1. Sleep: Sleep means rest; Food: diet refers to daily life; Chu: In the article, it is an excuse to "store". In ancient times, storage and storage were homophonic, and they were universal when expressing the meaning of "saving". H: hope; Jane: Baby. Weight: value, not despise.
This sentence can be divided into four words: sleep, food, Chu, hope, treasure and weight. Where "sleep" means "sleep"; "Food" refers to "diet"; "storage" is an excuse for "storage" in the text, which means that "savings" is universal; "Hope" is "hope"; Jane is "precious"; "Emphasis" means "attention".
In short, "sleep, eat and cherish" is to hope that everyone will pay attention to their health, have a good attitude and have enough rest in their lives.
Zhu Guangqian's pronunciation is zhū guāng qián n.
Zhu Guangqian (1September 89719—1March 6, 986) was born in Tongcheng, Anhui (now Jia Zhu's old house in Da 'ao Village, Qilin Town, Zongyang County, Anhui Province).
In the 11th year of the Republic of China (1922), he graduated from the Faculty of Arts of Hong Kong University.
In the 14th year of the Republic of China (1925), he studied at the University of Edinburgh, England, devoted himself to the study and research of literature, psychology and philosophy, and later obtained a doctorate in philosophy from the University of Strasbourg, France.
After returning to China for 22 years (1933), he successively served as a professor in Peking University, Sichuan University and Wuhan University.
In 35 years (1946), he taught aesthetics and western literature in Peking University.
1March 6, 986, Zhu Guangqian passed away.
Zhu Guangqian's main points:
Zhu Guangqian's aesthetic and literary thoughts take humanism as the core and combine modern psychology to apply the aesthetic thoughts of modern humanistic psychology to literary research.
This paper reveals the qualitative difference between aesthetic sympathy and moral sympathy, and points out that aesthetic sympathy eliminates the boundary between subject and object, "separates instantaneous experience from life, and the subject is lost in the object", excluding the position of rational aesthetic sympathy.