Excerpted from Yu Chou Xin Zhi - Autumn Sound Poems from the Preface (Beijing Literature and Antiquities Publishing House, 1954 edition). Yuchu Xinzhi is a notebook novel compiled by Zhang Chao in the Qing Dynasty. Lin Sihuan (林嗣环), courtesy name Tieya (铁崖), was a native of Jinjiang, Fujian Province, and a jinshi (進士) during the Shunzhi period of the Qing Dynasty.
●Text Commentary
There is a good ventriloquist in the capital. In the northeast corner of the hall (hall: hall, living room), an eight-foot barrier (barrier: a screen, tent, etc., used to cut off the line of sight) was erected, and the ventriloquist sat in the barrier, with a table, a chair, a fan, and a ruler (ruler: a prop used by the entertainer to perform, also called "wake up wood"). "The guests were seated in a group. The guests were seated in a group [group sitting: sitting around]. A little while [a little while: for a while], but heard [heard: heard] in the barrier strokes a ruler, full of sitting silence [full of sitting silence: the whole scene is quiet. Sitting, same as "seat"]. The first thing that I want to do is to make sure that the people who are in the room are not in a state of shock.
This paragraph is the rendering and paving for the following account of the wonderful performance.
One word, "good", unifies the whole article. The four "one" words, listing props, set off the performer's skill with the simplicity of the props. The "silence of the audience, no one dares to clamor" is written to describe the solemn and tense atmosphere formed by "stroking the ruler for a while". The word "full" and the word "no" point out that everyone is like this. The eight words not only set off the performer's ventriloquism of "good", showing the guests' desire for the famous Beijinger, indicating his amazing artistic charm, but also created a quiet atmosphere for the upcoming performance, which was the backdrop and ambush for the following wonderful performance.
When I heard the dog barking in the alley, a woman was surprised to see her husband raving [呓(yì)语：speaking in his sleep]. Then the child woke up and cried. The husband also woke up. The woman stroked [抚摸：抚摸，安慰] the child's breast [乳：喂奶], and the child cried with the breast, and the woman patted and whimpered [whimpered：means to hum softly to lull the child to sleep]. Another large child woke up, rambling [rambling: continuous talking] more than. At that time, the woman's hand patted the child's voice, the mouth whimpered, the child's breast cry, the sound of the eldest child's first awakening, the husband scolded the eldest child's voice, a time [a time: at the same time] all together, all wonderful Bibi ready [all wonderful Bibi ready: all kinds of wonderful things are available, meaning that all kinds of sounds are copied very much like. Bi, all, all. The guests all stretched their necks. The guests all stretched their necks, looked sideways [side-eye: to look with the head tilted, describing that they listened attentively], smiled, and silently sighed [silently sighed: to silently praise], thinking that the sound was wonderful.
This is the first climax of the ventriloquist performance.
It indicates that the story takes place after people have gone to sleep. "The barking of the dog is the reason why the family wakes up from sleep, and the motion is used to write the stillness, emphasizing the silent atmosphere of the night, so that everything can be heard very clearly, even the sound of "owe stretching" and "murmuring" can be heard. The first is a new one, which is a new one, and the second is a new one.
The reaction of the guests to the ventriloquist's performance. "Stretching their necks" and "looking sideways" shows that the guests listened attentively, lest they missed something; "smiling" indicates that the guests understood the performance and were satisfied with it; The "silent sigh" shows that the guests were impressed by the performer's skill but were not able to applaud the performance.
In a few moments, the sound of a snoring man's snore rose, and the woman's patting of her children gradually stopped. I heard a rat making a soso [sososo: the sound of rats moving], the basin tilted [tilted: tipped over and tilted], and the woman coughed in her sleep. The guests were less comfortable [Yishuoshu: slightly relaxed. Less, slightly. Shu, stretching, relaxing]. The guest was sitting slightly upright.
It is written that the ventriloquist imitates the situation of the four people waking up and going back to sleep, as well as the change of mood of the guests.
This passage is both the aftermath of the clamor of the four people being awakened, and the prelude to the late-night fire and the putting out of the fire.
"The snore rises" is about the husband going from wakefulness to sleep. "The word "stop" indicates that the woman and the child are also waking up and going to sleep. The word "faint" highlights the silence of the night and gives a sense of light and slow sound. The above sounds are written from big to small, from dense to sparse.
The reaction of the guests to the ventriloquist performance. The "seated" and "stretched neck" and "sideways glance" are contrasted. The "slightly" is a detailed representation of the gradual change of the guests' emotions from tension to relaxation.
Suddenly, a man shouted "fire", his husband shouted, and the woman also shouted. The two children were crying. But then [俄而: for a while] a hundred thousand people cried out, a hundred thousand children cried, and a hundred thousand dogs barked. In the middle [间(jiàn): intermingled] Lira collapsed [力拉崩倒: Lira collapsed: the house collapsed. Li la, onomatopoeia. sound, sound of fire, sound of whistling wind, hundreds and thousands of voices; also mixed with hundreds and thousands of cries for help, and the sound of trailing houses [曳(yè)屋许许许(hǔhǔ)声: the sound of cries of exertion by the crowd when pulling down the (burning) houses. Hǔhǔ: the sound of a group of people pulling down a burning house. Xu Xu, onomatopoeia.] [搶夺声,spill water sound. All that should be [All that should be: all that (sounds) should be (in this case)], everything. Though [Though: even if] a man has a hundred hands, and a hand has a hundred fingers, he cannot point to one end of it [Cannot point to one end of it: Cannot specify (any) one of them (sound). Describes the various sounds imitated by ventriloquism at the same time, intertwined into a piece, so that people can not be recognized one by one. One end, one head, here means "one kind"]. The people have a hundred mouths and a hundred tongues, and they cannot name [name: name] one of them. So the guests all left the table without changing color, and put up their sleeves and arms [奋袖出臂: to raise the sleeves and show the arms. Fen, raised, raised. The two stocks [stock: thighs] war [war: shivering look], a few [a few (jī): almost, almost] want to go first.
Write about a ventriloquist imitating a big fire, as well as the guest's demeanor and actions as if they were real.
This paragraph is the second climax of the ventriloquist's performance and also the climax of the whole text.
The above three paragraphs, which are the main part of the article, write about the performer's brilliant performance and the audience's reaction. The combination of positive description and side description organically links the skills and effects of the performance and highlights the "goodness" of the ventriloquist's performance.
Three "big cries" and five "hundreds of thousands" express the process of putting out the fire from the fire inside the house to the fire spreading outward; "everything that should be, everything" and "everything that is". Two groups of the same sentence "although people have a hundred hands ...... can not be named in one place also", always write the sound of the fire is complex, realistic. Above write sound suddenly rise, and more and more big, more and more messy, show the fierce spread of the fire, firefighters nervous panic, reproduced the emergency atmosphere of the fire. It shows that the ventriloquist show is as real as the fire scene.
Third, the guests' reaction to the ventriloquist show. The guests' behavior and gestures are described perfectly. The two words "go first" describe the guests' panic and desire to escape.
Suddenly, he stroked the ruler once, and the sound of the group stopped. The first one was a man, a table, a chair, a fan, and a ruler.
Write the scene at the end of the performance.
This paragraph echoes the first paragraph.
"A person ......" to repeat the beginning as the end of the article, echoing the first paragraph, again highlighting the simplicity of the props to contrast the complexity of the ventriloquist show, lively, indicating that the ventriloquist relies on a high level of skill, rather than with the help of external objects. If it is changed to "a stroke of the ruler, the group sounded off", the same is the beginning and end of the illumination, but it only indicates the end of the performance, and can not play the role of the aftermath of the sound of the beams.
This article describes a wonderful ventriloquist performance, which demonstrates the skill of those who are good at ventriloquism in Beijing. It can be read either as a narrative describing a scene or as an expository describing the characteristics of ventriloquism.
Layers are clear and well-organized, which is a major feature of the writing of this article. The article can be divided into three parts in chronological order.
The first part (the first paragraph), writes about the preparation before the performance and the performance is about to start. "There is a good ventriloquist in the capital", introducing the ventriloquist performer. "Guests feast", explains the origin of the ventriloquist's performance: since it is a "feast", there must be this event. "In the northeastern corner of the hall, an eight-foot barrier was erected", pointing out the location of the performance, explaining that it was a temporary stage and not a big place. Then according to the characteristics of the performance content, pointed out that the ventriloquist is performing behind the scenes; and props are listed to show that there is nothing else, ventriloquist's performance is mainly based on his "mouth". Lastly, "a stroke of the ruler", "no one dares to clamor", coloring the solemn and tense atmosphere when the performance is about to begin. In addition to a "good" word, this part of the ventriloquist does not add any praise, but everywhere for the ventriloquist's high skill Zhang Ben, so that the reader expects a wonderful performance.
The second part (the second to the fourth paragraph) is about the performer's performance and the audience's reaction. There are two main scenes in this performance: one is the situation of a family of four waking up from sleep late at night and going back to sleep from wakefulness, and the other is the situation of a big fire that happened near this family. It can be divided into three levels.
The first layer (the second paragraph) imitates the situation of a family awakened in the middle of the night. The performance begins with the words "I heard a dog barking in the alley". The sound can come from a distance without interference, creating a sense of silence in the dead of night. The listener's attention is naturally drawn to the place where the dog is barking from a distance, wondering what is going to happen. Next, a family of four is used as an imaginary "stage" to shift the listener's attention from the outside to the inside. First, the woman's "startled sleep" is mimicked, as she wakes up when she hears a barking dog, which opens the curtain on the family's late-night awakening. This opens the curtain on the family's late-night awakening. Then the husband's "murmuring" is imitated, and the picture becomes clearer and clearer. And because of the "lack of stretching" "murmuring" alarmed the young children, young children "crowing more than". By now, the curtain was wide open, and many noises appeared one after another: the husband was awakened, and the eldest child was also awakened, so "the woman's hand patted the child's voice, the mouth whimpered, and the child crowed with the breasts, and the eldest child woke up, and the husband shouted at the eldest child's voice," all of them were heard at once, which broke the stillness of the night. This kind of life scene was common in the general family at that time, from which we can see that the ventriloquist's careful design.
The second layer (third paragraph) is about the family falling asleep again. First, the husband's "voice" is imitated, accompanied by the woman's patting sound, "gradually patting and stopping", giving the impression that time is slowly passing. Then the sound of rats running and stealing food and the sound of "pots tilting" indicates that the night is already deeper and the family is already asleep, and the woman's coughing in a hazy warning to the rats as a counterpoint to aggravate the atmosphere of quietness. This layer, showing the family from wakefulness back to sleep, into the basic state of stillness, for the following is about to imitate a big fire to make the padding.
The third layer (the fourth paragraph) imitates the thrilling scene of a large fire that comes out of nowhere. Beginning with a similar "voice-over" technique, with a person shouting "fire", suddenly speed up the pace. Then, it imitates the situation of this family of four when they were hit by an unexpected change: "The husband rose and cried out, and the woman also rose and cried out. The two children cried together." The mood changes dramatically. Then the inner scene turns into the outer scene, with "a hundred thousand people shouting, a hundred thousand children crying, a hundred thousand dogs barking" to show the people's panic, and "a hundred thousand voices calling for help, trailing the house, snatching and splashing water" to show the intensity of the fire and the chaos of the fire scene, so that the performance The performance reaches a climax. At this point, the audience has felt in the "sea of fire", all "color change away from the seat", "a few want to go first".
The third part (fifth paragraph) is about the end of the performance. Once again, the performer's props are explained: "a table, a chair, a fan, a stroking ruler only." The performance was not accompanied by any props, and the outstanding performance just now was indeed performed with the "mouth". The article begins with the application of the barrier and ends with the removal of the barrier, echoing the beginning and the end of the article.
The combination of positive description and side description to show the theme is another feature of this article. The article captures two aspects of the performer and the audience in the ventriloquist performance: on the one hand, it depicts the performer's skillfulness, which is a positive description; on the other hand, it depicts the audience's demeanor and movements, and expresses the audience's reaction, which is a lateral description. In the three paragraphs describing the process of the performance, the performance is written first, and then the reaction, so that the performance and the effect are organically linked to the audience's reaction as a backdrop, highlighting the "goodness" of the ventriloquist performance. In addition, the text explains the scene of ventriloquism performance and writes that the props are extremely simple, indicating that ventriloquism does not rely on other artifacts to make sound, but only from a mouth, highlighting its skills in the "mouth", and also from the side of the ventriloquism performance of the "good". The combination of frontal and lateral depictions has a better artistic effect than only frontal depictions.
The conciseness of the text is also a feature of this article. The whole paper is full of marvelous things, but only used more than three hundred words. The description of the ventriloquist performance is particularly exquisite, written by the quiet to the movement, from the movement to the quiet, and then from the quiet to the big move, write the sound from far and near, from the inside and outside, from less to more, from the weak to the noisy, from the slow and fast, from the simple and complicated, not only the level of well-organized, rigorous and orderly, but also intricate and complex, climaxes, and changes in many ways, to the ventriloquist performance of the "Good The "goodness" of ventriloquism performance is shown in the best way. With "owe stretch" "murmur" to write the voice of the near; with "big cry" "big call" to write the voice of the big, with "gradual beat gradually stop". The "tap tap tap tap" and "faintly heard" are used to write the smallness of the sound; the "hundreds of thousands of people shouting" and "hundreds of thousands of children crying" are used to write the large number of voices; the "but the sound" is used to write the large number of voices; the "but the sound" is used to write the large number of voices. The many voices were written in "hundreds and thousands of people shouting" and "hundreds and thousands of children crying", and the few voices were written in "but heard"; the various voices issued at the same time were written in the words "all issued", "all ready" and "all made", after listing the various voices. The simultaneous emission of various sounds is summarized by words such as "all issued", "all ready", "all made", etc. Words such as "in the middle", "and folder", etc. are also used to illustrate the simultaneous occurrence of a variety of sounds. In order to illustrate the sequence of sounds, some words indicating time are used, which are both accurate and varied. For example, "a little while" is used between the time when the audience is seated and the beginning of the performance, which not only indicates that the time is not long, but also means that the audience has waited for a while. The word "既而" is used to indicate a short period of time after the last sound. "When it is" means at that time. "At one time" means at the same time. Both "忽" and "忽然" indicate the time when an unexpected situation occurs suddenly, while "忽" is more sudden. The variety of words used shows that the author is good at choosing the most appropriate words to express the content accurately according to the characteristics of the things reflected and the needs of the article.
●On Practice
I. Read the text well and draw the phrases that describe the sound according to the prompts.
The purpose of the topic is to familiarize students with the main part of the text, to appreciate the subtlety of the description of sound in the text, and to gain a rich impression of the skill of the ventriloquist. We let the students fill in the description of the sound according to the tips of the statements, so that the students better understand the artistic conception of the ventriloquist, so as to really enter the ventriloquist designed by the "provisions of the scene", so fill in the blanks is a means, not an end. Attention should be paid to guiding students to carefully experience the scenarios expressed by various sounds, and reasonably add some details to cultivate students' imagination. Students are required to memorize the whole text on the basis of completing this question and familiarizing themselves with the first and last paragraphs.
1. To show the process of a family of four late at night going from sleep to wakefulness and from wakefulness to sleep.
1. From distant to near, from outside to inside, from small to large, from divided to united.
Distantly heard the dogs barking in the deep alleys ...... all the wonders are ready.
②From big to small, from dense to sparse, slightly heard the rest of the sound.
Husband's voice rose ...... woman coughing in her dream.
2. To show the situation from fire to fire fighting.
1) Loud noise, from less to more.
Suddenly, a man shouted "fire" ...... and hundreds of dogs barked.
2 Hundreds of thousands of people are working together, all kinds of things.
In the middle of the force pull the sound of collapse ...... everything.
Two, experience the writing skills of the text, answer the following questions.
1. Identify the phrases in the text that describe the audience's reaction, and say what role these descriptions play.
2. The very simple props are clearly explained twice before and after the text, what is the effect of this on the structure of the text and the performance of the artists?
The purpose of the question is to make students understand the function of the technique of side description. Instruct students to answer the questions without isolating the side descriptions. For example, writing about the performance, in addition to writing about the performer and the performance content, often will naturally write about the reaction of the people who appreciate the performance, and the latter is in the use of side descriptions. Another example is that the beginning and the end correspond to each other, in addition to keeping the structure intact, but also has a side accent, emphasize the role of the intention. Lateral description is a common technique, should be understood, but the key is to consciously and appropriately used.
Describing the audience's reaction to the statements are: "full of guests did not stretch their necks, sideways glance, smile, silently sigh, thought wonderful." "The guests were less comfortable and sat slightly upright." "The guests all changed color and left their seats, put out their sleeves and arms, and were so anxious to leave first." This is written to highlight the effect of the performance from the side, highlighting the skill of the skill.
In the beginning, it is mentioned that "a table, a chair, a fan, a ruler only", the props of the simple, intended for the latter performance of the complexity of the sound to make a backdrop, contrast. At the end of the reproduction of the props, is to confirm, emphasize that all the sound just now are issued from a mouth, so as to highlight the performer's skill, but also has the role of the foil. From a structural point of view, the first and last echo, so that the article is one.
Three, identify the following words that indicate time, and fill them in the horizontal line respectively.
There are more words indicating time in the literary text, which need to be organized at a certain stage so as to effectively grasp their usage and gain a firm memory. This question actually gives students a way to organize them, and other ways of organizing them can be used.
Shao ha 既而是时 一時 未几 忽 俄而 忽然 忽然
1. denotes a sudden occurrence: 忽 忽然
2. denotes a simultaneous occurrence: 一一時
3. denotes a succession of occurrences: 既而
4. denotes an occurrence at a particular time: 是时
5. denotes an occurrence after a very short period of time: 俄而 少顷 未几
4. Explain the underlined words in the following sentences.
The underlined words in these sentences can be roughly divided into two categories: one is those with different meanings in ancient and modern times, such as "会" (just in time, coincidentally, just right), "但" (only), "闻 " (hear), "less" (slightly), "although" (even), "go" (run); the second is different in ancient and modern usage, such as "宴" (hold a banquet), "乳" (breastfeeding), "名" (name) are used as verbs in the text, and now they are used as nouns. Students should be reminded of these easily misunderstood words.
1. will guests great feast
will: just in time, just in time, just in time. Banquet: to hold a banquet.
2. But I heard that the barriers were stroked a little
But: only, only. The first thing I want to say is that I'm not sure what I'm talking about.
3. A woman breastfeeding her child
Breastfeeding: breastfeeding.
4. Guests are less comfortable
Slightly: slightly.
5. There are a hundred mouths, and a hundred tongues, and they cannot be named
Name: to name.
6. I want to go first
Go: run.
5. △This article and the "Extreme Song" we have learned have wonderful audio description, speculate on the relevant statements in the two texts, try to write a paragraph describing the audio.
●Teaching and Learning Suggestions
I. Guide students to speculate on the language, to appreciate the vivid description of the ventriloquist's skill in the text, and to pay attention to this paper's clearly layered method of narration, and the combination of frontal and lateral descriptions of the means of expression.
Second, to memorize the text, to clarify the article, pay attention to the structural characteristics of the first paragraph and the last paragraph, as well as the middle three paragraphs of the content of the account, order and level. To seize the difficulty, focus on memorizing the middle three paragraphs, note: 1. which there are two narrative clues - the artist copied a variety of sounds and the audience's reaction; 2. "a few moments," "both and" "when it was" "a moment" "a few moments" "suddenly" "and then " "Then" "suddenly" and other words, with the role of undertaking, can be used as a recitation of the word clues. You can let the students first retell the text, and then recite it down.
Three, to be good at inspiring students' imagination. Inspire students to imagine, the key is to seize the artistic conception of the ventriloquist, put forward a number of specific issues for students to think about, for example, "heard the dog barking in the alleys" sentence, you can ask the students: why the ventriloquist with the "barking sound" opening? What are the characteristics of "barking dogs" in "deep alleys"? What kind of auditory effect does "distantly heard" show? How is it related to the next line, "The woman was shocked to realize that she had not stretched out"? The purpose of this question is to introduce students to the "prescribed scenario" of ventriloquism, so that they can have a deep understanding of the content and flavor of the text.
●Related Information
I. Translation
There was a man in the capital who was good at performing ventriloquism. One day, when a family was having a banquet for guests, an eight-foot-wide curtain was placed in the northeast corner of the living room, and the ventriloquist sat in the curtain, which contained only a table, a chair, a fan, and a piece of wood. The guests sat together. After a while, only to hear the curtain in the wake of wood a beat, the whole scene are quiet, no one dares to speak loudly.
Only when a dog barked in a deep alley far away, a woman was awakened, yawning and stretching, and her husband was talking in his sleep. A moment later the little child woke up, crying loudly. The husband was also awakened. The woman patted the child and nursed him, but the child still cried with the nipple in his mouth, and the woman patted the child while she whimpered and hummed him to sleep. The woman patted the baby while she whimpered and hummed him to sleep. Another big baby woke up, chattering and talking. At this time, the woman patted the child's voice, mouth whimpering and humming voice, the little child with the nipple crying voice, the big child just woke up the voice, the husband loudly reprimanded the big child's voice, at the same time, all sounded, a variety of voices are performed exquisitely. There was not a single guest who did not stretch his neck and incline his head to listen intently, smiling and secretly marveling, thinking it was wonderful!
Not long after, the husband's snoring sounded, the woman patted the child's voice gradually pat a moment to stop a moment. Faintly, they heard the sound of mice, the sound of pots and bowls and other utensils being knocked over, and the sound of the woman coughing in her sleep. When the guests heard this, they relaxed a little and sat their bodies a little more upright.
Suddenly one shouted, "Fire!" The husband got up and yelled, the wife got up and yelled, and the two children cried out in unison. In an instant, hundreds of people shouted, hundreds of children cried, hundreds of dogs barked. Sandwiched between the sound of houses collapsing, the fire burning and the sound of the explosion, the sound of the wind, a thousand kinds of sound together; also mixed with hundreds of thousands of people's cry for help, firefighters pulling down the burning house when a force of shouting, in the sound of the fire grab objects, splashing the sound of the water. There was no sound that should have been there. Even if a man had hundreds of hands, and hundreds of fingers on one hand, he could not specify which of the sounds came; and even if a man had hundreds of mouths, and hundreds of tongues in one mouth, he could not name one of the places. Under such circumstances, there was not a single one of the guests who did not turn pale with fear, leave their seats, raise their sleeves, expose their arms, and tremble with their legs, almost all of them wanting to scramble away.
Suddenly, there was a clap of wood, and all kinds of noises disappeared. The curtain was removed, and there was still only one person, a table, a chair, a fan, and a piece of wood.
Second, the author
Lin Zihuan, birth and death are unknown, about the end of the Shunzhi of the Qing dynasty around the end of the world, Jinjiang, Fujian, No. Iron Cliff. He was a scholar of Shunzhi. Because of the matter of exile, and then meet the pardon, died in Wulin.
Third, on the scene description of this article
"Ventriloquism" article, in the scene description, especially on the lively scene of the description is very vivid, graphic, delicate, quite distinctive.
First of all, in order to write a good scene, especially a lively scene, you need to have a comprehensive bird's-eye view first.
The first part (the first paragraph) of the text "Ventriloquism" is written about the preparations before the performance and the whole scene. At the beginning of this paragraph, there is a "bird's eye view" of the scene. The opening sentence of the article, "There is a good ventriloquist in the capital", begins with the title, totaling a sum, pointing out the place ("in the capital") and the character ("good ventriloquist"). Then it points out the occasion of the performance, which is "a big banquet for guests". The author has made few remarks here without elaboration, but he has written the general atmosphere and scene of the whole performance in a general way. The author has presented a vivid picture of the bustling life in front of us.
Secondly, in addition to the comprehensive bird's-eye view depiction, the author has taken typical close-up shots.
For example, in the "guests feast" description, immediately after writing "in the northeast corner of the hall, Shi eight-foot barrier ...... no one dares to wow" this scene. The author has used the brushstroke painting method, the kind of representative of the typical occasions in the scene ("in the northeast corner of the hall, Shi eight-foot barrier"), characters ("ventriloquist sitting in the barrier" and "guests sitting in groups ), characters ("the ventriloquist sits in the barrier" and "the guests sit in a group"), props ("a table, a chair, a fan, and a ruler"), and performance effects ("in a few moments ...... no one dares to clamor"), all of which were delicately and vividly portrayed.
In short, with a bird's-eye view of the whole scene penmanship, written out of the general atmosphere; and close-up close-up, the characters, props, ventriloquism effect specific and real out. And in the scene description of the bird's eye view and close-up is often combined together and cross use. It can not give up this and on the other, and can not give up the other and on this.
Then again, "ventriloquism" a description of the scene, especially the description of the lively scene, in addition to writing a methodical, rigorous and orderly, but also write intricate and complex, varied.
For example, in the second part (the second, third and fourth paragraphs), it is written about the performers' wonderful performance and the audience's reaction. This paragraph is written in an organized and strict order, such as:
The order of the performance: the first write about the situation before the performance; the second write about the performer's performance; the end write about the end of the performance, reproducing the performer and props.
The course of the performance: there is a beginning, a development, a climax and an end.
Accounting for the scene: ① set the barrier site; ② in the performance there: a family of four people in the indoor activities of the scene, in the fire fighting noisy and chaotic scene; ③ after the performance of the scene after the reproduction.
The portrayal of the ventriloquism itself: in terms of sound, it is from far and near, from outside and inside, from objects and people, from small to large, from small to large, from small to large, from weak to noisy, from slow to fast, from simple to complicated, from a family to the neighbors. The sound of each and every voice, come and go, until all the music, inexplicable end of the time, really make people overwhelmed, breathtaking!
Writing the audience's reaction: the beginning of the "strokes feet a bit" after the static field, "sitting in silence, do not dare to clamor"; in the performance, writing a family of four activities, the beginning of the writing of its "full of guests are not Stretching their necks,......," and then write its "guests want to be less comfortable, a little bit of sitting", in the fire scene, it is written that "guests do not change color and leave the table, ... ... a few want to go first"; the final performance is completed, "remove the screen to see", is still a simple props.
The guests' awe-inspiring demeanor can be imagined.
The author's praise: from "all the wonderful all ready" "thought wonderful", to "all should have, ...... can not name one of its own! ". After writing about its exquisite performance and the audience's reaction, and then add the author's praise, more enhance the artistic effect of the work.
All of the above, all of these are written with a head and a tail, the eyebrows are clear, the level is well, rigorous and orderly. At the same time in the middle, the author and according to the performance of ventriloquism needs, from the audience's point of view, in accordance with the performance of the sequence, the other aspects of the interspersed between, alternating between, blending and melting casting, linking and weaving, to write a methodical, rigorous and orderly scene and depicted intricate and complex, varied and colorful. As in the second part:
The second paragraph is written in a family of four people's voices, "a moment all together", "all the wonderful Bibi," the formation of the article's first climax, the author but the brush a turn, the line of sight to the audience, leading to "Stretching neck, sideways glance, smile, silent sigh" eight, the full attention, appreciation of the intoxicated audience portrayed in a subtle way.
The third paragraph is about the family back to sleep and return to the quiet scene, there is the sound of rats, pots and pans overturning the rattle and coughing in the dream, but the movement to see the quiet, set off the characteristics of the quiet night. This is the aftermath of the previous climax, which adds another wave.
The fourth paragraph of the fourth paragraph of a tense fire scene, the article started suddenly, as if the wind waves on the ground, breaking the state of tranquility, from the bedroom to the fire, the two scenes organically linked to form the climax of the article. A thousand things, a thousand changes, a thousand words, a thousand calls, a thousand pounds, a thousand difficulties, a thousand dangers, a thousand differences, a thousand true scenes portrayed to the fullest, hilarious!
The intricacies of such a line of writing and the tumbling makes the essay ripple and sway.
Also, it is necessary to depict both the picture of life centered on the activities of the characters and to reflect the colorful life of the struggle. The former, for example, depicts a picture of life centered on the activities of a family of four in a bedroom; the latter reflects the life of struggle in a fire-fighting scene, thus revealing a complex and varied storyline and portraying the voices of many characters.
As for the end of the article, it echoes the beginning, with a clear beginning and end. The performance is over, the scene is reproduced, and the text also ends abruptly, with a dry and powerful braking. The reappearance of the props emphasizes the simplicity of the performance tools, highlights the skill in the "mouth", and points out the theme. This kind of colorful description, read like hearing their voices, such as the scene, how can not be fascinated, for which applauded!
In short, the description of the scene is to choose, should have its clear purpose. In literary works, the description of the scene is used to show the typical environment of the character activities, supporting the character, rendering the atmosphere, promote the development of the plot, and deepen the theme of the idea. The scene description in the article "Ventriloquism" plays such a role.
(Li Zhiyong, "The Scene Description of 'Ventriloquism'", Text Analysis Collection, Junior High School, Book 1, Guangdong Education Publishing House, 1990)
Fourth, about the structure and language of this article
"Ventriloquism" is a good text because one is shallow and the other is storytelling....... The article also has a lot of merits in terms of writing style also has a lot of advantages,...... the following two aspects of my personal views on the advantages.
One is the structure, want to be divided into four say. (1) the story is organized. The entire text in chronological order, from the beginning of the implementation of the barrier to the removal of the barrier, along with the guests of the heard written, so that readers can have a sense of personal experience. Narrative in chronological order, is not a feature, but for the beginner is worth paying attention to, because, if handled properly, for example, properly arranged, complex and simple, it is easy to organize clearly, there is a water to the wonderful. (2) There are waves in the line. Remembering things, in chronological order, can not be like a pendulum, uniform and no change. No change, it will be dead, lead to sleep. One of the methods of relief is the content of the weight, there is a slow and urgent, that is, there are waves. To musical analogy, "ventriloquism" recorded things, is the melody of a step tighter than a step, the sound of a step higher than a step, after the fire, the story of the waves to the highest peaks, is really a thousand shapes and sizes, as far as possible to the bottom of the eye, there is a line of the yin road, the situation should not be overwhelmed. "So the guests did not change color and leave the table," the following is the waves of writing, but also has a role, the metaphorical statement is to use the green leaves to set off the red flowers, in order to make the flowers appear more red. (3) There is also the so-called method of tacking, or rather the method of strangling and releasing. ...... Ventriloquism more or less uses this kind of penmanship. The third paragraph of the couple went to sleep, slightly heard the sound of rats, almost to silence, "guests want to be less comfortable", really lazy, some impatience, this is Le. Immediately after the "fire", the situation is big?
Fu ruler (fǔ chǐ) less hectare (shào qǐng) 哗者（huá zhě） 呜之 （wū zhī）絮絮 （xù xù）夫叱大儿（fū chì dà ér） 崩倒声（bēng dǎo zhī shēng）
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