Chinese dance can be divided into folk dance, classical dance, as the inheritance of Chinese art and culture dance, fully embodies the distinctive national characteristics of our Chinese nation, want to learn Chinese dance, not so easy, Chinese dance is the pursuit of the ability to demonstrate the limit of quality, in the aesthetic style, but also need to carry out a perfect embodiment.
1, Chinese dance technique - stylized
Classical dance technique and charm are actually independent of each other, while folk dance technique and style will be in close contact, that is to say, folk dance technique is not pure technique, but stylized. The development of technique in folk dance is the strengthening and development of stylized technique. Stylized skills include all kinds of props dance skills in folk dance, but also include the unique spinning, jumping, turning and other skills in folk dance of various ethnic groups.
Second, Chinese dance skills--emotional
Chinese dance performance if there is no emotional input, how difficult, how skillful skills, in the display, will also appear pale, no glory! Therefore, the skills in folk dance should be combined with the emotional catharsis and the scene to make him more infectious! Therefore, the dance training courses in the teaching process, will be very concerned about letting the child understand the dance of the national customs, behind the cultural story, so that the child in the performance of the time, in order to better interpret the soul of it.
Three, Chinese dance skills - artistic
With the continuous development and progress of the times, Chinese dance performance is not only emotional catharsis, artistic become an important feature, such as Yang Liping's Peacock Dance, some people will feel that there is no skill, but Yang Liping's unique movement vocabulary! But Yang Liping's unique movement vocabulary is the highest embodiment of the artistic skill of folk dance. The dance modeling and dynamics in The Spirit of the Bird is different from the original Dai Peacock Dance in the square. Through artistic exaggeration and deformation, it further sublimates the noble and transcendent spirituality of the peacock, creating an artistic fairyland that seems to be real and illusory, virtual and real. Under Mr. Yang's interpretation, the peacock dance seems to be alive with the sense of life and interest, and the sense of beauty and artistry is shown to the fullest!
Expanded Information:
The dance in Chinese dance is very rich in its basic movement is highly sculptural. It is not only an expressive dance movement, but also makes the jumping, rotating and turning skills have a strong sculptural nature. The basic dance posture requires a high degree of coordination of the legs, torso, arms, head and eyes (line of sight) and other movements. Therefore, the training of basic dance posture is actually a means to master the classical dance style.
Because in the basic dance posture training is often a leg still the other leg in the air to form a variety of postures, therefore, the legs and upper body should have good control, so the dance posture can also be called the control of movement. This control ability is one of the most important basic ability in dance.
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