Ayumi Hamasaki All Information

Chinese Name : Ayumi Hamasaki

English Name : Ayumi Hamasaki

Nick Name : Ayu

Birth Date : October 2, 1978

Blood Type : Type A

Height : 156CM

Weight : 40 KG

Astrology: Libra

Birthplace: Fukuoka Prefecture

People I find most attractive as a woman: Keiko (Globe), Rie Miyazawa, Seiko Matsuda

About music: Influenced by my relative's big brother, I've been listening to rock since I was a kid (Led Zeppelin, Deep Purple). Recently, I like to listen to black music like Babyface and EnVogue.

Favorite Actors: Nicolas Cage, Rie Miyazawa

Favorite Movies: The Bodyguard, Betty Blue, Leaving Las Vegas

People I Look Up To: People who have something they don't have

People I Respect: People who have something they don't have

People I Hate: People who have something they have. p>

Dislikes: People who lie, people who don't say hello

Passion: Collecting white ornaments related to room furnishings, collecting shoes (sorting them by color and heel height)

Favorite food: Cookies, cakes, chocolate, Korean kimchi, sashimi, raw liver, sweets (wagashi)

Favorite books: Fashion magazines, poetry in the vernacular, and books about fashion.

Specialty: Piano, Calligraphy (5 dan), Beadwork, Flower Arithmetic

Affiliations: avex trax

Ayumi Hamasaki (October 2, 1978 -) is a Japanese female singer, a nationally protected figure, and belongs to the Japanese company Avex Inc. Born in Fukuoka City, Fukuoka Prefecture, Japan, she attended Horikoshi High School in Tokyo during her middle school years (dropping out halfway through). She is recognized as one of the "Heisei's Three Hottest Hotties" and is one of the most popular Japanese pop divas of recent years. （Her influence is felt throughout Asia, especially in East Asia, and in other parts of the world. Ayumi Hamasaki has a pivotal position in the Japanese music industry, not only as a singer, but also as a fashion representative of the young generation in Japan, leading the fashion trends in Japan and even in Asia, and playing the role of a mainstay of the ever-changing fashion trends in Japan.

Since her debut single "poker face" on April 8, 1998, Ayumi Hamasaki has written all of her own lyrics. Her lyrics are like a mirror, clearly presenting her thoughts and contradictions about life, work, and self without reservation. As one of the most famous Japanese singers in recent years, she has released 43 singles, 9 albums, 1 mini-album, 19 remixes and 4 anthologies in her native Japan*** to date. The total number of copies sold exceeded 50 million. She became the fourth highest-selling artist in Japanese music history. She has set new sales records in her native Japan, and in 2006, with the release of her 40th single "Blue Bird", she became the highest-selling female artist in Japanese music history, with a total of more than 20 million copies sold. Her album sales have been even more impressive, with most of her nine albums released to date topping the annual album sales charts (the Japanese oricon charts).

Ayumi Hamasaki grew up in Fukuoka Prefecture, a beautiful part of Japan, and looked out of the window of her home at a vast green field, but Ayu grew up in a home that was not quite as breathtaking as the natural scenery. Her parents divorced when Ayu was very young, and because of this, she was left alone at a young age with unimaginable loneliness and isolation, often feeling helpless!

Ayu was destined to be naughty and mischievous from the day she was born, with her chubby little arms and legs constantly moving around. The conservative father did not like girls very much, Ayu's croaking, his heart's expectations were shattered, swaddling Ayu seems to be able to read his father's mind, every time he saw his father will bloom a big smile, and hands dance. Seeing such an adorable little baby, his father couldn't help but relax his tightly-knit brow and smile, and gave Ayu all of his love and care. But the happiness and joy was short-lived, and by the time Ayu was three or four years old, her father was seldom concerned about her, and focused more on arguing with her mother, and his father began to hate the idea of having Ayu around, so he insisted on taking her away despite the objections of her grandmother and mother. His father also began to hate the idea of Ayu hanging around him, so he insisted on sending her to kindergarten despite the objections of Ayu's grandmothers and mother. One day when Ayu returned home from kindergarten, she saw her parents busily packing and carrying their luggage to the car. She watched them with wide eyes as they moved around in front of her, but in her heart she wondered what they were doing. Finally Ayu couldn't resist the temptation of curiosity and asked out loud, "Where are you going?" "Dad is going on a business trip." Father said lightly. The well-behaved Ayu told her father to be careful like a little adult. Although her father heard Ayu's response, he didn't turn around to look at her again, but just silently continued to move his luggage, and then drove his car and disappeared from Ayu's life.

After her father left, Ayu was left with her mother and grandmother. The mother took on the role of head of the family and worked as a saleswoman for an insurance company, while the grandmother took over the housework from the working mother and took care of Ayu, who had naturally become a pillar of support for the young man since then. Although both her mother and grandmother treated Ayu like a treasure in their hands, her father's heartfelt departure left a lonely hole in her heart and caused her to lose trust in everyone, and she seemed to have matured in an instant.Ayu's behavior in kindergarten showed that she was different from other children. While most ordinary children would shout and complain to their teachers, Ayu seldom cried or pouted, and did not play games with other children, sitting quietly and watching others laugh or cry. After learning of Ayu's isolation from her kindergarten teacher, her mother didn't worry about guiding her back to the world of her peers and took a laissez-faire attitude because she thought Ayu's independent, non-dependent personality was a good thing. Her mother even gave Ayu, who was only five or six years old, the keys to the house, so that she could go to school and come home by herself. One day when Ayu came home and tried to open the door, she realized that the key was missing. Since her mother came home late, her grandmother was out of town, and it was already getting dark, Ayu thought she couldn't wait any longer, so she looked around to see if there was a window that was left open that she could use to get in, but she couldn't find it. So you want to break the window, small Ayu in the yard to find a chair, stand up, swinging his fist, hard to the glass, the glass is broken, can of Ayu hand and wrist is also glass stabbed blood flow.

As a child, Ayu was very cute and pleasant to look at, which is what her mother recognized most and was most proud of. Her mother also believed that Ayu had the talent to be active in the acting world, so she began to cultivate Ayu's acting talent, and when she enrolled Ayu in a talent class, she told the teacher that Ayu would definitely be able to become a big star in the future. Although her mother forced her to take additional talent classes, Ayu, who had always been very assertive, did not show any impatience or resistance, because she was also very interested in the piano, which could produce tinkling sounds from a big box, and the ballet, which was a dance on the tips of her toes, and enjoyed it, often playing the piano as if she were in a trance, and she couldn't get Ayu to stop playing it for four or five hours. Four or five hours of non-stop playing could not make Ayu happy. Ayu also worked very hard at ballet, always dancing alone in front of the mirror at home after returning from the dance class, so she was one of the best dancers in the dance class, and even in elementary school, she wore her grandmother's hand-sewn costume and danced Swan Lake and The Nutcracker in a performance at the Fukuoka Civic Center...

The Nutcracker is the first dance in Fukuoka that Ayu has performed.... ...

When Ayumi Hamasaki arrived in Taiwan, some fans cried tears of joy for her, but in Shanghai, everyone was stunned by a tightly packed line of black bodyguards, looking on in silence. Half an hour later, a small girl less than 1.60 meters tall came out like a flower. Wearing a hat, her large eyes rolled around and her colorful fingernails were alarmingly long. It's hard to connect this tiny woman with the gorgeous talent in the photo, but someone told me: this is called "Hundred Changes", a moment can become a god, a moment can become a girl next door, when silent, call for love, when talking, call for intoxication, Hundred Changes is to let the two contradictory temperament coexist in the same body: sexy and refreshing. Because she is Ayumi Hamasaki. The Japanese have always been attracted to beautiful women who are "young" enough and change quickly enough. But when it comes to Ayu Hamasaki, the rules have all changed, and she's been so popular for so long that people call her "The Goddess of Pop". In Japan's ever-changing fashion, only the 29-year-old beauty Hamasaki Ayumi jade face to look forward to - because everyone knows, where the step sister like, must be popular. From the rabbit girl derived from catering to the public with long claws, cool eyes leopard girl, from the movie "Silence of the Lambs" poster to get out of the butterfly face, and even the computer synthesis of seamless half-cat face and half-beauty face, Hamasaki Ayumi hundred taboo, more amazing is: almost every one of her look can set off a wave of imitation frenzy, so that Japan's major manufacturers will be respectful of the treatment of lucrative advertising contracts in both hands! The most surprising thing is that almost every look she does is a hit, causing Japanese manufacturers to respectfully offer lucrative advertising contracts. In all honesty, in the beauty of the clouds, especially in the beauty of the clouds of Japan, Hamasaki Ayumi is not unforgettable top beauty, she should belong to the cute type more, doll face, round eyes, like from the Japanese animation came out of the girl, although not tall, rare is the body is hot 80/53/82, had been rich Barbie doll manufacturers awarded " 2001 Barbie Award" (barbie award 2001) winner ......

Hundreds of talents At the age of 20, she broke the cocoon into a butterfly, with surprising speed to become the industry's famous set of lyrics, compositions, singing as a creative singer. The world downturn, economic contraction, fiscal deficit, financial bubble ...... these terrible words for the 25-year-old Hamasaki Ayumi has no effect, she just keep singing, singing, singing, change, change, change, more and more red, red and purple. She set an unprecedented record of three consecutive years of total single sales exceeding 5 billion yen, and became the first singer in Japanese music history to have total music CD sales exceeding 20 billion yen for two consecutive years.In 2001, Ayumi Hamasaki won more than 20 various music and fashion awards in one year.In 2002, Ayumi Hamasaki broke two triple crowns in two days: an "all japan request award" the highest honor award. The most noteworthy thing about her nails, she is Japan's "Queen of Nails" triple crown, Hamasaki Ayumi as a nail trend, the most know how to match the nails and fashion artists, listed as the nail business of the Hall of Fame figure ...... not only has a beautiful shell, she is also good at writing lyrics! In her 2002 album "I am...", she managed to write most of the lyrics. In her 2002 album "I am...", she managed to write most of the lyrics, and Japan's "Nikkei Entertainment" magazine selected her as a representative of "good songs" on the grounds that her lyrics encourage people to give more to others without asking for anything in return, which awakens the young Japanese girls who adore vanity, and her positive and optimistic attitude towards life permeates her works, teaching girls to be independent, strong, and courageous. Her positive and optimistic attitude toward life also permeates her works, teaching girls to be independent, strong, and courageous, and she is therefore considered to be the most effective lyricist among 21st century female singer-songwriters in persuading girls to go on the right path. In addition to singing and performing in concerts, Ayumi Hamasaki's advertisements have also dazzled many people, creating many of the industry's "most". The boss coffee advertisement is the most popular advertisement among Japanese television viewers; since she has been the spokesperson for Panasonic's digital cameras, her "lumix" digital camera has gained market share. "



































Life Life Don't look at the stage Hamasaki Ayumi bright and shiny, big eyes flash ah flash uninitiated, the little beauty's past is really said to be miserable. Like Madonna, who ate out of a dumpster when she was a teenager, Ayumi's past is even worse than Madonna's, as she was abandoned by her father at a very young age and had to work as a child laborer at the age of seven to help pay for her family's expenses. Though she lost her freedom after she made it big, she couldn't shop at department stores, couldn't go shopping like a normal girl, and couldn't freely go to the movies with her beloved, but Hamasaki Ayumi was happy, and was able to provide her family with a high standard of living, and everything was just fine with her.

[Edit paragraph]Film and television experience

Japanese diva Ayumi Hamasaki, as early as seven years old, has been playing advertising model. When she was in her second year of middle school, she participated in the casting call for the TV Asahi drama "TWINS Teacher". She was selected under the name Hamazaki Kuruyu (HAMAZAKIKURUYU) as one of the supporting roles, "Tachibana Momo", along with Kyoka Suzuki, Miho Yasuno, and Mai Hosho. After graduating from high school, she moved to Tokyo alone. In 1994, she joined the "SUNMUSIC" agency and started her acting career.

In television, she has appeared in seven dramas, including "Underage," written by Shinji Nojima, and "Dark Violet Pupil" (暗黑色的紫瞳, Dark Pupil, Ai, Magic Shadow Violet Light), which was written by Shinji Nojima. Ai, Magic Shadow Violet Light, aka: (The Girl with the Violet Eyes, Dark Black Violet Pupils). Others include "The Murder of Maiden A", "Who It Must Be To Meet", "Murder Reasoning", and "Journey to the West". But mostly appear in supporting roles. In terms of movies, one of the best known is "Like GrainsofSand" (1995), directed by Hashiguchi Ryosuke. Others include "School 2" in 1996. Japanese actresses usually go through a period of being a "swimsuit girl" before they become famous. Ayumi Hamasaki is no exception. In order to increase her exposure, she often had to take swimsuit photos for comic magazines and men's magazines, and although it did increase her popularity at the time, this kind of "cash cow" type of work was very offensive to her, and in September 1995, Hamasaki Ayumi changed her image, and released a hip hop style album under the name of AYUMI. The songs on the album were all RAP-based. There was a J-RAP craze in Japan, and Ayumi took advantage of it to become a singer. (Ayumi Hamasaki's singing experience has already been introduced. I won't repeat it here.)

A few days ago, Japan's "pop godmother" Ayumi Hamasaki, after breaking through in the music industry, jumped onto the silver screen, through the short movie "Sunken Moon" to show her all-round talent!

According to Taiwan's China Daily, "Sinking Moon" is the script of Japanese director Hsing Ting-hsun, who is known internationally for his work on "GO", who was inspired by the lyrics of Ayumi Hamasaki's newest single, "VOYAGE", and completed the script himself. The 40-minute-long story focuses on the past and present lives of a man and woman in love, with Ayumi Hamasaki playing two roles: a hospitalized patient suffering from heart disease and an ancient princess. The movie is a touching masterpiece of love, with scenes spanning the ancient and modern worlds and poignant images.

[edit]Collaboration Team

AYU

Guitarist: Yoshio Nomura Yoshio Nomura -- Hamasaki Ayumi played guitar for her as soon as she made her debut, and is a good friend of Hamasaki Ayumi. He is the guitar uncle, he is very nice and humorous, and often takes care of Hamasaki Ayumi. Official Website /

Bass: Enrique Hamasaki Ayumi's special bass player - the bass played first class! Official Website /

Backing Vocalist (Chorus) : Yoko "Princess" Yamazaki Yoko "Princess" Yamazaki is more gentle than Miwako. Her voice is also softer.

Keyboards: Miyazaki Yutsuke is a cool kid. Someone once confessed to him at a concert and asked him what he liked, to which he replied: boring people

Keyboards: Shimizu Shunya Mischievous kid

Drums: Eguchi Nobuo Eguchi Nicknamed "colorful ghost" (because of the name) Ha! His nickname is "The Colorful Ghost" (because of his name). First appeared from the 02 stadium

DANCER (dancers) part:

Male dancers:

Tsuyoshi "Go-mi" Otsubo (that's the one with a beard and very old)

Shuya Mizuno (my name's WOMEN and other PV of the main character)

The drums (Drums): Eguchi Nobuo Eguchi, nicknamed "colorful ghost" (because of the name) ha, very home-loving a person. )

Subaru Tomita (the one in talkin' 2 myself who is a great spinner)

Nobuhide "Hide" Tashiro (the one who played Romeo in the HAPPY ENDING in ARENA TOUR 2005, but seems to have left now)

Naoto Kataoka (Personally, I think he's the best looking one - the male lead in the CAROLS sequence in ARENA TOUR 2005)

Yusaku Jin "Zin" (the one who teaches MY ALL dance)

Female dancers: