong, this piece was composed in the summer of 1975, using the Yushu Tibetan song and dance song <<&yi>> as the material. The music expresses the vast and beautiful scenery of the Yushu prairie, characterizes the infinite love of the Tibetan people for their motherland, and depicts the warm scene and atmosphere of their singing and dancing.
The Iron Horsemen of the Seychelles by Yang Hailin This piece depicts the heroic spirit of the cavalry warriors stationed at the northern border of the motherland and their love for the motherland. The orchestra rush into the prelude and horse neighing like flute, led by the trill and spit composition of the robust and unrestrained theme, as if the unstoppable cavalry came in great numbers. Then appeared the emotional melody, describing the warrior's vigor and vigor of the style. After that, by the latter sixteenth notes and continuous lower sixth notes composed of exciting sound pattern, as if the cavalry Mercedes-Benz in the mountains and hills. The middle section is a broad song, first stated in the middle and lower registers of the flute, and when it is repeated, it is shifted up four degrees and played in the middle and upper registers of the flute, showing the warrior's bold and open heart. The third section reproduces the beginning of the melody, the mood is more exciting, more powerful.
Jiangnan Chant Huang Xilin This piece was written in the spring of 1981. It was written in the spring of 1981 and is based on the music of Jiangnan silk and bamboo. The music is fresh and beautiful. Cheerful and smooth tune, vividly depicts the "light makeup and thick smear is always appropriate," the charming scenery of Jiangnan, as well as the people of her heartfelt praise. The performance should be delicate and subtle. The most important thing to remember is that it's a good idea to have a good time.
The Tune of Van Zi (凡字調) Notated by Huang Xilin and performed by Yin Mingshan (尹明山) This piece is an adaptation of Anhui folk tunes such as the Tune of Van Zi (凡字调), the Tune of Locket (坠子調), and the Tune of Barking. It is one of the representative pieces of the late Yin Mingshan, the famous Anhui folk flute player. The music is cheerful and warm, with rich and unique playing techniques and a strong local flavor.
The song was written in 1980, and won the first Anhui Province "Spring of Students" Award for excellent composition. The music is a beautiful and lyrical tone of the Chaohu Lake folk song, showing the beautiful scenery of Chaohu Lake, expressing the people's singing for a better life. The first section expresses the natural scenery of the lake and the pleasant mood of people boating on the lake. The second paragraph of the contrasting center, with the joyful and jumping mood, expresses the warm scene of the boat race. The third paragraph expresses people's aspirations for a better life.
Spring Morning in the Hills Li Xiangli This piece was written in 1991. The music vividly depicts the beautiful scenery of the mountains in southern Anhui Province and the joy of the mountain people in the spring plowing. Melodious, rhythmic jump. Rich in strong local characteristics.
Mountain Tea Fugue Ma Ruming This piece was composed in 1987. The music depicts a picture of the harvest tea picking in the border area of Yunnan Province: spring, the mountains dance, the tea competition, the girl sings. Tea picking girls are happy, carrying bamboo blues to the hillocks, the green tea mountains are infinitely beautiful, the girls are busy picking tea with their skillful hands. The tea harvest is full of baskets, and they are happy to go back to their hometowns.
The Song of the Mountain Walled Village by Ma Ruming This song was composed in 1988. It describes the picturesque landscape of the mountain villages on the border of Yunnan Province, where people are well-fed and well-coated, in a happy mood, singing loudly.
The Joyful Celebration was composed in November 1987 by Yan Liwen. The whole piece is compact and joyful. The melody is soft, the style is unique, the color is new, the rhythm is bright, and the personality is distinct. It shows a powerful, vivid and enthusiastic scene of celebration with unrestrained passion.
Up and Down Arranged by Chen Lifeng The piece is based on Shandong folk music, and utilizes the technique of echoing up and down phrases, and uses the staccato sounds commonly used in northern flute music. Flower tongue. Sliding tone. The tune is cheerful and bright, with a positive mood of catching up.
The Field Song by Chen Lifeng The first draft of this piece was written in 1961 and was revised in 1961. It describes a vast field with rolling waves of rice, a golden color. Farmers are working in the fields with the joy of harvest, singing in the wind.
The Song of the Yuan Chen Chong collated this song was originally sung in the kunqu opera "The Jade Hairpin". This song was originally sung in the Kunqu opera "The Jade Hairpin", which expresses the feelings of an ancient woman who wants to break the shackles of feudalism and yearns for freedom. The story of "The Peach of the Qin" is about a scholar, Pan Bizheng, who is studying in a nunnery and falls in love with a female nun, Chen Miaochang, who plays the qin in the autumn night. The Song of the Morning Glory" is a song that describes the autumn night when Miaosheung plays the qin under the moonlight, and Bizheng goes to chat with her, testing each other with his words. It is a beautiful tune, loved by southern flute players.
Wing Lotus, Cold Plum People strolled to the lake, the clear surface of the lake is full of red lotus flowers, green lotus leaves surrounded by flowers, this scene makes people relaxed, excited, can not help but poems and paintings, praising the lotus clean and beautiful character, the upright posture. This song was written in 1990, the melody is lyrical and soft, colorful and colorful.
The Little Eight Roads break through the blockade Chen Dake This song was created using the music material of the Northeast folk songs, describing the heroic behavior of the Little Eight Roads during the war of resistance against Japan. The song celebrates the heroic behavior of this brave and resourceful young hero through the episodes of the Little Bugsy riding a horse to deliver an urgent message and passing through the enemy's blockade line under the fire of artillery.
The Happy Mountain Song is endless Wu Yiqun This song was written in early 1966. It describes the joy of the people in the harvest season and their outlook for a better future.
Spring Breeze Throughout the South Zeng Jiaqing This piece was composed in March 1977, the melody is gentle and fresh. The melody is gentle and fresh, depicting the beautiful spring and picturesque scenery of Jiangnan, expressing the love of life and the hope for a better future of the people in the water town.
Flocculation Arranged by Xu Guohua This song was written in 1981, and is based on Jiangnan silk and bamboo. The tune is simple and smooth, rich in Jiangnan flavor. The music expresses the scene of snowflakes falling, the good fortune of snow, and the inner joy.
Peking Opera Arranged by Gu Guanren The music is based on the Peking Opera "Xi Pi Liu Shui" and has a cheerful mood.
Yunnan Mountain Song by Gu Guanren This piece was written in 1960. It is based on Yunnan folk songs and utilizes the flute's lyrical and fast playing skills to express people's love for their hometown and praise for the new life.
The Harvest Arranged by Yu Xunfa This piece was originally written for hu in 1960, changed to plucked ensemble in 1964, and then to solo flute in 1973, and was finalized and recorded in early 1974. It vividly reflects the hot labor scene of the peasants during the harvest.
Autumn Lake Moonlight Night by Yu Xunfa and Peng Zhengyuan The piece is based on the Southern Song Dynasty's Zhang Xiaoxiang's lyrics <<Nian Nu Jiao>>: "The grass in the dongting is green, near the middle of the autumn, and there's no trace of wind. The Jade Garden and Qiongtian 30,000 pours, with my flatboat a page. The moon is shining, the river is **** shadowed, the surface and the inside are all clear. But it's hard to tell you how wonderful it is. I should have remembered that the sea and the mountains have been in a state of loneliness for many years, and my liver and guts are all ice and snow. My hair is short, my sleeves are cold, and I've been traveling steadily on the Canglang. I can pour the Western River and the Big Dipper into my hands, and I am a guest of all the worlds. I am not sure of the future." This piece was composed in July 1981. I. The wind is light, the moon is bright, the lake is sparkling, the water and the sky are moonlit, the blue waves are ten thousand hectares, the boat floats in the center of the lake on the autumn night. Two. The sound of bells coming from the ancient temple, and the wind drifting down the heavenly neon song, the microwave swings up the heartstrings, and drifts towards the white mirror of the water and the deep clouds. Three. The night is deep in the fall, the Jade Rabbit sinks in the west, people in the painting, the heart drunk as a dream.
Hundred Birds Yin Mingshan's score Originally known as <<Hundred Birds>> is a famous suona song. In the early fifties, Yin Mingshan (deceased), a blind folk artist from Anhui Province, transplanted this piece to the flute. In 1961, under the discovery and support of He Wuchi, the former director of Shanghai National Orchestra and Lu Chunling, a famous flute player, the piece was rearranged into the present <<Hundred Birds >>.
This piece was composed in June 1981 by Xu Guohua and Kong Qingbao. This piece was composed in June 1981, with a simple and open melody. It depicts the beautiful scenery of Yanhe River and the new scene under the pagoda with a bold and bright melody, showing the love of the people of the motherland for their beautiful hometown.
The Voice of Kolekiz by Kong Qingbao and Zhai Chunquan This piece was composed in October, 1927, and is played on the small membrane flute. It is played on a small membrane flute and expresses the songs and dances of the Kirgiz people in Xinjiang and their great praise for the new life.
The Style of the Island by Li Hanying Composed in 1982, this piece is based on folk music from Hainan Province. It is a beautiful, lyrical melody with unrestrained and delicate emotions, which vividly depicts the weather and the colorful scenery of the island. It vividly depicts the beautiful and colorful scenery of the island, as well as people's life. The scene of labor and the desire for a better show to come.