Clothes are nothing but "style", "fabric" and "color", three elements that change in many ways, vertically in the history of fashion for thousands of centuries, and horizontally in the world's fashion stage. The history of fashion is thousands of years longitudinally, and the world fashion stage is a great work horizontally. Simple elements, complex extensions, such as the clouds must be chiffon silk, organza stiffness can not condense the air flow sense, this is the material and technology of the imagination of the history of the practice; or, flower face Chloe "often get the king with a smile to see," is the same as a man on the woman's watch, this is the power of the sex of the history of the packaging of the erotic.
Architecture and clothing have similar compositional elements, such as sketches, dimensions, images, and decorative patterns, and similar means of expression, such as structure, texture, and color, and even their roles are similar: Architecture and clothing have evolved from sheltering human shells to being associated with our thoughts, races, genders, religions, ... ... are not the result of a single moment, but of infinite projections and accumulations, and are subject to constant fluctuations.
For example, during the Renaissance of the 14th-17th centuries, buildings and clothing were influenced by the pervasiveness of culture. The large, rounded skirts and elaborate decorations were very similar to the architectural features of the same period.
And in the Rococo and Baroque periods, the exuberant decorative period of the 18th century, fashion and architecture had the same air of luxury.
And then there is the new stylistic direction that we commonly see in neo-configurationalist architecture and clothing, a new style direction that came out of the influence of the Dutch artist Mondrian, a style of abstraction. There are only geometric shapes and a small number of colors such as white, gray, black, red and blue.
In this issue, the Queen brings the new oriental design style of CHANSARR women's clothing to Qingyuan, Guangdong Province, to visit the famous art brand CURLY HOTELS GROUP's Qianli Hotel, a combination of oriental gardens and Japanese hot springs design of the resort, to have a thumping encounter between oriental fashion and architectural design.
Dressed in cotton and silk CHANSARR Oriental Tune clothing, wandering through the bamboo paths and verdant flowers, like a whole set of leisurely peach painting, the texture of the building, the direction of the garden and the silhouette of the clothing, fabrics, color arrangement of the interplay between the body and the environment naturally and uniquely, into a whole.
Wood, Curves, and the Flow of the Cheongsam
Qianli Hotel is built on the mountain, the four seasons winds bring the breath of the field, and the native water system meanders spiritually between the hills and mountains. The architectural designer, KKS Tourism Planning and Design, spent several years outlining the harmony of "nature, landscape and architecture.
The entire building is made of logs, with natural, unadorned stones to maximize light, trees, mountains, and water.
The warmth and softness of wood can be seen everywhere - in the context of the traditional Japanese open-air style and the future village environment, the lamps in the building are interspersed with solid wood, the shadow walls are carved from wood, and even the decorative paintings on the walls are horizontal slices of the wheel of the year - thick and soft.
The building's lamps are interspersed with solid wood, and the shadow walls are carved from wood.
On the promenade from the lobby to the elevator, I saw this log bench. This is one of the two log works created by the famous Korean artist, Lee Jae-hyo, for the hotel lobby, inspired by the lush virgin forest of Qingyuan.
There is no purely straight line in nature, the straight line is man-made, and we talk about the "law of nature", which is to emphasize the laws of nature.
This bench is a physical representation of the "law of nature". It's smooth and discernible, without a straight line, from a distance it looks like a bamboo product with a carved pattern, and when you look closely you will realize that it is made of all native wood piles, retaining the natural curves and textures inside the piles without too many traces of man-made traces, which transcends aesthetics, and is basically a philosophical object.
I put on the cheongsam and carefully sat in it y, feeling the material surrounded by silk, and the fusion of curves and body.
Eileen Chang said, "For people who can't speak, clothes are a language, and what you carry around is pocket theater." For me, living in the city, the cheongsam is a gentle woman's costume, leaving behind the hostility and focusing on the life of the moment.
The woman in the cheongsam is straight from a distance. But close up, the neckline is rounded, the shoulders are rounded, the waistline is sinuous, the whole body is curved and soft - cheongsam, it is the same as the materialization of nature, expressing the melody of the flow.
Single layer of silk, bundled rolled fine edge, plain blue and light yellow composed of wood texture like the abstract checkerboard, neckline placket oblique inserted into the shoulder, high collar wrapped around the neck, extends to the sharp chin, smiling lips, cold and proud eyes.
This cheongsam, which combines traditional oriental design with modern cutting and sewing methods, connects with the bench, the table, and the long screen, connecting the past and the future, life and art, the body and architecture.
Chest up, waist straight, neck straight, strong and soft, soft and strong.
Stone, texture, the dance of fabrics
Qianli Hotel owns a piece of extremely luxurious oriental garden beauty: the unique stream water system connects the hotel's functional areas, the meandering stream, the water gurgling, just like the original natural water system; granite-based stone berms with pink plantain, iris, reeds and other plants. The granite-based stone berms, with pink plantain, water iris, reeds, water lilies and other characteristic aquatic plants, are more interesting in the context of the staggered green configuration on both sides of the river.
Single carry out, Qianli stone landscape is different forms: the entrance area of the central building is the same color as the building facade stone, ring garden road is beige granite ice crack finish and small size natural surface gray and black horseshoe stone mixed pavement; pebble garden road with black, yellow and white pebbles with the use of stainless steel strips in the middle in the form of curved transitions, quite an ancient style.
In the lobby, corridors, conference halls, children's playgrounds ...... almost all spaces have the opportunity for you to encounter one or two pieces of stone carving works of art, due to the eyes, the stone's heavy texture came to the surface.
Even inside the room, will also use the entire surface of the rustic original stone paving wall, the use of terrazzo marble to do the terrace bathtub, the sense of stone texture, in all areas of vitality.
Especially like a piece of the courtyard in the Chinese restaurant, the stone courtyard, and CHANSARR Chansarra Orientalist style clothing.
High-necked, tight, short-sleeved short T-shirts; loose, spread-legged flared pants; Chinese slim-fit shirts - it's a whole group of new Chinese outfits in the same fabrics, with a very muscular feel. The fabric itself is complex, with a highly stretchy brown knit perforated fabric base, lined with a gray velvet material pattern.
This is a wonderful fabric, combining a variety of seemingly contradictory qualities: it looks very thick, in fact, very lightweight and breathable, summer wear on the body through the wind, the fall put the shirt up and feel warm; it is a very simple and elegant color scheme, the whole set of wear on the body, but not monotonous, the two colors from head to toe wrapped in the whole body, such as the stone as tough as water like flow.
The right fabric, with the right cut, such a garment will dance, you only need to read its oriental temperament lies in the loose and tight, in the tension and relaxation, in the contradiction *** birth, you will understand why I will be in this temple general rock compound, spinning and dancing.
Looking up between spins, I saw a slanting slice of daylight coming in above the stone doors of the main building of the Chinese restaurant, as magnificent and magnificent as a Greek temple at sunset.
Trees, lush and cotton and linen crisp
The breakfast buffet at the Qianli Hotel doesn't end until 11 a.m., and every day I've been there, I've been more than happy to enjoy a long breakfast hour. Dining on the outdoor terrace of the all-day dining restaurant, looking out over the green hills surrounding the park, amidst the lush forest, enjoying the water feature of brown fire pits and falling water directly below, and dressed in cotton and linen grass-green clothes, is a delicate picture in itself.
Looking far and wide, Qianli's garden is rich in greenery: tall balsam fir, Nanyang fir and autumn maple are the skeleton of greenery; flowering trees such as red-flowered bauhinia, flame wood and white orchid tree are responsible for the richness of color; shrubs such as red carrion, fuchsia, le azalea and juliet, as well as groundcover such as periwinkle, asparagus, and silver-edged maitake are responsible for the lushness of the landing.
Lush, refreshing, Japanese landscape like a heavenly mood in this garden has been fully embodied, plant color is not perfect, but also just to avoid the traces of artificial axe chiseling. Rocks, plants, streams and stone lamps are interspersed with each other in a simple and tranquil way.
Compared with the open space, the hidden courtyard has a special interest. There are some sunken spaces in the courtyard, with plants of different heights, creating multiple small communication spaces. Traditional gardens pay attention to the winding paths in the sunken courtyard can be reflected, through the creation of high and low levels, to bring a richer sense of visual space.
With such a rich lush, don't wear complex. Grass green bottom, daisy flower decoration, rolling emerald green fine edge of the small blazer collar shirt, trunk blue-green cotton wide-legged pants, shrub green single-layer cotton lace-up long trench coat, with the same color bandana, such a set of green clothes, counted as a harmonious woodland elf style it.
Such a modeling stroll through the forest path, pick a leaf through the sun to see the stream, the distant mountains, fully feel at ease on earth.
A flower a world, a leaf a search, a song a sigh, a lifetime for a person - the so-called great freedom, that is, the harmony of man and nature **** life situation it.