How do you evaluate the stage style of the play "Red Rose and White Rose"?

I like the classic line in the play: "Perhaps every man has had two such women, at least two. Marrying a red rose, over time, the red one becomes a smear of mosquito blood on the wall, while the white one is still a bright moonlight in front of the bed; marrying a white rose, the white one is a grain of rice sticky on the clothes, while the red one is a vermilion sand mole on the mouth of the heart." The passionate performances of the actors did not disappoint the "dull" woman in me who braved the cold to go there. The stage is separated by a large glass wall, separating the stage into two spaces, one belonging to the white rose, dull chairs, dull Meng smoke oriole. As if the rice sticky, let a person abruptly tasteless. One belongs to the red rose, European-style small round table, and phonograph, enthusiastic Wang Jiao Rui, like the heart of the vermilion sand mole, touching everyone's heart.